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‘Toy Story 5’ Rakes in the Biggest Box-Office Debut of the Year with a Franchise-Best $160 Million

This image released by Disney shows characters Buzz Lightyear, voiced by Tim Allen, left, and Woody, voiced by Tom Hanks, in a scene from "Toy Story 5." (Pixar-Disney via AP)
This image released by Disney shows characters Buzz Lightyear, voiced by Tim Allen, left, and Woody, voiced by Tom Hanks, in a scene from "Toy Story 5." (Pixar-Disney via AP)
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‘Toy Story 5’ Rakes in the Biggest Box-Office Debut of the Year with a Franchise-Best $160 Million

This image released by Disney shows characters Buzz Lightyear, voiced by Tim Allen, left, and Woody, voiced by Tom Hanks, in a scene from "Toy Story 5." (Pixar-Disney via AP)
This image released by Disney shows characters Buzz Lightyear, voiced by Tim Allen, left, and Woody, voiced by Tom Hanks, in a scene from "Toy Story 5." (Pixar-Disney via AP)

“Toy Story” still has a friend in moviegoers.

The fifth installment in the Pixar series debuted with $160 million in domestic ticket sales, according to studio estimates Sunday, easily setting a new franchise record and notching the biggest opening weekend of the year.

Launching 31 years after the original “Toy Story” first landed in theaters, “Toy Story 5” far surpassed the previous series-best debut: $120 million for “Toy Story 4” in 2019. Internationally, it was just as successful, with $152 million in opening-weekend sales, for a worldwide haul of $312 million.

The “Toy Story” franchise is one of the most profitable for The Walt Disney Co. Before “Toy Story 5” launched, the movies had collectively grossed more than $3 billion, while also pulling in billions from merchandising.

Though the series seemed to reach a conclusion with 2010’s “Toy Story 3,” the decision to revive the franchise almost a decade later — while controversial — has been extremely lucrative. “Toy Story 4” exceeded $1 billion in ticket sales, and “Toy Story 5” is all but certain to as well.

Among animated films, only 2018's “Incredibles 2” had a bigger opening weekend ($182.7 million) than “Toy Story 5.”

Keeping the “Toy Story” movies going has gotten more expensive, though. The fifth movie cost $250 million to make, not including marketing. It returns a voice cast led by Tom Hanks (as Woody), Tim Allen (as Buzz Lightyear) and Joan Cusack (as Jessie).

In the sequel, the toys are pushed aside when Bonnie gets a new tablet. It’s directed by Andrew Stanton, the Pixar veteran who helmed “Finding Nemo” (2003) and “WALL-E” (2008). “Toy Story 5” also features a new song by Taylor Swift, “I Knew It, I Knew You.”

Reviews have been very good and audiences gave “Toy Story 5” an “A” CinemaScore, suggesting it should remain a force in theaters for weeks.

After its chart-topping debut, Steven Spielberg’s “Disclosure Day” slipped to second place with $17 million in its second weekend. That’s not the hold that Universal Pictures was hoping for. Dropping 61% from its first weekend suggests “Disclosure Day” might not find the legs Spielberg’s sci-fi thriller needs to break out this summer.

Still, the $115 million budgeted movie, starring Emily Blunt, Josh O’Connor and Colman Domingo, has grossed $160.4 million globally in two weeks. “Disclosure Day” stands a good chance of remaining the top adult-oriented option in theaters in the coming weeks.

“Toy Story 5” faced little competition from newcomers.

‘Robin Hood’ misses the bullseye

A24’s “The Death of Robin Hood,” a violent revisionist approach to the old legend, flopped with $2.6 million on 1,762 screens. The film, starring Hugh Jackman and directed by Michael Sarnoski, was modestly budgeted at $20 million. But after finding mixed reviews, audiences didn’t go for the movie, either. It earned a “C+” CinemaScore.

The top horror choice remained “Obsession,” the microbudget phenomenon by 26-year-old Curry Barker. In its sixth weekend, it nearly equaled its $17 million opening weekend from mid-May. The Focus Features release, which cost less than $1 million to make, added $14.2 million to bring its domestic total to $215.8 million and its global haul to $333.3 million.

With “Toy Story 5” and “Obsession” driving sales, the summer box office is up 15% from the 2025 summer, according to Rentrak. More impressively, summer ticket sales are nearly equal to the 2019 summer at the same point, not accounting for inflation. The summer to date is just 1.9% down from that year.

Paul Dergarabedian, head of marketplace trends for Rentrak, expects that Hollywood is heading for its best summer since before the pandemic. And the success is coming from both expected and unexpected places.

“To me, this is a hybrid summer and this could be the new blueprint for how you build the perfect summer box-office beast,” says Dergarabedian. “You throw in a mix of very eclectic films and not just the usual suspects — the big franchise films, the known brands — but also films like ‘Backrooms’ and ‘Obsession’ and original films like ‘Disclosure Day.’”

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Entertainment

'Star Trek', 'X-Men' Star Patrick Stewart Dead at 86

English actor Sir Patrick Stewart poses during a photo call at Dubai International Film Festival in Dubai on December 8, 2017. (AFP)
English actor Sir Patrick Stewart poses during a photo call at Dubai International Film Festival in Dubai on December 8, 2017. (AFP)
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'Star Trek', 'X-Men' Star Patrick Stewart Dead at 86

English actor Sir Patrick Stewart poses during a photo call at Dubai International Film Festival in Dubai on December 8, 2017. (AFP)
English actor Sir Patrick Stewart poses during a photo call at Dubai International Film Festival in Dubai on December 8, 2017. (AFP)

Patrick Stewart, the British Shakespearean actor who became a Hollywood megastar through roles in the "Star Trek" and "X-Men" franchises, has died at his home in Los Angeles. He was 86.

His death on Wednesday came after a "brief and poignant journey" with Alzheimer's disease and Lewy body dementia, according to an official statement on his social media accounts.

"His sonorous voice and singular talent will forever be synonymous with indelible performances in every genre," the statement said.

The actor, who hailed from the northern English region of Yorkshire, trod the boards in Britain with the Royal Shakespeare Company and the National Theatre in London, and worked on British television.

But he rocketed into the pop culture history books in his mid-40s when he was cast as Captain Jean-Luc Picard in "Star Trek: The Next Generation," and then again as Professor Charles Xavier in multiple "X-Men" and related Marvel films.

A proud Yorkshireman, Stewart "wore his heart on his sleeve, which made him a man to rely on, to admire and in my case, love," Ian McKellan said of his "X-Men" co-star and dear friend.

McKellan, 87, recounted meeting Stewart in London and hearing about his "Star Trek" offer, warning him he may get lost in Hollywood and to think of his stage career.

"Well, he took the risk and thank goodness for us all that he did."

- Aboard the Enterprise -

Stewart was 47 when he debuted as Picard in "Star Trek: The Next Generation," the first live-action television spinoff of the trailblazing late-1960s sci-fi series.

He effectively filled the boots of William Shatner's Captain Kirk -- to resounding success, both in the TV series and in several films.

Picard became known for a few catchphrases including "Make it so" and "Engage!"

But his move to America in 1987 was initially greeted with disdain by the Los Angeles Times, who wrote him off as an "unknown British Shakespearean actor."

Stewart later dubbed suggestions he was "slumming it" by moving into US television offensive.

He once called his Shakespearean bona fides "nothing but a preparation for sitting in the captain's chair of the Enterprise."

- 'Colossus of both stage and screen' -

Stewart found further acclaim in the "X-Men" series, debuting in 2000 as Professor Charles Xavier, the founder and mentor of the mutant superhero team.

"For more than 25 years, he brought a gravitas and profundity to the role, earning fans across the globe," Marvel Studios said Thursday.

Longtime co-star Hugh Jackman, who played Wolverine, remembered Stewart as both "one of the greats of stage and screen" and "a tremendous friend and man."

Stewart is to make his final on-screen film appearance as Professor Xavier in "Avengers: Doomsday," set for release in December.

"What a heartbreaking week it has been," posted Shatner.

Stewart's death marked the second in days from the "Star Trek" universe, following that of Walter Koenig, who played Chekov in the original series.

Shatner said Stewart -- who most recently played Picard in 2023 -- brought "intelligence, grace and a deep sense of humanity to everything he did."

Stewart earned four Emmy nominations but never won. He did nab a spoken word Grammy, for his narration of "Prokofiev: Peter And The Wolf."

And even as he found success in Hollywood, Stewart's love of theater, and the bard in particular, never left him.

Between filming, he would return to the stage, winning two Olivier awards.

The Royal Shakespeare Company called him "a colossus of both stage and screen and one of the finest classical Shakespearean actors of his generation."

- Troubled start -

Stewart was born on July 13, 1940 in the small West Yorkshire town of Mirfield, the third of three brothers in a working-class family.

His father, back from World War II and perhaps suffering from PTSD, would often beat Stewart's mother -- which prompted Stewart to later work with the charity Refuge, which specializes in domestic abuse.

The actor left school at 15, and studied at Bristol Old Vic Drama School beginning in 1957, making his professional acting debut two years later.

Prematurely balding, Stewart missed out on many of the young romantic leads but quickly slotted into theater life, joining the RSC in 1966 and staying there until 1982.

Any misgivings Stewart had about taking the Picard role in the "Star Trek" universe were mollified by the thought it would be a one-season failure.

He was wrong.

"It changed my life," he said.

Knighted in 2010, Stewart married three times: to Sheila Falconer, with whom he had two children; briefly to "Star Trek" producer Wendy Neuss; and most recently to American singer Sunny Ozell, 38 years his junior.

Entertainment

Iran Court Sentences Filmmaker Panahi to Five Years

Director Jafar Panahi poses on the red carpet after the screening of the film "Un simple accident" (It Was Just an Accident) in competition at the 78th Cannes Film Festival in Cannes, France, May 20, 2025. (Reuters)
Director Jafar Panahi poses on the red carpet after the screening of the film "Un simple accident" (It Was Just an Accident) in competition at the 78th Cannes Film Festival in Cannes, France, May 20, 2025. (Reuters)
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Iran Court Sentences Filmmaker Panahi to Five Years

Director Jafar Panahi poses on the red carpet after the screening of the film "Un simple accident" (It Was Just an Accident) in competition at the 78th Cannes Film Festival in Cannes, France, May 20, 2025. (Reuters)
Director Jafar Panahi poses on the red carpet after the screening of the film "Un simple accident" (It Was Just an Accident) in competition at the 78th Cannes Film Festival in Cannes, France, May 20, 2025. (Reuters)

An Iranian court has sentenced renowned filmmaker Jafar Panahi in absentia to over five years in prison, Iranian media said quoting his lawyer, although the latest charges remain unclear.

"The Tehran Revolutionary Court sentenced my client to five years and one month in prison and ordered the confiscation of all his movable and immovable property," the ISNA news agency reported, citing his lawyer Mostafa Nili on Tuesday.

"The court also imposed a two-year ban on social media activity and a two-year travel ban," he added.

The ISNA report did not specify the charges.

Nili said he discovered the conviction after Panahi told him last week that his bank accounts had been frozen, prompting the lawyer to visit the sentence enforcement office of the Culture and Media Prosecutor's Office.

The lawyer said Panahi had returned to Iran during the war with Israel and the United States which broke out on February 28.

It remains unclear if Panahi has remained in Iran.

Panahi currently has three pending cases, Nili said, adding that his client had not been notified of the hearing date in the latest case.

In June, an Iranian court rejected Panahi's appeal against a one-year sentence in one of the cases, which was handed down in December on charges of "propaganda" against Iran.

Panahi, 66, won the top prize at last year's Cannes film festival for "It Was Just an Accident", a film in which five ex-inmates contemplate whether to exact revenge on a man they believe to be their former jailer.

He has won a host of prizes at European film festivals since showcasing his debut film "The White Balloon" in Cannes in 1995, which won an award for best first feature.

In 2010, Panahi was banned from making movies for 20 years, and from leaving the country, after supporting mass anti-government protests a year earlier and making a series of films that critiqued the state of modern Iran.

Convicted of "propaganda against the system", he was sentenced to six years in jail but served only two months behind bars before being released on bail.

A year later, he dispatched a documentary with the title "This is Not a Film" to the Cannes festival on a flash drive stashed in a cake.

His 2015 movie "Taxi" featured him acting as a taxi driver and was shot entirely in a car.

In 2022, he was arrested in connection with protests by a group of filmmakers but was released nearly seven months later.

Iranian filmmakers, prominent media figures and celebrities are closely monitored in Iran and their work reviewed for content deemed critical of the regime.

Entertainment

Susan Saint James, Emmy-Winning Actor of ‘McMillan & Wife’ and ‘Kate & Allie,’ Dies at 80

Susan Saint James attends the SNL50: The Anniversary Special in New York on Feb. 16, 2025. (AP)
Susan Saint James attends the SNL50: The Anniversary Special in New York on Feb. 16, 2025. (AP)
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Susan Saint James, Emmy-Winning Actor of ‘McMillan & Wife’ and ‘Kate & Allie,’ Dies at 80

Susan Saint James attends the SNL50: The Anniversary Special in New York on Feb. 16, 2025. (AP)
Susan Saint James attends the SNL50: The Anniversary Special in New York on Feb. 16, 2025. (AP)

Susan Saint James, who co-starred with Rock Hudson in the 1970s TV crime series “McMillan & Wife” and later co-starred with Jane Curtin in the sitcom “Kate & Allie” in the 1980s, has died. She was 80.

People magazine, citing a representative for the actor, said Saint James died Monday. She had been diagnosed with pancreatic cancer.

“She never met a stranger," her family said in a statement to People. "Every person she met became the most important person in the room at that moment, from a fellow board member to the clerk at the shoe store, who usually walked away knowing her entire life story."

Born Susan Jane Miller on Aug. 14, 1946, in Los Angeles, she was raised in the northern Illinois city of Rockford, where her father had transferred for work. She began modeling as a teenager in Paris.

At 20, she moved back to Los Angeles and landed a seven-year contract with Universal Studios. She made her television debut in the 1966 movie “Fame is the Name of the Game” with Tony Franciosa.

She got another break when it became a series called “The Name of the Game” in 1968, with rotating lead characters played by Franciosa, Gene Barry and Robert Stack. Saint James provided the show continuity in her role as Peggy Maxwell, a research assistant who worked for all three men. She won an Emmy Award for the part in 1969.

Before “The Name of the Game,” Saint James had a recurring role in the crime-caper series “It Takes a Thief” starring Robert Wagner. Her other early TV credits included “Ironside," “McCloud” and “Alias Smith and Jones.” In 1980, she guest-starred in an episode of “M(asterisk)A(asterisk)S(asterisk)H.”

Saint James, known for her unique, throaty voice, had a supporting role in the 1968 movie “Where Angels Go, Trouble Follows” starring Rosalind Russell and Stella Stevens.

She earned her biggest fame as Sally McMillan, the plucky wife of Hudson’s San Francisco police commissioner Stewart McMillan, in the hit series “McMillan & Wife” from 1971-76. She received three Emmy nominations for the role.

Saint James left the NBC show before its sixth and final season because of a contract dispute, with her character killed off in a plane crash. Saint James then turned to feature films.

She played opposite Peter Fonda in “Outlaw Blues” in 1977. She co-starred with George Hamilton in the 1979 vampire spoof “Love at First Bite” and joined Jessica Lange and Curtin in the 1980 comedy heist “How to Beat the High Cost of Living.” She co-starred in the 1981 romantic comedy “Carbon Copy,” in which Denzel Washington made his movie debut.

After middling success on the big screen, Saint James reunited with Curtin in the CBS sitcom “Kate & Allie,” which ran from 1984-89 and earned Saint James two Emmy nominations as the free-spirited Kate to Curtin’s straight-laced Allie.

While guest-hosting “Saturday Night Live” in 1981, Saint James met Dick Ebersol, the show’s then-executive producer and the future chairman of NBC Sports. They married barely six weeks after meeting and had three sons, Charlie, Willie and Teddy.

Teddy died at age 14 in a 2004 private plane crash that also killed the pilot and flight attendant; Ebersol and Charlie survived with serious injuries.

Saint James filed for divorce from Ebersol in 2002, but they reconciled later that year. “We had a second chance,” she told People magazine in 2002. “I’m amazingly happier, so that’s a good sign.”

In his 2022 memoir “From Saturday Night to Sunday Night,” Ebersol called Saint James “the greatest partner I’ve ever had by far.”

She retired when “Kate & Allie” ended, choosing to focus on raising her younger children in Litchfield, Connecticut, while Ebersol took the executive job at NBC Sports.

Saint James made occasional guest appearances after that, including as the mother of her real-life look-alike niece Christa Miller on “The Drew Carey Show,” as well as “Law & Order: Special Victims Unit” and “Suits.” In 1999, she starred in a production of “The Miracle Worker” in Torrington, Connecticut.

In 1998, Saint James, her sister, Mercedes Dewey, and a friend founded Seedling and Pip, a baby gift basket business with a focus on books based in Litchfield, Connecticut.

She was a longtime supporter of Special Olympics, volunteering and serving on its board of directors.

Besides her husband, she is survived by daughter Sunshine and son Harmony from her second marriage to makeup artist Tom Lucas, with whom she remained friends; sons Charlie and Willie with Ebersol; and Miller, whose first TV role was on “Kate & Allie.” Saint James’ first marriage to Richard Neubert ended in divorce.