'Tron: Ares' Tops Box Office but Falls Short of Expectations with $33.5 Million Debut

Jared Leto, left, and Jeff Bridges arrive at the premiere of "Tron: Ares" on Monday, Oct. 6, 2025, at TCL Chinese Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Jared Leto, left, and Jeff Bridges arrive at the premiere of "Tron: Ares" on Monday, Oct. 6, 2025, at TCL Chinese Theatre in Los Angeles. (AP Photo/Chris Pizzello)
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'Tron: Ares' Tops Box Office but Falls Short of Expectations with $33.5 Million Debut

Jared Leto, left, and Jeff Bridges arrive at the premiere of "Tron: Ares" on Monday, Oct. 6, 2025, at TCL Chinese Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Jared Leto, left, and Jeff Bridges arrive at the premiere of "Tron: Ares" on Monday, Oct. 6, 2025, at TCL Chinese Theatre in Los Angeles. (AP Photo/Chris Pizzello)

“Tron: Ares” powered up the box office grid in the top spot this weekend, but Disney’s third entry in the sci-fi franchise fell short of expectations.

Despite some favorable reviews — including a three-out-of-four-star one from The Associated Press — the new “Tron” film starring Jared Leto, Greta Lee and Jeff Bridges earned $33.5 million, according to Comscore estimates on Sunday. The big-budget project, reported to cost around $150 million, arrived 15 years after “Tron: Legacy” opened to $44 million before grossing more than $400 million globally.

The latest chapter follows a battle between two powerful technology firms, Emcom and Dillinger, who face off against the same artificial intelligence barrier. Both can generate physical creations using laser-based 3D printers — but each creation lasts only 29 minutes before collapsing into ash.

“Tron: Ares” was packed with action and nostalgia, but it wasn't enough to draw big numbers across more than 4,000 theaters.

“It's been tough for that franchise to gain traction for it to become a big mega franchise," said Paul Dergarabedian, the senior media analyst for Comscore. He noted that the original “Tron” movie in 1982 initially struggled at the box office, but it ultimately grew a cult following.

The Associated Press quoted Dergarabedian as saying that the international numbers could play a key role toward the film's profitability.

“It still topped the box office,” he said. "It picked a solid release date. All eyes are on a big Disney film that is a huge brand, known and has been around for decades.”

It wasn't the only new release that struggled to connect.

“Roofman,” which starred Channing Tatum and Kirsten Dunst in the blue-collar dramedy about a construction worker trying to rebuild his life, opened in second place with a modest $8 million debut.

Paul Thomas Anderson’s “One Battle After Another” came in third with $6.6 million. “Gabby’s Dollhouse: The Movie” held steady in fourth place with $3.3 million. The Netflix and DreamWorks family release — based on the popular preschool series — continues to perform well with younger audiences in its third weekend.

In fifth, “Soul on Fire” debuted with $3 million. The faith-based drama tells the true story of burn survivor and motivational speaker John O’Leary, featuring performances from Joel Courtney, William H. Macy and John Corbett.

"The Conjuring: Last Rites" followed with $2.9 million, marking another steady entry in Warner Bros.’ long-running horror franchise.

In seventh, “Demon Slayer: Kimetsu no Yaiba – Infinity Castle” brought in $2.2 million, continuing the anime franchise’s strong theatrical momentum worldwide.

“The Smashing Machine,” starring Dwayne Johnson as UFC legend Mark Kerr, added $1.7 million in eighth place.

Rounding out the top 10 were “The Strangers: Chapter 2” with $1.5 million and “Good Boy” with $1.3 million.

After a couple big weekends last month, the box office has taken a hit in October — a month that Dergarabedian calls a bridge month between summer and holiday movie seasons. He said this month is perfect for films like “The Smashing Machine” and “After the Hunt,” which releases Oct. 17, to shine in their own way.

“If you're a movie fan, particularly in the indie, art house, award season types of film, this is a great month,” he said. “Moviegoers should embrace the eclectic offerings out there on the big screen.”



Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
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Louvre Heist to Be Turned into Film

 The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)
The Louvre Museum seen in Paris, France, November 17, 2025. (Reuters)

Last year's brazen robbery of the Louvre -- when thieves made off with jewellery worth some $100 million -- is set to become a movie, a publisher said on Tuesday.

French director Romain Gavras -- whose work includes 2025 Hollywood film "Sacrifice" starring Anya Taylor-Joy and music videos including most recently a hypnotic schoolboy choreography for GENER8ION -- will draw inspiration from the investigative book "Main basse sur le Louvre" (literally "A grab at the Louvre").

Film rights to the book about the October 19, 2025 heist had been sold to the production company Iconoclast, the Flammarion publishing house said.

The book, written by three journalists, from French dailies Le Parisien and Le Monde, and weekly glossy magazine Paris Match, is to hit bookstores on Wednesday.

According to trade magazine Le Film Francais, the movie project is in development, though neither the title nor the cast has been announced.

The Louvre heist sent shockwaves around the world and sparked a security crisis within the world-famous museum that ultimately led to the replacement of its director, Laurence des Cars.

After seven months of investigation, and despite the arrests of the main suspects, the jewels have still not been found.

The authors said their apparent disappearance "has become a dense mystery, a puzzle that has plunged investigators into deep confusion".

The heist illustrates how "the theft of artworks has become a business like any other for many criminals", they say. "The criminal underworld has found a new cash cow."


'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
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'Spider-Noir' Brings a Mature Superhero to the Small Screen

Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP
Nicolas Cage stars in the new series "Spider-Noir". Michael loccisano / GETTY IMAGES NORTH AMERICA/AFP

While stars of the Spider-Man franchise have trended younger over the years -- from Tobey Maguire to Andrew Garfield to Tom Holland -- the new series "Spider-Noir" starring Nicolas Cage explores a more mature version of the web-slinging superhero.

Premiering on Amazon's streaming platform this week, the series follows Ben Reilly (Cage), a private investigator struggling to make ends meet in New York during the Great Depression, said AFP.

This marks the first time the superhero, whom Cage voiced in the first Spider-Verse film, has appeared on screen in live-action.

Karen Rodriguez, who plays Janet, Riley's loyal secretary, said that what sets "Spider-Noir" apart from other versions of the superhero is the era in which it is set.

"Normally, it's a coming-of-age story, and we're meeting Peter Parker in a youthful setting," she told AFP. "But what happens when you've done it and life has happened to you and you suffered loss?"

Reilly, a World War I veteran who can't even afford to pay his secretary, is burdened by personal tragedy.

"He's lost the love of his life. He's smack dab in the middle of the Great Depression. There's a lot of suffering," Rodriguez added.

For the actress, whose character maintains a constant push and pull with Reilly, working with Cage "was like a dream come true."

Rodriguez said she learned a lot from the 62-year-old Oscar-winning actor, who has over a hundred films to his credit.

"It's the type of job that you dream about because you want jobs that are going to make you better," said Rodriguez, who describes her character as a strong-willed woman who doesn't mince words.

"Spider-Noir," produced by Phil Lord and Christopher Miller, among others, can be seen in color or black and white, in a nod to the film noir genre of the 1940s.

"It's a wholly unique perspective," said Rodriguez, who sees the style as an "exciting" alternative for telling a superhero story.

The genre is related to "what kind of danger is looking around the corner," she said. "And even the visual elements of noir, I think are so evocative, the way that the camera is framed."

"You understand that the world you're never really safe, and we really see it in the black and white, because we're seeing people in shadow or in light, and the shadow is always there."

"Spider-Noir" also features performances by Lamorne Morris, Li Jun Li and Brendan Gleeson, who plays a mobster villain.


Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
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Disney’s New ‘Star Wars’ Film Opens with an Estimated $165 Million Worldwide

Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)
Cast member Pedro Pascal attends a premiere for the film “Star Wars: The Mandalorian and Grogu” at TCL Chinese theatre in Los Angeles, California, US, May 14, 2026. (Reuters)

New "Star Wars" film "The Mandalorian and Grogu" is expected to end the US Memorial Day weekend with roughly $165 million in worldwide ticket sales, distributor Walt Disney said ‌on Sunday.

About $102 ‌million of that ‌total ⁠will come from ⁠the United States and Canada, Disney said. The domestic total exceeds pre-weekend forecasts but is the lowest opening for any "Star Wars" ⁠movie released by Disney.

The ‌first "Star ‌Wars" movie in seven years ‌tells the story of a ‌helmeted bounty hunter and his sidekick, nicknamed Baby Yoda by fans. The duo debuted ‌on the small screen in the Disney+ streaming series "The ⁠Mandalorian" ⁠in 2019.

Disney's lowest-grossing "Star Wars" film, "Solo: A Star Wars Story," brought in $103 million over Memorial Day weekend in 2018 and was considered a flop. The "Grogu" movie, however, had a smaller budget than most other "Star Wars" movies, of about $165 million.