Bonnie Tyler, who Topped the Charts with Epic 'Total Eclipse of the Heart,' Dies at 75

FILE PHOTO: Bonnie Tyler of Britain performs the song "Believe in Me" during the final of the 2013 Eurovision Song Contest at the Malmo Opera Hall in Malmo May 18, 2013. REUTERS/Jessica Gow/Scanpix Sweden
FILE PHOTO: Bonnie Tyler of Britain performs the song "Believe in Me" during the final of the 2013 Eurovision Song Contest at the Malmo Opera Hall in Malmo May 18, 2013. REUTERS/Jessica Gow/Scanpix Sweden
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Bonnie Tyler, who Topped the Charts with Epic 'Total Eclipse of the Heart,' Dies at 75

FILE PHOTO: Bonnie Tyler of Britain performs the song "Believe in Me" during the final of the 2013 Eurovision Song Contest at the Malmo Opera Hall in Malmo May 18, 2013. REUTERS/Jessica Gow/Scanpix Sweden
FILE PHOTO: Bonnie Tyler of Britain performs the song "Believe in Me" during the final of the 2013 Eurovision Song Contest at the Malmo Opera Hall in Malmo May 18, 2013. REUTERS/Jessica Gow/Scanpix Sweden

Bonnie Tyler, the gravelly voiced, Grammy-nominated Welsh pop star best known for singing the chart-topping power ballad “Total Eclipse of the Heart” in 1983 and seeing new generations succumb to its bombastic charms during solar and lunar eclipses, has died. She was 75.

Tyler died “unexpectedly” in a hospital in Portugal where she was being treated for an illness, her family said Thursday in a statement on her website.

She was hospitalized in May in Faro, where she had a home, for emergency intestinal surgery and was later placed in an induced coma.

“Bonnie’s family and team are heartbroken to announce that Bonnie unexpectedly passed away last night in hospital in Portugal as a result of the illness that she was being treated for, The Associated Press quoted her family as saying.

Tyler earned three Grammy nods, represented Britain at the Eurovision Song Contest 2013 — where she came in 19th — and was awarded an MBE for her services to music by Queen Elizabeth II in 2023, all largely thanks to “Total Eclipse of the Heart,” which has had more that 1 billion streams, boosted by real eclipses in 2017 and 2024.

The song spent four weeks at No. 1, the video has surpassed 1 billion views and when Stereogum reevaluated it in 2020, the music outlet declared it an “extinction-level event rendered in musical form.”

“It’s pop music as heart-pounding, chest-thumping, blood-gargling, heavens-falling passion explosion. It’s sheer spectacle. It’s fireworks and lasers and lightning and thunder. It soars and swoops and barrel-rolls,” the site said.

The song has never really gone away, covered by the English singer Nicki French in 1995 and the band Westlife in 2006. Cate Blanchett sang it while hitting Billy Bob Thornton with her car in 2001’s “Bandits,” it appeared at a wedding scene in 2003’s “Old School” and One Direction sang it in 2010 on a UK version of “The X Factor.”

Early life Tyler was born — as Gaynor Hopkins — a coal miner’s daughter in public housing with an outside toilet in Skewen, Wales, about seven miles outside Swansea. She grew up with three sisters and two brothers.

She adored the Beatles and her first album was “A Hard Day’s Night.” The first song she bought was “Hippy Hippy Shake” by the Swinging Blue Jeans at 13 and watched “Top of the Pops” religiously, according to her memoir, “Straight From the Heart.”

She would record “Top of the Pops” on a reel-to-reel two-track recorder and write down the lyrics of songs she loved. Her favorites were songs by Janis Joplin, Nina Simone, Tina Turner, Wilson Pickett and Otis Redding.

“I used to sing them into my hairbrush for hours and hours, and that’s how it all started for me. I fell in love with singing just from doing that. Looking back, even then my voice had a husky tone to it, but I didn’t think much of it. I thought everyone’s voices were different from each other’s,” she wrote.

In 1976 she had to have surgery to remove nodules on her throat, leaving her with that trademark vocal sound. Changing her name to Sherene Davis, she was fronting a soul band when she was discovered by talent scout Roger Bell, who brought her to London for demo sessions. Then she waited for a label until RCA said it was interested.

Under her new RCA-sanctioned name Bonnie Tyler, her debut album “The World Starts Tonight” in 1977 contained her first chart hit, “Lost in France,” and she was nominated for a breakthrough artists award at the Brits Awards. She then had a No. 3 hit in 1978 with “It’s a Heartache,” but soon drifted. She then signed with Sony and saw Meat Loaf perform “Bat Out of Hell” on the BBC. Impressed, she requested to work with Meat Loaf songwriter and producer Jim Steinman.

‘Total Eclipse of the Heart’ Steinman introduced her to his song “Total Eclipse of the Heart,” which would become the debut single for her fifth studio album, “Faster Than the Speed of Night.”

He borrowed one of the song’s lyrics — “Turn around, bright eyes” — from his 1969 musical “The Dream Engine” written as a student at Massachusetts’ Amherst College. He told her the song was from a prospective musical version of “Nosferatu.”

“Jim liked to put down a basic rhythm track, do nine takes of the song, choose the best one and then put the kitchen sink on there, like Phil Spector used to,” Tyler told The Guardian in 2023. “He gave me a cassette to listen to in my hotel and we both preferred take two.”

Featuring E Street Band members Roy Bittan on piano and Max Weinberg on drums, “Total Eclipse” is a rumination on lost love: “Once upon a time there was light in my life/But now there’s only love in the dark,” she sings.

The video, a staple of early-days MTV, was shot in a frightening gothic former asylum in Surrey, where the guard dogs apparently wouldn’t set foot in the rooms downstairs where they used to give people electric shock treatment.

The visuals included slow-motion tossed doves, candles, dancing ninjas, dancing greasers, Tyler in frighteningly big shoulder pads, fencers, gymnasts, wind machines and shirtless boys wearing swim goggles being doused with water.

“Faster Than the Speed of Night” earned a Grammy nomination for best rock vocal performance — losing to Pat Benatar’s “Love Is a Battlefield” — and Tyler got another nod for “Total Eclipse of the Heart” in the best pop vocal performance category, losing to Irene Cara’s “Flashdance — What a Feeling.”

After the ‘Eclipse’ Tyler never reached such dizzying heights again but stayed current with such movie soundtrack singles as “Holding Out For a Hero” — from 1984’s “Footloose” — and “Here She Comes” from “Metropolis” also in 1984.

Her 2019 disc “Between the Earth and the Stars” featured duets with Rod Stewart, Cliff Richard and Status Quo’s Francis Rossi, and she ended that year performing a Vatican Christmas concert before Pope Francis.

In 2013, she switched gears to make a country-flavored record in Nashville, “Rocks and Honey,” which included the Vince Gill duet “What You Need From Me” and a little ballad called “Believe in Me,” written by American songwriter Desmond Child and British songwriters Lauren Christy and Christopher Braide. “Believe in Me” was picked to represent the United Kingdom at that year’s Eurovision Song Contest in Sweden.

“It was an absolutely wonderful atmosphere there,” she told the San Francisco Examiner in 2023. “I was being interviewed every 15, 20 minutes, and when I walked out onstage behind the British flag, I thought the roof was going to come off! It was awesome, just awesome!”

In 2017, she joined Joe Jonas’ band DNCE for a performance on the cruise ship Oasis of the Seas as part of a “Total Eclipse Cruise.” When the moon passed in front of the sun, they played “Total Eclipse of the Heart.”

Tyler was married to property developer and former Olympic judo competitor Robert Sullivan.



Movie Review: ‘The Rivals of Amziah King’ Is a Southern Fried Flick with Too Many Ingredients

 This image released by Black Bear shows Matthew McConaughey, left, and Angelina LookingGlass in a scene from "The Rivals of the Amziah King." (Kyle Kaplan/Black Bear via AP)
This image released by Black Bear shows Matthew McConaughey, left, and Angelina LookingGlass in a scene from "The Rivals of the Amziah King." (Kyle Kaplan/Black Bear via AP)
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Movie Review: ‘The Rivals of Amziah King’ Is a Southern Fried Flick with Too Many Ingredients

 This image released by Black Bear shows Matthew McConaughey, left, and Angelina LookingGlass in a scene from "The Rivals of the Amziah King." (Kyle Kaplan/Black Bear via AP)
This image released by Black Bear shows Matthew McConaughey, left, and Angelina LookingGlass in a scene from "The Rivals of the Amziah King." (Kyle Kaplan/Black Bear via AP)

It turns out that the honey business isn't as sweet as it sounds: In the new movie “The Rivals of Amziah King,” beekeepers steal from each other, poison rivals' insects and rip folk off. “It’s not full of kind people,” the title character warns.

“The Rivals of Amziah King” isn't as sweet as it thinks it is, either. Instead of picking a single variety to explore, the movie is a maddening mishmash of genres — blending Quentin Tarantino's sudden brutality, a coming-of-age tale, a heist flick, a revenge fantasy and a sweet, music-filled country hoedown.

Matthew McConaughey returns to the big screen playing the title character in what can only be called Matthew-McConaughey-turned-up-to-11 mode, pure Cheshire Cat smile, rascally wink and buttery, Southern gentlemanly charm. Suspenders and scruff on, cowboy boots snug, McConaughey is the one who makes everyone's life instantly better just by showing up.

Written by Andrew Patterson and James Montague and directed by Patterson, “The Rivals of Amziah King” follows McConaughey's honey-producing King as he negotiates his patch of rural Oklahoma until he inexplicably leaves the movie at the hour mark and hands it off to Angelina LookingGlass, making her film debut.

We meet King ordering chicken fried steak sandwiches and cherry Cokes as he plays the banjo in a quartet of musicians at a beloved food joint. That gets interrupted when authorities need his knowledge to find out who abandoned $250,000 worth of honey barrels on the road and King starts to investigate. Then someone gets a chunk of their skull — including ponytail — ripped off in an industrial accident and that takes over. Settle in, the whiplash is just beginning.

King soon connects with his former foster daughter — that's LookingGlass, fierce and preternaturally grounded — who he gets to mansplain in the local ways, like what to eat at the potluck (“There's a story in every dish”), life lessons (“Patience is better than being smart”) and beekeeping (“Every queen is a survivor”). Bees here, if you didn't already get from the clunky writing, represent community, sharing and caring.

Cinematographer M.I. Littin-Menz's camera techniques never settle down in this movie, like a puppy forever pulling on its leash. Early sequences employ frozen shots irritatingly dropped into the mix and later we have furious close-ups, quick cuts, quirky flashbacks, ethereal river sequences and lingering poetic images of close-up bees like from a documentary, a kinetic approach that seems not to have much faith in the actual story keeping viewers' interest alive. Music supervisor Winslow Bright swamps many scenes with loud choirs, loud banjo and loud strings.

Maybe that's because as soon as you've settled down for one genre, it gets hijacked by the next. Warm and extended moments of communal song — the great T Bone Burnett had a hand in some of the outstanding Americana tunes like “Quill” with McConaughey exuberant, and “Johnny Come Outside” — are undercut by seeing kids smash their heads on school bus roofs or a cool Western-like tracking of a honey-stealing local rascal that is marred by his horrific, boiling-to-death murder. There are so many montages of honey production that viewers may qualify for a beekeeping certificate.

Great turns are produced by Kurt Russell as a lethal local kingpin who schmoozes his way past the law, and Jake Horowitz, a former Marine who knows how to plan a theft with military precision, mostly shirtless. One brazen theft here is of “O Brother, Where Art Thou?” and, however you liked that movie, you realize now how hard it was to actually pull off.

Patterson likes to remind viewers of his Oklahoma bona fides, but much of the overlong movie was shot in Alabama. And that hints at what's wrong with “The Rivals of Amziah King” — it just doesn't feel authentic, either in place or in story. Forget honey, it sort of leaves a vinegary taste behind.


Rod Stewart Cancels Tour Dates After Heart Surgery

Rod Stewart performs during the Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 29, 2025. (AP)
Rod Stewart performs during the Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 29, 2025. (AP)
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Rod Stewart Cancels Tour Dates After Heart Surgery

Rod Stewart performs during the Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 29, 2025. (AP)
Rod Stewart performs during the Glastonbury Festival in Worthy Farm, Somerset, England, Sunday, June 29, 2025. (AP)

British rock star Rod Stewart, 81, has cancelled forthcoming US tour dates after having a heart operation, his social media announced.

A message posted late Tuesday on his Instagram page said the raspy-voiced rocker has "successfully undergone a routine coronary stent procedure".

This procedure is to widen blocked or narrowed coronary arteries by interesting a tube that allows blood to flow more freely.

He had been due to play a series of US tour dates this month including in Las Vegas.

Now, "on the advice of his doctors, he will take the next four weeks to recuperate and regain full fitness before returning to the stage," his management said.

"Unfortunately, this means he will be unable to continue his current tour dates".

The spiky-haired singer and songwriter, who had a string of megahits in the 1970s and 1980s, has kept up a busy touring schedule despite his age.

He wrote in 2025: "I love what I do, and I do what I love. I'm fit, have a full head of hair and can run 100 meters (330 feet) in 18 seconds."

Stewart has recently cancelled several US shows over ill health, however, most recently on Sunday in Cincinnati, described at the time as due to "an unforeseen but minor medical procedure".

In June, he cancelled a concert in California at the last moment after contracting laryngitis, but faced criticism for attending a World Cup match the next day.

Later in June he was seen receiving oxygen during a show in Utah and told the audience he had nearly fainted.


Taylor Swift Wedding-dress Fever Puts Bridal Brands on High Alert

Taylor Swift arrives at the 2022 MTV Video Music Awards at the Prudential Center in Newark, New Jersey, US, August 28, 2022. (Reuters)
Taylor Swift arrives at the 2022 MTV Video Music Awards at the Prudential Center in Newark, New Jersey, US, August 28, 2022. (Reuters)
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Taylor Swift Wedding-dress Fever Puts Bridal Brands on High Alert

Taylor Swift arrives at the 2022 MTV Video Music Awards at the Prudential Center in Newark, New Jersey, US, August 28, 2022. (Reuters)
Taylor Swift arrives at the 2022 MTV Video Music Awards at the Prudential Center in Newark, New Jersey, US, August 28, 2022. (Reuters)

Taylor Swift's wedding dress remains under wraps. But wedding chain David's Bridal is already betting brides will want one just like it. Fans are eagerly awaiting the reveal of the Christian Dior dress Swift wore at her tightly controlled Madison Square Garden celebration on July 3. Meanwhile, the Hong Kong design team at David's Bridal, which owns roughly 200 stores across the US, has already sketched about two dozen looks based on the pop star's likely aesthetics, with a focus on Hollywood glamour and drop-waist silhouettes, CEO Kelly Cook told Reuters.

Those preparations will help the brand "move very quickly when we have an idea of where the dress has landed," Cook explained. David's Bridal has already seen an uptick in searches for Swift-inspired designs on its website, which lists dresses ranging from hundreds of dollars ‌to more than $3,000.

Designers say ‌they will be looking out for elements of her outfit that could blossom ‌into ⁠bridal fashion trends.

Viola ⁠Chan, head of couture and design at David's Bridal in Hong Kong, said her team studied Swift's personal life to sketch three groups of designs: embellished ball gowns, simple gowns with a touch of detail, and short dresses in case of a mid-ceremony outfit change.

"It could be her makeup, her hair styling, and could be the number of gowns that she changed, the color of her gowns, the floral decoration," Chan said, while showcasing a template adorned with flowers and lace.

Barcelona-based bridal wear designer Pronovias, with distribution in more than 100 countries, said it plans to draw inspiration from the silhouettes, fabrics and "attitude" of Swift's look, as ⁠the brand has done for royal and other high-profile celebrity weddings in the past.

NEW SWIFT-INSPIRED ‌DESIGNS

An unusual color or fabric - pink or metallic lace, for example - could ‌ripple through the bridal industry, said Sharon Sever, the creative director at Tel Aviv-based luxury wedding dress company Galia Lahav. A unique ‌veil might also inspire new fashion trends.

For now, brands like Galia Lahav and New York-based Jenny Yoo are in ‌a wait-and-see mode, along with their customers.

"The images make all the difference in the design world," said Liza Pontoni, design director at Jenny Yoo. The Justin Alexander Group, a US-based bridal fashion house, is in the process of finalizing sketches for its spring and summer 2028 collection, which will be available in stores in autumn 2027. If Swift reveals her Dior dress in the coming weeks, the company ‌might incorporate certain elements into the designs, said CEO and creative director Justin Warshaw.

And if boutiques signal a surge in interest for Swift-inspired gowns, the fashion house might ⁠pull strings to make the ⁠new collection available to retailers and brides even sooner than the typical one-year timeline, Warshaw said.

For indie bridal franchise Lovely Bride, new details will be at most referential to Swift's look, said Lanie List, the founder and CEO.

"We'll definitely tell our brides things that we have that are similar, if something she wears inspires them," she said.

LEGAL RISKS

For designers and brands, the risk of falling into legal trouble depends on what exactly they copy, said Brad D. Rose, co-chair of law firm Pryor Cashman's Intellectual Property Group, who works with luxury brands.

US copyright law generally does not protect the cut, shape or silhouette of clothing. That means a bridal company can often lawfully create a dress that mimics an aesthetic. But specific decorative elements such as embroidery or beadwork may be protected.

If a bridal brand were to falsely suggest an affiliation with Swift or LVMH-owned Dior, trademark and unfair competition concerns could arise, Rose added.

Pronovias leans into seasonal trends rather than emulating specific pieces or names, a spokesperson said. The designer will, for example, avoid using Swift or Dior's name in marketing, while still drawing inspiration from trends that emerge from the collaboration.