Hollywood Studios and Actors’ Union Find Common Ground on AI

 SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)
SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)
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Hollywood Studios and Actors’ Union Find Common Ground on AI

 SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)
SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements with studios during this round of negotiations to a new mindset. (AFP)

As Hollywood's performers cast their ballots to approve the latest negotiated contract, union leaders say they have made some progress in conversations with studio bosses since the massive strike in 2023, especially when it comes to concerns about artificial intelligence.

SAG-AFTRA chief negotiator Duncan Crabtree-Ireland attributed the mostly drama-free agreements in this round of negotiations to a new mindset, "because the studios and streamers came to the table with a different perspective."

With 160,000 members working in film, television and video games, SAG-AFTRA is the largest and most influential union of its kind globally.

Members of the actors' union are voting on a newly negotiated agreement that was approved by the national board earlier this month, ahead of the current contract's expiration at the end of June.

"The tone of the negotiation was much more collaborative and a lot more creativity was brought by both sides, so I really believe that the 2023 strikes -- while they were very difficult for all of us -- did help effectuate a reset in the relationship between the studios and the unions in general," Crabtree-Ireland told AFP.

Approval would mean avoiding a repeat of disastrous 2023 strikes that shuttered productions, costing studios billions of dollars, while actors stood their ground against AI and other issues.

- AI's evolutions -

The strike by the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) lasted 118 days, with star-studded picket lines outside major studios in Los Angeles and New York, marking the longest such revolt in Hollywood history.

AI technology was a sticking point for many, and that tension persists, Crabtree-Ireland said.

"They do feel more secure than they did in 2023 but there's still a very, very strong concern about AI -- and especially because the generative AI tools have advanced so much in the last three years," he said.

The latest agreement does not close the door on AI, but it does introduce new protections.

Under the new contract, digital replicas -- which use AI or any technology to replicate an actual living or deceased performer -- must "have informed consent and fair compensation," Crabtree-Ireland said.

The contract allows for limited use of synthetics, under "unusual circumstances," when a generative AI system can be used to create a character who is not based on any actual person in the world.

"There's now process in place which would require the companies to come to the union if they want to use a synthetic in a project, they have to demonstrate to us that this synthetic brings a significant additional value to the production," Crabtree-Ireland said.

"While this doesn't rise quite to the level of a complete prohibition, it's a very strong disincentive."

Voting on the latest contract closes June 4.



Dua Lipa, Tame Impala, SZA, Madonna to Headline Coachella

Dua Lipa attends the Chanel Haute Couture Week Spring/Summer 2026 show during Paris Fashion Week on January 27, 2026 in Paris, France. (Getty Images)
Dua Lipa attends the Chanel Haute Couture Week Spring/Summer 2026 show during Paris Fashion Week on January 27, 2026 in Paris, France. (Getty Images)
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Dua Lipa, Tame Impala, SZA, Madonna to Headline Coachella

Dua Lipa attends the Chanel Haute Couture Week Spring/Summer 2026 show during Paris Fashion Week on January 27, 2026 in Paris, France. (Getty Images)
Dua Lipa attends the Chanel Haute Couture Week Spring/Summer 2026 show during Paris Fashion Week on January 27, 2026 in Paris, France. (Getty Images)

British pop star Dua Lipa, Tame Impala, SZA and Madonna will headline the prestigious Coachella festival in 2027, organizers said Tuesday.

Reggaeton artist Daddy Yankee, Zara Larsson, Steve Lacy, K-pop singer Jisoo, Kehlani and Leon Thomas are also on deck for the festival in Indio, California, over two weekends in April.

Dua Lipa will headline the festival, held in the California desert, on Friday on both weekends.

The line-up also includes Phoebe Bridgers, Weezer, Tiesto, Martin Garrix, Role Model, Kygo, The Neighbourhood, and Becky G.


What Goes in to Making Hit Netflix Period Drama ‘The Empress’? Thousands of Candles, Wigs and Extras

 This image released by Netflix shows Devrim Lingnau-Islamoğlu, center, and Dejan Bućin with crew on the set of "The Empress." (Sasha Ostrov/Netflix via AP)
This image released by Netflix shows Devrim Lingnau-Islamoğlu, center, and Dejan Bućin with crew on the set of "The Empress." (Sasha Ostrov/Netflix via AP)
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What Goes in to Making Hit Netflix Period Drama ‘The Empress’? Thousands of Candles, Wigs and Extras

 This image released by Netflix shows Devrim Lingnau-Islamoğlu, center, and Dejan Bućin with crew on the set of "The Empress." (Sasha Ostrov/Netflix via AP)
This image released by Netflix shows Devrim Lingnau-Islamoğlu, center, and Dejan Bućin with crew on the set of "The Empress." (Sasha Ostrov/Netflix via AP)

The cast and crew never expected a German TV show about European monarchy to go global, but “The Empress” has reached viewers far beyond the old Austrian Empire.

According to Netflix, the period drama’s first two seasons hit the Top 10 in more than 85 countries, ahead of the third and final season launching Thursday.

Stars Devrim Lingnau Islamoğlu and Philip Froissant, who play Empress Elisabeth (better known to some as Sisi or Sissi) and Emperor Franz Joseph I, have been recognized — even out of the wigs and gowns of the costume drama — around the world from the UK to Türkiye (Lingnau is German-Turkish) to Peru where Lingnau was filming a movie.

The show is set in the latter half of the 19th century and based on the real lives of the ill-fated empress, who was assassinated by an anarchist, and one of the last Habsburg emperors of Austria-Hungary.

Despite struggling with her own mental health and shyness, Empress Elisabeth fought for her political beliefs and to find her own place in the world. This continues to win her plenty of admirers and portrayals — by Romy Schneider in the 1950s “Sissi” trilogy of films and Vicky Krieps in 2022’s “Corsage.”

Born in Munich like the real Empress

Elisabeth, showrunner Katharina Eyssen grew up “overwhelmed” by stories about Sisi and wasn’t sure another version was needed. Now, she gets emotional thinking about how viewers from Ukraine, Iran and African countries have contacted her “saying that it meant so much to them to see this character and it gave them hope or a moment of relief or just a moment of joy.”

Froissant says he too receives messages from people over the world, who have been traveling to historic sites recreated in the show — though they're disappointed to find the series is shot in a Bavarian castle, not Austria. Sisi's real palaces are now museums and haven't been used for filming since the 1970s.

That hasn’t stopped fans paying their respects, as Eyssen noted when visiting Vienna’s Imperial Crypt where Habsburgs, including the couple and Archduke Maximilian, briefly emperor of Mexico before his execution, are buried. Among the Mexican flags and coins left by visitors, she saw, was a picture of the actor Johannes Nussbaum, who plays Franz Joseph's brother on the show.

Recreating the world of Sisi and Franz Joseph required a staggering number of costume changes and wigs. Here's a behind the scenes look at the details that went into the period drama, according to Netflix.

Sisi's costume changes: 88

It’s “quite unbalanced” to compare the number of costumes the lead actors had across three seasons, according to Froissant. “For me it was much easier, there’s just like three kinds of uniforms and then maybe eight to 10 civil outfits,” he says.

Lingnau, on the other hand, clocked 88 different costumes in total, with each outfit consisting of multiple layers — blouses, skirts, underskirts, corsets. The majority were hand-sewn.

“Some of the dresses we had were just seen once or something, in one small scene, and then they’re gone again, and people were working on it for weeks,” recalled Lingnau.

Beards and sideburns: 120

While 23 wigs were made for the main cast — four or five just for Sisi and her double — many more beards and sideburns were created.

Froissant, though, never needed to touch the stash of fake sideburns; it was all his own facial hair and he was stuck with it during shooting.

“It’s such a distinctive look, especially when you’re wearing normal day clothes," he said. "It makes you look more like a trucker or a rocker, rockabilly guy.”

Candles for two seasons: Around 8,000

That’s a lot of candles, but it could have been much more. Eyssen says that estimate is just from the last two seasons.

“We couldn’t (use candles) on Season 1 because we were still shooting in so many original locations,” Eyssen explained. “Then we got wiser and moved it to the stage and then we burned all the candles because you’re not allowed in the actual castles.”

Extras: 2,000

Big events like weddings, coronations and public appearances all involved huge crowds of background actors.

“The first time when everybody goes to their knees when you enter the room, it was a strange feeling,” says Froissant.

Both stars say the background actors were extremely patient but, after shooting the same scene multiple times, Lingnau said, “even the extras are starting to giggle, because they don’t take you serious anymore.”


‘You Can See Everything’ Captures Weirdness of ‘Post-Truth Era’

People take part in an Elizabeth Holmes look-alike contest in Los Angeles, California, on November 8, 2026. (AFP)
People take part in an Elizabeth Holmes look-alike contest in Los Angeles, California, on November 8, 2026. (AFP)
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‘You Can See Everything’ Captures Weirdness of ‘Post-Truth Era’

People take part in an Elizabeth Holmes look-alike contest in Los Angeles, California, on November 8, 2026. (AFP)
People take part in an Elizabeth Holmes look-alike contest in Los Angeles, California, on November 8, 2026. (AFP)

Breakout hit documentary "You Can See Everything" has spawned a cultural moment.

The three-hour-long film plunges audiences into the surreal world of Elizabeth Holmes, one-time doyenne of Silicon Valley imprisoned for fraudulent claims about her supposedly revolutionary blood-testing tech.

A smash box office success, the film -- which begins one month before Holmes heads to prison -- has spawned ubiquitous internet memes, lookalike contests and commentary from influencers enamored by the darkly comic, deadpan style of her mock inquisitor, Nathan Fielder.

Holmes's legend as a rare woman tech founder has proven fertile ground for numerous media postmortems of her sham business's implosion.

"I've followed this story a lot over the years," said filmgoer Alexandra Lesnik, 29, at a packed afternoon screening in Brooklyn, the first time she had watched a documentary in a theater.

"This was a new, different perspective of her."

Another cinemagoer, Nathan Sayers, said he had "read a lot about her" ahead of the film's release.

"What brought me was a lot of buzz among friends," added Sayers, 53, who concluded the A24 film was in his "top five movies."

Kate Rennebohm, assistant professor of film studies at Lawrence University, said she had "students waiting after class every day to talk about the film -- as well as emailing me out of the blue."

Weaving a web combining reality TV, mockumentary and exaggerated naivety, Fielder peels back the layers of a convicted liar who nonetheless does everything to convince the viewer, and maybe herself, she is truthful.

Throughout the lengthy immersion in Holmes's weird world, the viewer is invited to grapple with the question of whether the former billionaire businesswoman truly believed she created a medical marvel, and whether she was manipulated by others.

"The story just changes in so many ways, and I feel like the villain also changes a lot in the story too," said New Yorker Avery Smith, 27.

- 'Deny, deny, deny' -

"The film has fully transcended the documentary label," said Nora Stone, an assistant professor of film production at the University of North Alabama.

The film, which has generated persistent Oscar buzz and pulled in some $80 million at the domestic box office, has benefited from the marketing muscle of the A24 studio, she added.

Columbia University researcher Geoffrey Lokke said the filmmakers' call to fans not to spread spoilers "added to its intrigue and mystery."

None of the film's participants emerge unscathed. Even the producers themselves catch strays for their handling of the film's anti-heroes, including Holmes's husband.

Through the film's slow-burn, Holmes becomes a cypher for the explosion of power and influence wielded by the tech giants in the age of AI, according to Rennebohm.

"(She) inevitably represents the broader ethos of self-delusion and reality-denial underlying Silicon Valley and the American tech industry," she told AFP.

Stone, the film professor, said that "You Can See Everything" is about something even bigger, mirroring the political moment.

"It is a perfect encapsulation of the post-truth era," she said.

"Elizabeth Holmes does exactly what Donald Trump does -- deny, deny, deny."