‘Spider-Man: Brand New Day’ Nets Second Best North American Opening Ever With $355 Million

 British actor and cast member Tom Holland arrives for the UK premiere of "Spider-Man: Brand New Day" at the Odeon Luxe Leicester Square in London, Britain, 29 July 2026. (EPA)
British actor and cast member Tom Holland arrives for the UK premiere of "Spider-Man: Brand New Day" at the Odeon Luxe Leicester Square in London, Britain, 29 July 2026. (EPA)
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‘Spider-Man: Brand New Day’ Nets Second Best North American Opening Ever With $355 Million

 British actor and cast member Tom Holland arrives for the UK premiere of "Spider-Man: Brand New Day" at the Odeon Luxe Leicester Square in London, Britain, 29 July 2026. (EPA)
British actor and cast member Tom Holland arrives for the UK premiere of "Spider-Man: Brand New Day" at the Odeon Luxe Leicester Square in London, Britain, 29 July 2026. (EPA)

“Spider-Man: Brand New Day” made box office history in its first weekend in theaters. The Sony-released superhero movie became the second-biggest North American opening ever with an astonishing $355 million in ticket sales, according to studio estimates Sunday. It was just a few million shy of “Avengers: Endgame,” which debuted to $357 million in 2019.

Tom Holland’s run as the comic book webslinger has been a mighty one. “No Way Home,” his third standalone Spider-Man movie, made over $1.9 billion worldwide to become the eighth-highest earning movie of all time, not accounting for inflation. It was also the first movie since the beginning of the pandemic to cross the $1 billion mark.

But the triumph of “Brand New Day” also comes on the heels of another major movie featuring Holland and Zendaya: Christopher Nolan's “The Odyssey,” which slid to second place in its third weekend in theaters with $51 million.

“Spider-Man: Brand New Day” started strong, with a record $168 million opening day from 4,487 theaters in the US and Canada, besting “Avenger: Endgame’s” $157 million Friday. The studio predicted it would lead to a $325 million opening weekend, which would still have beaten the second-place record. It takes the place of “Spider-Man: No Way Home” which opened to $260 million in December 2021.

In the realm of best opening weekends in North America, they’re followed by “Avengers: Infinity War” ($257 million in 2018) and “Star Wars: The Force Awakens” ($247 million in 2015).

Expectations were always high for “Brand New Day,” which was directed by Destin Daniel Cretton and cost a reported $225 million to produce, not including marketing expenses. But there were worries it wouldn’t attract the same level of mass audience enthusiasm as its predecessor which integrated past Peter Parker actors Tobey Maguire and Andrew Garfield into the mix.

In reality, interest was higher than ever. “Brand New Day” also received strong reviews from critics and audiences. It currently has a 90% on Rotten Tomatoes; Audiences gave it an “A” CinemaScore and a five-star rating on PostTrak.

Ticket buyers were predominately male (about 61%) and many were on the younger side, with slightly more than half the audience under the age of 25, according to PostTrak exit polls. The biggest group was between the ages of 18 and 24, which made up 36% of the audience; 27% were between the ages of 25 and 34. The box office analytics company EntTelligence estimates that about 24.1 million people attended “Spider-Man: Brand New Day” this weekend.

It’s also the biggest ever opening for Sony Pictures.

Tom Rothman, the Chairman and CEO of Sony Pictures Motion Picture Group, praised “the incomparable Tom Holland” in a statement. Rothman famously pushed back the production of the movie to allow Holland to act in “The Odyssey” as well.

Cries about the death of the superhero movie have been looming since “Endgame” with more than a few high-profile flops in the years since, including several from the once-impenetrable Marvel Studios. Still, when they work, they really work, most notably with “No Way Home” and “Deadpool & Wolverine,” which made over $1.3 billion.

Marvel Studios president and “Spider-Man” producer Kevin Feige said in a statement: “This debut reflects the enduring power of Marvel’s characters, and the connection they continue to have with fans around the world — and, as audiences saw, it sets up exciting things to come.”

Producer Amy Pascal added that it “reinforces that moviegoers are hungry for stories that are both spectacular and deeply human.”

This year has also seen a resurgence of moviegoing from younger audiences, who have made hits out of movies like “Obsession,” “Backrooms” and “The Drama,” which also starred Zendaya.

They’re also helping blockbusters soar, and in a business that is partly propelled by momentum, “Spider-Man” had the benefit of coming after “The Odyssey,” which fell only 43% in its third weekend. “The Odyssey” has now earned $395.5 million domestically, bringing its global total to $911.4 million. The film will soon open in South Korea (Aug. 5), China (Aug. 14) and Japan (Sept. 11).



It’s All Coming Back: Celine Dion Fans Gear Up for Paris Return

Canadian singer Celine Dion waves to fans as she exits Hotel Le Royal Monceau in Paris on September 3, 2026, ahead of a series of concerts in the French capital. (AFP)
Canadian singer Celine Dion waves to fans as she exits Hotel Le Royal Monceau in Paris on September 3, 2026, ahead of a series of concerts in the French capital. (AFP)
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It’s All Coming Back: Celine Dion Fans Gear Up for Paris Return

Canadian singer Celine Dion waves to fans as she exits Hotel Le Royal Monceau in Paris on September 3, 2026, ahead of a series of concerts in the French capital. (AFP)
Canadian singer Celine Dion waves to fans as she exits Hotel Le Royal Monceau in Paris on September 3, 2026, ahead of a series of concerts in the French capital. (AFP)

Fans of Canadian superstar Celine Dion are gearing up for an onstage comeback many feared might never happen, with just a day to go until her opening concert in Paris following a years-long battle with a rare neurological disorder.

The 58-year-old will on Saturday perform her first full concert since revealing she was suffering from Stiff Person Syndrome, an incurable condition that forced her to cancel shows and left her struggling to sing.

Some 30,000 fans of the "My Heart Will Go On" singer are expected to see her reclaim the spotlight each night of her 26-date run in the French capital.

"I'm really, really, really looking forward to it -- and the closer it gets, the more excited I am," said fan Elsa, who is going to one of the October shows with her sister and friends.

"We're always singing her songs at karaoke, and so many of them bring back those memories," said the 39-year-old, who preferred not to give her full last name.

She said she had been due to see Dion once before only for the concert to be cancelled after the singer fell ill -- making her all the more determined not to miss out this time.

"She's one of those artists -- one of the very few -- I really wanted to fight to get a ticket for," she said.

- 'Goosebumps' -

Dion -- whose hits include "It's All Coming Back to Me Now" and "Because You Loved Me" -- has sold around 260 million albums in English and French over a four-decade career.

She kicks off her residency at the Plenitude Arena outside Paris on Saturday evening, with 16 sold-out shows in September and October before returning for another 10 next May.

Resale tickets are scarce, with one site showing just two seats available for her September 26 show listed at an eye-watering 1,035 euros ($1,202) and another at 862 euros.

Hotel prices are also seeing a boost, with holiday booking site Kayak showing a 50 percent bump on some of her concert dates.

Florence Monsellier, a 36-year-old French IT project manager, was "absolutely delighted" to have secured six seats.

"I'll be going with my mum, my sister and my three cousins," said the self-described "lifelong fan", who last saw Dion perform in 2007.

Even those without tickets may still get a chance to see the global superstar.

Admirers have gathered outside the Royal Monceau hotel each day, where Dion has regularly emerged for impromptu exchanges with fans.

Videos posted on social media show Dion singing and dancing with fans, even seemingly taking the phone number of one after being impressed by his rendition of her new single "Bonjour, Pardon, Merci" (Hello, Excuse Me, Thank you).

Stephanie, who works near the Royal Monceau, told AFP she left work early one day last week to make sure she saw the singer after narrowly missing her the night before.

"She put on a show... I got goosebumps," said Stephanie, who declined to give her last name.

- Six-year wait -

Dion's return to the stage caps a comeback that, for years, was far from certain.

The singer revealed in December 2022 that she had been diagnosed with a rare and incurable autoimmune disorder that can cause severe muscle stiffness and agonizing spasms.

The illness forced Dion to cancel concerts, but she repeatedly vowed to fight her way back to the stage.

"I'm going to come onstage because I'm ready. And my vocal cords will not scare me, because I'm going to be ready, and I'm going to hit those notes," she told NBC two years ago.

She stunned fans with a surprise appearance at the 2024 Paris Olympics opening ceremony, belting out the Edith Piaf classic "Hymn to Love" from the Eiffel Tower.

For Elsa, watching Dion retake the stage, however briefly, was emotional.

"By the end of her song, I was crying like a baby," she said.

Now, with her return to a full-length concert just days away, Dion has kept much of the show -- including its setlist -- under wraps, while teasing fans with a few hints and some practical advice.

"Usually I do a one-hour-40-minute show, but this one's longer," she told the crowd one night.

Her tip for those lucky enough to have tickets: "Make sure you wear good shoes."


Sian Heder Makes ‘Invisible People Visible’ with Toronto Film on Disability Rights

This image released by Apple shows Ruth Madeley, left, with director Sian Heder during the filming of "Being Heumann." (Apple TV via AP)
This image released by Apple shows Ruth Madeley, left, with director Sian Heder during the filming of "Being Heumann." (Apple TV via AP)
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Sian Heder Makes ‘Invisible People Visible’ with Toronto Film on Disability Rights

This image released by Apple shows Ruth Madeley, left, with director Sian Heder during the filming of "Being Heumann." (Apple TV via AP)
This image released by Apple shows Ruth Madeley, left, with director Sian Heder during the filming of "Being Heumann." (Apple TV via AP)

Academy Award ‌winner Sian Heder's feature film "Being Heumann" opened the Toronto festival with a heartfelt tale of how disabled people with an indomitable will, courage and commitment accomplished the impossible.

"Being Heumann" tells the story of Judy Heumann, the late American activist — known widely as the "mother of the disability rights movement" — as she led a group of disabled people in their fight against apathy and discrimination that resulted in the longest occupation of a federal building in US history.

"She led a group of 100 disabled people into a federal building and ‌she held ‌that building until the first legislation was passed ‌around ⁠disability rights. So ⁠she's someone everyone should know," Heder told Reuters on the red carpet ahead of the film's premiere at the Toronto International Film Festival.

"I think all of her work was about how to make invisible people visible and shine a light, and not just shine a light, but create the hard change of inclusion, ⁠and that's what we're doing here," Heder said.

Writer-director ‌Heder won the Oscar for Best ‌Adapted Screenplay in 2022 for her film "CODA," a coming-of-age story about the ‌only hearing member of a deaf family.

Daniel Durant, who received ‌critical acclaim for his part in that film, jumped at the chance to work with Heder again.

"She is truly a magician and you can see it on screen," he said.

The sit-in in San Francisco ‌in 1977 lasted 26 days and forced the then US Secretary of Health, Education, and Welfare, Joseph ⁠Califano Jr. ⁠to sign regulations implementing Section 504 of the Rehabilitation Act of 1973, which ensured access for people with disabilities.

British actor Ruth Madeley plays Heumann while American star Mark Ruffalo portrays Califano. Most of the film's cast are disabled actors.

"I think bringing so many different sides of Judy into the movie... People know her as this fierce activist who changed the world, so to be able to show her fun side, her wild side, her humor, her joy, all of that, is really special and meaningful," Madeley said.

The film will be released in select theaters on November 6 before streaming on Apple TV a week later.


Qiddiya City Signs MoUs with Five Leading Travel and Tourism Companies

The MoUs aim to establish shared frameworks for cooperation with a select group of travel and tourism service providers - SPA
The MoUs aim to establish shared frameworks for cooperation with a select group of travel and tourism service providers - SPA
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Qiddiya City Signs MoUs with Five Leading Travel and Tourism Companies

The MoUs aim to establish shared frameworks for cooperation with a select group of travel and tourism service providers - SPA
The MoUs aim to establish shared frameworks for cooperation with a select group of travel and tourism service providers - SPA

Qiddiya City has announced the signing of memoranda of understanding (MoUs) with five major travel and tourism service providers: Al Faris International Travel and Tourism, Travel Destinations Solutions, Al Matar Commercial Services Company, AlMosafer Travel and Tourism Company, and Fursan Travel and Tourism Company.

The agreements form part of a strategic direction aimed at expanding Qiddiya City's network of partnerships in the travel and tourism sector, strengthening its readiness to welcome visitors, and developing more integrated pathways for accessing its diverse destinations and experiences from within the Kingdom and abroad, SPA reported.

The MoUs aim to establish shared frameworks for cooperation with a select group of travel and tourism service providers, contributing to the development of more integrated and flexible solutions for the visitor journey; from planning and booking, through travel and arrival arrangements, to enjoying Qiddiya City's experiences more smoothly and efficiently.

Through these partnerships, Qiddiya City will leverage the specialized expertise, booking infrastructure, and commercial networks of these travel companies. The joint focus will be on delivering integrated and flexible solutions across every stage of the visitor journey, from initial planning and booking to travel arrangements and arrival.

These MoUs reinforce Qiddiya City's ongoing commitment to build quality partnerships with key players in the tourism and travel ecosystem, and form part of its future plans to develop integrated tourism solutions that enhance the readiness of its destinations to welcome visitors from within the Kingdom and abroad.

These partnerships also contribute to expanding the scope of cooperation with sector partners and providing more flexible and efficient options for the visitor journey, supporting the company's objectives in establishing Qiddiya as a global destination that brings together entertainment, sport, and culture, offering inspiring experiences built on the concept of "Power of Play."