‘Showgirl’ Conquers Showbusiness: Taylor Swift Releases 12th Album on Friday 

People wait to enter a Spotify pop-up event for Taylor Swift’s album "The Life of a Showgirl" in New York City, US, September 30, 2025. (Reuters)
People wait to enter a Spotify pop-up event for Taylor Swift’s album "The Life of a Showgirl" in New York City, US, September 30, 2025. (Reuters)
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‘Showgirl’ Conquers Showbusiness: Taylor Swift Releases 12th Album on Friday 

People wait to enter a Spotify pop-up event for Taylor Swift’s album "The Life of a Showgirl" in New York City, US, September 30, 2025. (Reuters)
People wait to enter a Spotify pop-up event for Taylor Swift’s album "The Life of a Showgirl" in New York City, US, September 30, 2025. (Reuters)

With the meticulously planned release of Taylor Swift's 12th album this Friday, the country singer-turned-pop star demonstrates again that she is as business savvy as she is musically adept.

From hints dropped during her last tour in 2024 to movie screenings this coming weekend to accompany the new album's release, "Taylor Swift has perfected marketing as narrative art," said Robin Landa, a professor who studies advertising and branding at Kean University.

"She doesn't simply release an album -- she orchestrates a cultural phenomenon."

The massively hyped "The Life of a Showgirl" album was inspired by Swift's experiences during her record-breaking "Eras" concert tour, which coincided with the singer's romance with her now-fiance Travis Kelce, a three-time Super Bowl champion football star.

The 12-track record "comes from the most infectiously joyful, wild, dramatic place I was in in my life -- and so that effervescence has come through," Swift herself promises.

That appears to signal a return to pop after her darker 11th album, "The Tortured Poets Department," last year.

Swift, 35, has said to expect "bangers" -- high-energy, dance-friendly songs -- in the ilk of her fan-favorite "22" and "Shake It Off," and created with the same Swedish production duo, Max Martin and Shellback.

To call "The Life of a Showgirl," which features a duet with rising pop star Sabrina Carpenter, eagerly anticipated is an understatement.

The album is the most pre-saved album ever on the Spotify streaming platform, breaking the record set last year by Swift's last album.

- 'Ownership' -

Accompanying the album, movie theaters in dozens of countries will host special screenings from Friday through Sunday of a music video, a making-of featurette, personal commentary by Swift about her songs, and a karaoke-style singalong.

The one-off movie event is estimated to gross between $30 million and $50 million, according to film industry website Deadline.

Swift, who first announced the album on Kelce's popular podcast last month, is "really taking ownership of the whole process, in every aspect of her music and her presentation to the public," said Toby Koenigsberg, a music professor at the University of Oregon.

Swift's "Eras" tour also spawned its own movie theater event and underlined "the importance of having fan communities that interact in real life, not just on social media," he added.

One element that has long connected "Swifties" -- the nickname for her die-hard fans -- online is the frantic search for "easter eggs," or clues about Swift's upcoming projects scattered through her album booklets, music videos, concerts and social media posts.

- Easter eggs -

Swifties noticed that, in a letter to her fans in May, Swift spelled the words "thiiiiiiiiiiiis" with 12 "i"s -- taken by some to indicate her 12th album was imminent.

Once the first album images of "The Life of a Showgirl" were released, featuring cabaret-inspired outfits in orange and green tones, thrilled devotees rushed to social media to point out clues supposedly buried in Swift's 2022 music videos, as well as certain costumes from her latest tour.

"Taylor's Easter eggs are one of the most brilliant fan engagement tools in modern music," said Landa.

"This strategy creates free marketing through fan theories and social media speculation -- essentially turning her audience into her promotional team."

So, is Swift a musician or a businesswoman?

"Sometimes people talk about her business acumen, which is really remarkable... but at the core of what she does is her songwriting," said Koenigsberg.

Swift is "able to consistently write good songs, year after year, album after album, in a way that almost nobody else can."



‘KPop Demon Hunters’ Wins Best Animated Feature Oscar

Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
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‘KPop Demon Hunters’ Wins Best Animated Feature Oscar

Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

“KPop Demon Hunters” won the Oscar for best animated feature on Sunday, capping a record-breaking run after becoming Netflix’s most-watched film ever on its 2025 debut.

"For those of you who look like me, I'm so sorry that it took us so long to see us in a movie like this, but it is here," Reuters quoted director Maggie Kang ⁠as saying on stage. ⁠She said the win was for Korea and for Koreans everywhere.

The action-packed feature was also nominated for best original song for “Golden,” written by EJAE and Mark Sonnenblick. The film follows Huntrix — Rumi, Mira and Zoey — ⁠a global KPop girl group who juggle superstardom with their secret lives as demon hunters.

The animated musical fantasy previously swept major awards, winning best animated feature and best song at the 31st Critics Choice Awards and best animated motion picture and best original song at the 83rd Golden Globes.

Animated by Sony Pictures Animation, the Netflix hit also earned a Grammy ⁠for ⁠best song written for visual media, marking the first-ever Grammy win for a KPop song.

Directed by Kang and Chris Appelhans, the film’s soundtrack has trended worldwide. In a January 2026 press its most-watched title over a six-month period with 482 million views and 32 million views for the film's lyric videos.

Other nominees in the best animated feature category included “Zootopia 2,” “Arco,” “Little Amélie or the Character of Rain" and "Elio."


With Oscar Race Locked, Actresses Celebrate Backstage Anyway

Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
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With Oscar Race Locked, Actresses Celebrate Backstage Anyway

Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP

At an Oscars full of nerve-shreddingly tight races, best actress was one of Sunday night's few entirely predictable categories.

Pundits were -- correctly -- unanimous that Jessie Buckley would win for her tear-jerking turn as William Shakespeare's wife in "Hamnet."

But that did not stop her rival nominees enjoying the night -- if anything, they were the life and soul of the party.

Emma Stone, a two-time best actress winner already, spent much of the ceremony happily chatting backstage with friends and admirers in the theater's most exclusive lobby.

"The bar is the place!" Stone, nominated for her role in conspiracy theory thriller "Bugonia," told AFP.

Indeed, while the Oscars are being handed out in the adjoining theater, the Dolby Theater's ground-floor bar is renowned as a free-flowing gossip, networking and champagne spot for the industry's movers and shakers.

Stone jokingly admitted she wasn't sure exactly how many Academy Awards she'd attended, but by now knew where to wait for her category to come up.

For Norwegian actress Renate Reinsve, it was a second trip to Hollywood's top awards show, but a first as an acting nominee.

She came to the Oscars four years ago for best foreign film contender "The Worst Person in the World," but was personally recognized this time for "Sentimental Value."

"It's so much more chill this time -- this time I actually know people!" she told AFP.

Moments later, she effusively greeted Pedro Pascal like an old friend. He promptly stepped on her toe as they embraced and profusely apologized, to mutual laughter.

After her fellow supporting actor and actress nominees had missed out in their early categories, the film's Norwegian team gathered at the bar again with their plus ones.

"Last time I couldn't bring a guest. This time, I got to bring my sister," the Norwegian star added.

Reinsve predictably lost best actress, but the whole gang took to the stage as "Sentimental Value" won best international film.

"It's about a very dysfunctional family, and it's the opposite of what I felt of this beautiful group behind me," said director Joachim Trier, from the stage.

'Exciting'

This year, the Oscars bar's raucous chatter was muted temporarily by the moving tribute to Rob Reiner and the start of the "In Memoriam" section honoring Hollywood legends who died this year.

There was spontaneous applause when Catherine O'Hara, star most recently of Hollywood satire "The Studio," was shown on screens.

Inside the theater, wins for "Sinners" consistently drew the loudest cheers from the in-person audience, with even those in the nosebleed seats rising to a standing ovation when Michael B. Jordan won best actor.

"It's so much more chill this time -- this time I actually know people!" she told AFP.

Moments later, she effusively greeted Pedro Pascal like an old friend. He promptly stepped on her toe as they embraced and profusely apologized, to mutual laughter.

After her fellow supporting actor and actress nominees had missed out in their early categories, the film's Norwegian team gathered at the bar again with their plus ones.

"Last time I couldn't bring a guest. This time, I got to bring my sister," the Norwegian star added.

Reinsve predictably lost best actress, but the whole gang took to the stage as "Sentimental Value" won best international film.

"It's about a very dysfunctional family, and it's the opposite of what I felt of this beautiful group behind me," said director Joachim Trier, from the stage.

'Exciting'

This year, the Oscars bar's raucous chatter was muted temporarily by the moving tribute to Rob Reiner and the start of the "In Memoriam" section honoring Hollywood legends who died this year.

There was spontaneous applause when Catherine O'Hara, star most recently of Hollywood satire "The Studio," was shown on screens.

Inside the theater, wins for "Sinners" consistently drew the loudest cheers from the in-person audience, with even those in the nosebleed seats rising to a standing ovation when Michael B. Jordan won best actor.


‘Hoppers’ Tops N. America Box Office for 2nd Straight Week

Jon Hamm. (Getty Images for Disney)
Jon Hamm. (Getty Images for Disney)
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‘Hoppers’ Tops N. America Box Office for 2nd Straight Week

Jon Hamm. (Getty Images for Disney)
Jon Hamm. (Getty Images for Disney)

"Hoppers," the latest original animated film from Disney's Pixar, maintained its position atop the North American box office with $28.5 million in ticket sales in its second weekend, industry estimates showed Sunday.

The adventure comedy, which tells the story of young animal lover Mabel who uses technology to transfer her consciousness into a robotic beaver so she can better communicate and protect wildlife, has now pulled in $165 million worldwide, according to Exhibitor Relations.

The voice cast features Meryl Streep, Jon Hamm, Kathy Najimy and Piper Curda as Mabel.

Debuting at number two was Universal's romance "Reminders of Him," based on the novel by Colleen Hoover and starring Maika Monroe and Tyriq Withers. It earned $18.2 million in the United States and Canada.

"This is an excellent opening for an original romance picture, at well above average levels for the genre," wrote analyst David A. Gross of Franchise Entertainment Research.

Another new arrival, the horror flick "Undertone" distributed by A24, came in third, with $9.3 million in ticket sales.

The it's-coming-from-inside-the-house scare-fest, complete with a deeply unsettling soundscape, narrowly bested the latest in an iconic series of the genre, "Scream 7."

Paramount's new installment in the 30-year-old slasher series, featuring yet another Ghostface killer, held onto fourth position earning $8.3 million, for a global three-week total of $176.5 million.

Sony's family-friendly animated film "GOAT" -- the story of an undersized domesticated mammal who wants to join a basketball-like "roarball" team -- in its fifth week slipped one spot to fifth, at $4.7 million, and $162.5 million globally.