The Cannes Film Festival Is About to Begin. Here Are the Key Films Making Their Debut

 This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)
This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)
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The Cannes Film Festival Is About to Begin. Here Are the Key Films Making Their Debut

 This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)
This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)

For 12 days this week, the eyes of the movie world will be on the Cannes Film Festival.

The Cote d’Azur spectacular will play host — starting on Tuesday — to some of the most anticipated movies of the year in a constant parade of red carpets and megawatt premieres. This year, Hollywood studios are mostly on the sidelines. But for more than 78 years, Cannes has been an unparalleled showcase, and sun-dappled circus, for some of the best in cinema.

Last year that included Oscar nominees like “Sentimental Value,” “The Secret Agent” and “It Was Just an Accident.” This year is just as likely to produce a crop of contenders. In recent years, movies like “Parasite” and “Anora” have launched at Cannes and gone on to win best picture at the Academy Awards.

Presiding over the jury deciding the Palme this year is South Korean filmmaker Park Chan-wook. At the opening ceremony Tuesday, Cannes will also bestow an honorary Palme d’Or on Peter Jackson. Later, Barbra Streisand will get one, too.

So there will be much to keep an eye on at this year’s Cannes, including “The White Lotus.” The HBO series has come to the Croisette — the Mediterranean city's famous promenade — to shoot its fourth season.

On the screen, these are some of the movies that should stir Cannes.

‘Hope’ Na Hong-jin isn’t as well-known as some of his fellow Korean filmmakers, but he may be poised for a breakout moment this year. His latest is a long-gestating sci-fi thriller that Cannes artistic director Thierry Fremaux said “constantly changes genres.” The cast has both Korean and Hollywood stars, including Hwang Jung-min, Zo In-sung, Jung Ho-yeon, Michael Fassbender, Alicia Vikander and Taylor Russell.

‘Paper Tiger’ Though not initially announced as part of the festival competition slate, James Gray’s latest Queens-set drama was subsequently added. And it instantly became one of the most anticipated and star-studded American films at the festival. Gray, the filmmaker of “Armageddon Time” and “The Immigrant,” tells a story about two brothers (Adam Driver, Miles Teller) who become mixed up with the Russian mafia. Scarlett Johansson co-stars.

‘Fjord’ The Romanian director Cristian Mungiu is a heavyweight of European cinema because of films like the 2007 Palme d’Or winner “4 Months, 3 Weeks and 2 Days” and 2022’s “R.M.N.” Sebastian Stan and Renate Reinsve star in his latest as a Romanian-Norwegian couple who move to the wife’s remote Norwegian hometown.

‘Fatherland’ Polish filmmaker Pawel Pawlikowski is best known for a pair of black-and-white, powerfully succinct period dramas: “Ida” and “Cold War.” His latest makes it three. It stars Hanns Zischler as the German author Thomas Mann on a road trip following World War II. Accompanying him is his daughter, played by Sandra Hüller.

‘All of a Sudden’ The Japanese auteur Ryusuke Hamaguchi makes his French-language debut. Hamaguchi’s 2021 opus “Drive My Car” made history as the first Japanese film nominated for best picture. His 2023 follow-up, “Evil Does Not Exist,” was also acclaimed. “All of a Sudden,” starring Virginie Efira and Tao Okamoto, is about a nursing home director and a terminally ill Japanese playwright.

‘Sheep in the Box’ Long revered for his delicate humanism, the Japanese filmmaker Hirokazu Kore-eda will unveil his latest. Kore-eda has already won the Palme d’Or, for 2018’s “Shoplifters.” But his three decades of moviemaking have made him a never-to-be-missed filmmaker of exquisite tenderness. The sci-fi “Sheep in the Box” is about a couple, grieving the loss of their son, who adopt an infant humanoid robot.

‘The Unknown’ The French filmmaker Arthur Harari three years ago co-wrote the Palme d’Or winner “Anatomy of a Fall” with his partner, Justine Triet. In “The Unknown,” Harari directs and cowrites a film about a photographer who, after photographing a woman at a party and then following her, wakes up in her body. Starring Léa Seydoux.

‘Minotaur’ The Russian filmmaker Andrey Zvyagintsev has been behind some powerfully potent dramas, including 2014’s “Leviathan” and 2017’s “Loveless” — both of which were Oscar nominated. After a near-death experience during the pandemic, Zvyagintsev returns to Cannes with a business executive in crisis in rural Russia.

’John Lennon: The Last Interview’ Steven Soderbergh ’s documentary about John Lennon’s final interview, granted at the Dakota in New York just before he was killed, drew headlines after Soderbergh acknowledged using artificial intelligence to illustrate some of Lennon’s more philosophical musings. But the film, playing in Cannes as a special screening, promises to lend unparalleled intimacy with the great Beatle.

‘Bitter Christmas’ Pedro Almodovar is among the most regular filmmakers in Cannes. This festival, he'll debut “Bitter Christmas,” a multilayered melodrama about filmmaking, grief and aging. After making his English-language debut with “The Room Next Door,” starring Tilda Swinton and Julianne Moore, Almodovar is back in his native Spain with one of his most personal films yet.



Movie Review: ‘The Rivals of Amziah King’ Is a Southern Fried Flick with Too Many Ingredients

 This image released by Black Bear shows Matthew McConaughey, left, and Angelina LookingGlass in a scene from "The Rivals of the Amziah King." (Kyle Kaplan/Black Bear via AP)
This image released by Black Bear shows Matthew McConaughey, left, and Angelina LookingGlass in a scene from "The Rivals of the Amziah King." (Kyle Kaplan/Black Bear via AP)
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Movie Review: ‘The Rivals of Amziah King’ Is a Southern Fried Flick with Too Many Ingredients

 This image released by Black Bear shows Matthew McConaughey, left, and Angelina LookingGlass in a scene from "The Rivals of the Amziah King." (Kyle Kaplan/Black Bear via AP)
This image released by Black Bear shows Matthew McConaughey, left, and Angelina LookingGlass in a scene from "The Rivals of the Amziah King." (Kyle Kaplan/Black Bear via AP)

It turns out that the honey business isn't as sweet as it sounds: In the new movie “The Rivals of Amziah King,” beekeepers steal from each other, poison rivals' insects and rip folk off. “It’s not full of kind people,” the title character warns.

“The Rivals of Amziah King” isn't as sweet as it thinks it is, either. Instead of picking a single variety to explore, the movie is a maddening mishmash of genres — blending Quentin Tarantino's sudden brutality, a coming-of-age tale, a heist flick, a revenge fantasy and a sweet, music-filled country hoedown.

Matthew McConaughey returns to the big screen playing the title character in what can only be called Matthew-McConaughey-turned-up-to-11 mode, pure Cheshire Cat smile, rascally wink and buttery, Southern gentlemanly charm. Suspenders and scruff on, cowboy boots snug, McConaughey is the one who makes everyone's life instantly better just by showing up.

Written by Andrew Patterson and James Montague and directed by Patterson, “The Rivals of Amziah King” follows McConaughey's honey-producing King as he negotiates his patch of rural Oklahoma until he inexplicably leaves the movie at the hour mark and hands it off to Angelina LookingGlass, making her film debut.

We meet King ordering chicken fried steak sandwiches and cherry Cokes as he plays the banjo in a quartet of musicians at a beloved food joint. That gets interrupted when authorities need his knowledge to find out who abandoned $250,000 worth of honey barrels on the road and King starts to investigate. Then someone gets a chunk of their skull — including ponytail — ripped off in an industrial accident and that takes over. Settle in, the whiplash is just beginning.

King soon connects with his former foster daughter — that's LookingGlass, fierce and preternaturally grounded — who he gets to mansplain in the local ways, like what to eat at the potluck (“There's a story in every dish”), life lessons (“Patience is better than being smart”) and beekeeping (“Every queen is a survivor”). Bees here, if you didn't already get from the clunky writing, represent community, sharing and caring.

Cinematographer M.I. Littin-Menz's camera techniques never settle down in this movie, like a puppy forever pulling on its leash. Early sequences employ frozen shots irritatingly dropped into the mix and later we have furious close-ups, quick cuts, quirky flashbacks, ethereal river sequences and lingering poetic images of close-up bees like from a documentary, a kinetic approach that seems not to have much faith in the actual story keeping viewers' interest alive. Music supervisor Winslow Bright swamps many scenes with loud choirs, loud banjo and loud strings.

Maybe that's because as soon as you've settled down for one genre, it gets hijacked by the next. Warm and extended moments of communal song — the great T Bone Burnett had a hand in some of the outstanding Americana tunes like “Quill” with McConaughey exuberant, and “Johnny Come Outside” — are undercut by seeing kids smash their heads on school bus roofs or a cool Western-like tracking of a honey-stealing local rascal that is marred by his horrific, boiling-to-death murder. There are so many montages of honey production that viewers may qualify for a beekeeping certificate.

Great turns are produced by Kurt Russell as a lethal local kingpin who schmoozes his way past the law, and Jake Horowitz, a former Marine who knows how to plan a theft with military precision, mostly shirtless. One brazen theft here is of “O Brother, Where Art Thou?” and, however you liked that movie, you realize now how hard it was to actually pull off.

Patterson likes to remind viewers of his Oklahoma bona fides, but much of the overlong movie was shot in Alabama. And that hints at what's wrong with “The Rivals of Amziah King” — it just doesn't feel authentic, either in place or in story. Forget honey, it sort of leaves a vinegary taste behind.


Rod Stewart Cancels Tour Dates After Heart Surgery

Rod Stewart performs during the Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 29, 2025. (AP)
Rod Stewart performs during the Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 29, 2025. (AP)
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Rod Stewart Cancels Tour Dates After Heart Surgery

Rod Stewart performs during the Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 29, 2025. (AP)
Rod Stewart performs during the Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 29, 2025. (AP)

British rock star Rod Stewart, 81, has cancelled forthcoming US tour dates after having a heart operation, his social media announced.

A message posted late Tuesday on his Instagram page said the raspy-voiced rocker has "successfully undergone a routine coronary stent procedure".

This procedure is to widen blocked or narrowed coronary arteries by interesting a tube that allows blood to flow more freely.

He had been due to play a series of US tour dates this month including in Las Vegas.

Now, "on the advice of his doctors, he will take the next four weeks to recuperate and regain full fitness before returning to the stage," his management said.

"Unfortunately, this means he will be unable to continue his current tour dates".

The spiky-haired singer and songwriter, who had a string of megahits in the 1970s and 1980s, has kept up a busy touring schedule despite his age.

He wrote in 2025: "I love what I do, and I do what I love. I'm fit, have a full head of hair and can run 100 meters (330 feet) in 18 seconds."

Stewart has recently cancelled several US shows over ill health, however, most recently on Sunday in Cincinnati, described at the time as due to "an unforeseen but minor medical procedure".

In June, he cancelled a concert in California at the last moment after contracting laryngitis, but faced criticism for attending a World Cup match the next day.

Later in June he was seen receiving oxygen during a show in Utah and told the audience he had nearly fainted.


Taylor Swift Wedding-dress Fever Puts Bridal Brands on High Alert

Taylor Swift arrives at the 2022 MTV Video Music Awards at the Prudential Center in Newark, New Jersey, US, August 28, 2022. (Reuters)
Taylor Swift arrives at the 2022 MTV Video Music Awards at the Prudential Center in Newark, New Jersey, US, August 28, 2022. (Reuters)
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Taylor Swift Wedding-dress Fever Puts Bridal Brands on High Alert

Taylor Swift arrives at the 2022 MTV Video Music Awards at the Prudential Center in Newark, New Jersey, US, August 28, 2022. (Reuters)
Taylor Swift arrives at the 2022 MTV Video Music Awards at the Prudential Center in Newark, New Jersey, US, August 28, 2022. (Reuters)

Taylor Swift's wedding dress remains under wraps. But wedding chain David's Bridal is already betting brides will want one just like it. Fans are eagerly awaiting the reveal of the Christian Dior dress Swift wore at her tightly controlled Madison Square Garden celebration on July 3. Meanwhile, the Hong Kong design team at David's Bridal, which owns roughly 200 stores across the US, has already sketched about two dozen looks based on the pop star's likely aesthetics, with a focus on Hollywood glamour and drop-waist silhouettes, CEO Kelly Cook told Reuters.

Those preparations will help the brand "move very quickly when we have an idea of where the dress has landed," Cook explained. David's Bridal has already seen an uptick in searches for Swift-inspired designs on its website, which lists dresses ranging from hundreds of dollars ‌to more than $3,000.

Designers say ‌they will be looking out for elements of her outfit that could blossom ‌into ⁠bridal fashion trends.

Viola ⁠Chan, head of couture and design at David's Bridal in Hong Kong, said her team studied Swift's personal life to sketch three groups of designs: embellished ball gowns, simple gowns with a touch of detail, and short dresses in case of a mid-ceremony outfit change.

"It could be her makeup, her hair styling, and could be the number of gowns that she changed, the color of her gowns, the floral decoration," Chan said, while showcasing a template adorned with flowers and lace.

Barcelona-based bridal wear designer Pronovias, with distribution in more than 100 countries, said it plans to draw inspiration from the silhouettes, fabrics and "attitude" of Swift's look, as ⁠the brand has done for royal and other high-profile celebrity weddings in the past.

NEW SWIFT-INSPIRED ‌DESIGNS

An unusual color or fabric - pink or metallic lace, for example - could ‌ripple through the bridal industry, said Sharon Sever, the creative director at Tel Aviv-based luxury wedding dress company Galia Lahav. A unique ‌veil might also inspire new fashion trends.

For now, brands like Galia Lahav and New York-based Jenny Yoo are in ‌a wait-and-see mode, along with their customers.

"The images make all the difference in the design world," said Liza Pontoni, design director at Jenny Yoo. The Justin Alexander Group, a US-based bridal fashion house, is in the process of finalizing sketches for its spring and summer 2028 collection, which will be available in stores in autumn 2027. If Swift reveals her Dior dress in the coming weeks, the company ‌might incorporate certain elements into the designs, said CEO and creative director Justin Warshaw.

And if boutiques signal a surge in interest for Swift-inspired gowns, the fashion house might ⁠pull strings to make the ⁠new collection available to retailers and brides even sooner than the typical one-year timeline, Warshaw said.

For indie bridal franchise Lovely Bride, new details will be at most referential to Swift's look, said Lanie List, the founder and CEO.

"We'll definitely tell our brides things that we have that are similar, if something she wears inspires them," she said.

LEGAL RISKS

For designers and brands, the risk of falling into legal trouble depends on what exactly they copy, said Brad D. Rose, co-chair of law firm Pryor Cashman's Intellectual Property Group, who works with luxury brands.

US copyright law generally does not protect the cut, shape or silhouette of clothing. That means a bridal company can often lawfully create a dress that mimics an aesthetic. But specific decorative elements such as embroidery or beadwork may be protected.

If a bridal brand were to falsely suggest an affiliation with Swift or LVMH-owned Dior, trademark and unfair competition concerns could arise, Rose added.

Pronovias leans into seasonal trends rather than emulating specific pieces or names, a spokesperson said. The designer will, for example, avoid using Swift or Dior's name in marketing, while still drawing inspiration from trends that emerge from the collaboration.