Taylor Swift Announces New ‘Eras Tour’ Docuseries and Concert Film for Disney+

Taylor Swift arrives at the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
Taylor Swift arrives at the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
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Taylor Swift Announces New ‘Eras Tour’ Docuseries and Concert Film for Disney+

Taylor Swift arrives at the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)
Taylor Swift arrives at the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP)

Taylor Swift's “Eras Tour” has come to a close — but the show must go on.

Swift, who is fresh off the release of her 12th studio album, “The Life of a Showgirl,” has more news to share. “Good Morning America” revealed Monday morning that she’ll have two new projects at Disney+. That’s a six-episode, behind-the-scenes docuseries about her landmark “Eras Tour” titled “Taylor Swift ' The Eras Tour ' The End of an Era.”

The first two episodes of her docuseries will premiere Dec. 12.

And that is not to be confused with the second, titled “Taylor Swift ' The Eras Tour ' The Final Show,” a concert film now with the inclusion of “The Tortured Poets Department” section. The 2024 album was incorporated into her three-and-a-half-hour performance following its release. It was filmed in Vancouver.

That differs from 2023's “Taylor Swift: The Eras Tour” film, which was compiled from several Swift shows at SoFi Stadium in Inglewood, a suburb of Los Angeles and arrived ahead of “The Tortured Poets Department.”

Swift's Disney+ projects are just the latest in a series of big announcements. In its first day of release, Oct. 3, “The Life of a Showgirl” sold 2.7 million copies in traditional album sales. That broke her record for most first week sales... in one day.

That's according to Luminate, an industry data and analytics company that began tracking sales in 1991.

Her last album, 2024’s “The Tortured Poets Department,” amassed 2.61 million equivalent album units in the US in its first week.

Also, according to Luminate, “The Life of a Showgirl” broke the record for the most copies of a vinyl album sold in a single week in the US, with 1.2 million copies in its first day.

The previous record holder was “The Tortured Poets Department,” which sold 859,000 copies on vinyl in its first week.

One of the reasons Swift has seen so much success is that she released her record in several different variants. Those include multiple editions specific to Target — three CDs titled “It’s Frightening,” “It’s Rapturous” and “It’s Beautiful,” as well as an exclusive vinyl release, “The Crowd Is Your King.”

There are a number of other vinyl variants as well: “The Tiny Bubble in Champagne Collection,” “The Baby That’s Show Business Collection,” “The Shiny Bug Collection,” and the standard LP and cassette, in “sweat and vanilla perfume Portofino orange vinyl.”



Australia’s Music Industry Bans AI-Generated Tracks from Official Charts

Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)
Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)
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Australia’s Music Industry Bans AI-Generated Tracks from Official Charts

Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)
Madonna poses before the Saint Laurent Spring/Summer 2026 collection presented in Paris, on Sept. 29, 2025. (AP)

Australia’s recorded music industry will bar tracks wholly generated by artificial intelligence from official charts as burgeoning generative technologies threaten artists’ livelihoods, a representative said on Tuesday.

The crackdown comes as a variation of Madonna’s pop hit “Like a Prayer” created by an Australian producer using AI-generated vocals and drums has spent 16 weeks in the Australian top 20, stoking debate about generative AI’s place in music. It peaked at number two on the Australian Record Industry Association’s top 20 Australian singles chart in May and remained in fourth place on Tuesday.

Wholly AI-generated tracks will be banned from the ARIA charts from Monday next week, but some AI-assisted music will remain eligible, an ARIA statement said.

Tracks can be eligible only if “humans wrote the song and performed the lead vocal and the primary instruments,” among other requirements, the statement said.

AI-generated music would also be ineligible for the Australian industry’s prestigious ARIA awards.

ARIA chief executive Annabelle Herd said: “These changes reflect our intent to remain dynamic and promote the human nature of artistry in what is — to say the least — a rapidly developing space.”

“The ARIA Charts will always remain a transparent measurement of the music Australia consumes, but a chart that rewards unlicensed AI output would undercut the very basis of the recorded music we exist to represent,” Herd added.

Eligible music must also be produced using legal AI services. Music was appearing on streaming services that had apparently been developed with AI tools trained on artists’ music without authorization.

The Australian rules are in step with new principles released in July by the London-based International Federation of the Phonographic Industry. The federation represents the recording industry worldwide.

The international guidelines state that to qualify for official music charts, a track must be “substantially human made.”

Sydney Conservatorium of Music composer and lecturer Alexis Weaver told Australian Broadcasting Corp. the debate around AI in music was “exceptionally fraught and very emotional for a lot of musicians and so everyone will have a different opinion.”

Weaver applauded ARIA’s move as a “wonderful step forward” that sent a message ARIA wanted to “prioritize and value human creativity.”

“It can be quite hard to avoid AI tools in the current landscape,” Weaver said. “There is a way to use it while you’re still steering the ship and making the main creative choices.”


Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France

Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France
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Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France

Qiddiya Investment Company, Paris Sign MoU to Explore Development of Entertainment Destination in France

Qiddiya Investment Company signed on Monday a Memorandum of Understanding with the French government to explore the development of a new entertainment-led, mixed-use destination in France.

The MoU was among several agreements and memoranda signed on the sidelines of the official visit of Prince Mohammed bin Salman bin Abdulaziz Al Saud, Crown Prince and Prime Minister, to France.

The MoU marks the beginning of a phase of joint work to define the project’s scope, development model and contractual framework, in accordance with the applicable procedures and approvals in France.

The project will build on the capabilities, experience and partnerships that Qiddiya Investment Company is developing from Saudi Arabia. It reflects the Company’s evolution as a Saudi national brand contributing to the creation and development of entertainment experiences while expanding its global presence.

Qiddiya City remains the Company’s flagship project and the principal reference point for its model. The international project will provide a platform to introduce Qiddiya’s Power of Play philosophy, broaden the Company’s experience and partnerships, and strengthen the presence of the Saudi model in global markets.


Dutch Say Won’t Participate in ‘No Longer’ Neutral Eurovision

A logo of the Eurovision Song Contest is seen in front of the St. Jakobshalle in Basel, Switzerland, May 1, 2025. (Reuters)
A logo of the Eurovision Song Contest is seen in front of the St. Jakobshalle in Basel, Switzerland, May 1, 2025. (Reuters)
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Dutch Say Won’t Participate in ‘No Longer’ Neutral Eurovision

A logo of the Eurovision Song Contest is seen in front of the St. Jakobshalle in Basel, Switzerland, May 1, 2025. (Reuters)
A logo of the Eurovision Song Contest is seen in front of the St. Jakobshalle in Basel, Switzerland, May 1, 2025. (Reuters)

The Netherlands will not participate in next year's Eurovision Song Contest, its broadcaster said Monday, saying the event can "no longer be considered neutral" given divisions over the Gaza war. 

"It is undeniable that international conflicts are increasingly affecting the Contest, undermining its neutral character. The Eurovision Song Contest has therefore become a platform for division," said Taco Zimmerman, Director-General of AVROTROS in a statement from the broadcaster. 

The contest has recently been hit by a wave of boycotts over Israel's participation. 

Earlier this month, organizers announced they were excluding any country involved in an armed conflict from hosting the competition. 

"However, the recently announced changes... do not provide sufficient confidence that the independent and neutral character of the Eurovision Song Contest has been restored," said the AVROTROS statement. 

Israel came close to winning the competition in both 2025 and 2026, ultimately finishing second on each occasion. 

Next year's event, the world's biggest live televised music event, will take place on May 15 in Bulgaria's Black Sea city of Burgas. 

It will be the first time that the Balkan nation hosts the contest, coming after Bulgarian singer Darina Yotova, known as Dara, won this year's contest in the Austrian capital Vienna with the catchy floor-filler "Bangaranga". 

Since its launch in 1955, Eurovision has become the ultimate pop platform, catapulting Swedish icons ABBA to worldwide fame, as well as boosting the likes of Celine Dion, Cliff Richard and Olivia Newton-John. 

The 2026 competition was watched by 131 million viewers, down 35 million on the year before after five countries boycotted it over Israel's participation. 

The Netherlands, Iceland, Spain, Ireland and Slovenia all pulled out of the contest -- with the latter three refusing to broadcast the show at all. 

The Dutch took part in the very first Eurovision Song Contest back in 1956 and have won on five occasions. 

The most recent winner was Duncan Laurence whose song Arcade won the contest in 2019, going on to top charts globally. 

It became the first Eurovision entry to reach one billion streams on Spotify, according to the Eurovision website. 

The withdrawal is "painful as we would have very much liked to be part of the Contest again next year," said Zimmerman. 

"As a public broadcaster, we remain committed to our values. They guide us in everything we do, even when that means stepping away from an event that is very close to our hearts," he added.