Odyssey Effect: Stars Sell Greece to a New Wave of US Tourists

Legend has it that this is where Odysseus landed when he finally returned home to Ithaca. Angelos TZORTZINIS / AFP
Legend has it that this is where Odysseus landed when he finally returned home to Ithaca. Angelos TZORTZINIS / AFP
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Odyssey Effect: Stars Sell Greece to a New Wave of US Tourists

Legend has it that this is where Odysseus landed when he finally returned home to Ithaca. Angelos TZORTZINIS / AFP
Legend has it that this is where Odysseus landed when he finally returned home to Ithaca. Angelos TZORTZINIS / AFP

The idyllic beaches of the Greek islands have long been a draw for European holidaymakers, but now a new wave of US tourists is waking up to their charms, driven by stars like Madonna, Katy Perry and Justin Bieber.

Madonna celebrated her 68th birthday on Corfu, sharing a whirl of parties and boat trips against the backdrop of the island's landscape with her 20 million Instagram followers -- earning her rapturous thanks from Greek Prime Minister Kyriakos Mitsotakis, AFP said.

And experts say the huge popularity of Christopher Nolan blockbuster "The Odyssey" will only fuel the trend -- though holidaymakers will be hoping for an easier trip home than the one endured by Matt Damon's eponymous hero.

While Madonna partied in Corfu, singer Bieber took his family to the Peloponnese. Perry and her partner, Canada's former prime minister Justin Trudeau, sampled the delights of Mykonos.

All of them chronicled their holidays on social media, giving the Greek tourism industry a massive hit of free advertising.

"Celebrities are voting for the Greek summer!" public broadcaster ERT said on Friday, devoting a report to these stars from across the Atlantic.

The newspaper To Vima hailed this "new wave" which "helps raise the country's international profile". It cited British singer and actress Rita Ora, who shared her holidays with "her millions of followers" on social media.

Paris Tsartas, professor of tourism development at Harokopio University in Athens, told AFP the deluge of celebrity endorsements gave Greece a powerful boost as a summer destination -- particularly with the lucrative American market.

After a decade of financial woes following the debt crisis of 2009, and the devastation of the Covid-19 pandemic, Greece has pumped money into the sector, which accounts for nearly 30 percent of GDP, according to the Association of Greek Tourism Enterprises (SETE).

Around 1.55 million Americans visited Greece in 2025. They represent the third-largest source of tourism income, behind Germans and Britons, according to SETE, with an average spend per tourist of 1,120 euros ($1,300).

To answer growing demand, the main US airlines have significantly stepped up services, American Airlines increasing its total available seat capacity by 30 percent compared with summer 2025.

And this year Greece has had its highest-ever number of direct flights, with 103 connections a week between Athens and the United States.

- Set-jetting -

Some of the new enthusiasm is driven by the phenomenon of "set-jetting" -- people travelling to a destination after seeing it in a movie or TV series.

In a study for online travel giant Expedia, 13 percent of American travelers said they had booked a trip after seeing a destination on screen.

Greece is well acquainted with the trend, after hit musical "Mamma Mia", filmed on the island of Skopelos, triggered a jump in American visitors.

Professor Tsartas predicted "The Odyssey" would have a similar impact.

Key parts of Nolan's film, recounting the travails of Damon's Odysseus as he seeks to return home from the Trojan war to his wife Penelope, played by Anne Hathaway, were shot in the Peloponnese region of Greece.

According to EasyJet Holidays, cited by the Greek newspaper Kathimerini, bookings to Greece increased by 18 percent in the weeks following the film's international release in mid-July.

And there is more small-screen exposure for Greece's charms to come: Netflix had chosen the country for the sixth season of hit series "Emily in Paris".

Lead actress Lily Collins and the rest of the production team were spotted this spring in Mykonos, Paros and Santorini.



Oasis Bring Swagger to Venice as Documentary Celebrates Reunion

 Noel Gallagher, left, and Liam Gallagher arrive at the 83rd edition of the Venice Film Festival in Venice, Italy, on Saturday, Sept. 5, 2026. (AP)
Noel Gallagher, left, and Liam Gallagher arrive at the 83rd edition of the Venice Film Festival in Venice, Italy, on Saturday, Sept. 5, 2026. (AP)
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Oasis Bring Swagger to Venice as Documentary Celebrates Reunion

 Noel Gallagher, left, and Liam Gallagher arrive at the 83rd edition of the Venice Film Festival in Venice, Italy, on Saturday, Sept. 5, 2026. (AP)
Noel Gallagher, left, and Liam Gallagher arrive at the 83rd edition of the Venice Film Festival in Venice, Italy, on Saturday, Sept. 5, 2026. (AP)

Liam Gallagher pumped his fist in the air and his brother Noel flashed a victory sign as the Oasis rock stars arrived by water taxi at the Venice Film Festival on Saturday ahead of a documentary chronicling their blockbuster reunion tour.

Asked by a Reuters reporter how it felt to be in Venice, Liam replied: "Biblical man, biblical." Noel opted for a more Italian response: "Bellissimo."

Later, Liam appeared less impressed by photographers yelling for attention. "Why all the shouting? Is this what you do at the Venice Film Festival? Scream at people?" he asked.

Oasis, the ‌Manchester band ‌whose anthems helped define the 1990s before feuding between the ‌two ⁠brothers tore it ⁠apart, reunited last year for a tour across Britain, Ireland, North and South America, Asia and Australia.

The documentary "Oasis: Don't Look Back in Anger" follows the gradual repair of one of music's most famous fractured relationships over weeks of rehearsal and months on the road.

"You sort of saw that reconciliation happen on stage in front of the world," said Dylan Southern, who directed the film alongside Will Lovelace.

The thaw takes time. ⁠When Liam arrives for his first rehearsal he doesn't acknowledge ‌anyone around him before leaving abruptly without saying ‌goodbye.

Underscoring their mutual animosity, Noel reveals that their respective children had never met before the ‌reunion tour but swiftly went on to become great friends. At the end ‌of the film, Noel describes Liam as "delightful" — something he admits he had never expected to hear himself say.

The filmmakers said they deliberately avoided interfering, keeping themselves largely invisible during the lengthy practice sessions and allowing events to unfold naturally.

As shooting moved into the concert stadiums, ‌Southern said the focus widened to include the fans whose affection became an integral part of the brothers' rapprochement.

Steven Knight, ⁠who wrote the ⁠script, said the filmmakers had no way of knowing whether the reunion would succeed, but always hoped the story would become one of forgiveness.

"From the beginning, we wanted to make this a film about reconciliation, redemption and forgiveness," he said, adding that neither Gallagher was likely to express emotion openly.

"They're British working-class men, so they're not going to high-five or hug or cry," he said.

Knight, who is writing the script for the next James Bond film, said the real-life story of the Oasis tour proved more compelling than anything he could have scripted.

"This is better than any fiction that you could write," he said. Southern chipped in: "And no one could play Liam Gallagher except Liam Gallagher."

The film is being shown out of competition at the Venice Film Festival, which runs until September 12.


Robert Pattinson and Oasis Bring Star Power to Venice Film Festival

 This image released by A24 shows Robert Pattinson, left, in a scene from the film "Primetime." (A24 via AP)
This image released by A24 shows Robert Pattinson, left, in a scene from the film "Primetime." (A24 via AP)
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Robert Pattinson and Oasis Bring Star Power to Venice Film Festival

 This image released by A24 shows Robert Pattinson, left, in a scene from the film "Primetime." (A24 via AP)
This image released by A24 shows Robert Pattinson, left, in a scene from the film "Primetime." (A24 via AP)

The worlds of rock and movie stardom are colliding at the Venice Film Festival, as both Robert Pattinson and Oasis frontmen Noel and Liam Gallagher arrive on the Lido for world premieres on Saturday.

Pattinson’s film, “Primetime,” is about the reality series “To Catch a Predator” and host Chris Hansen at the height of its success on Dateline NBC, while the Gallaghers are coming in support of a documentary about their 2025 reunion tour. Both films will be in US theaters in September.

With many movie star moments already in the rearview, from George Clooney’s lifetime achievement award to the emotional ovation for John Malkovich’s performance in “Wild Horse Nine,” the combination of Pattinson and Oasis on the same day could be a high-wattage pinnacle for this year’s festival.

Robert Pattinson plays Chris Hansen “Primetime,” which was written by Ajon Singh and directed by Lance Oppenheim, has already inspired discourse and headlines with just its trailer and subject matter. It’s based on journalist Luke Dittrich’s “Esquire” article “Tonight on Dateline This Man Will Die,” which explores a 2006 sting operation on Texas assistant district attorney Bill Conradt. He died by suicide as police officers descended on his home with the show’s television cameras outside.

Oppenheim, in his director’s statement, said that he “wanted to trace the disparate ambitions of people who existed inside this apparatus — a journalistic crusader, a mercenary TV producer and a wide-eyed Hollywood dreamer — converging into a moment of crisis.”

Hansen was not involved in the making of the movie and has made several public comments about it, including that he had always thought Denis Leary should have played him and questioning the motives of the filmmakers. He was invited to see the movie before the festival, but took issue with the NDA he was asked to sign beforehand.

Last year, the series was also the subject of an acclaimed documentary, “Predators,” from filmmaker David Osit. It's currently streaming on Paramount+.

For Pattinson, “Primetime,” in theaters Sept. 25, is one more buzzy performance in a banner year that’s already included memorable performances in hit films from “The Drama” to “The Odyssey” and with “Dune: Part Three” still to come.

The Oasis documentary, subtitled “Don’t Look Back in Anger,” is part concert film and part exploration of the contentious relationship between the Gallagher brothers, whose long-held feud led to Oasis disbanding in 2009. It includes never-before-seen rehearsals and what was then their first joint interview in 25 years.

“We set out to make a film about the reconciliation of two brothers, infamous for their volatile relationship, but we also wanted to make a film about the power of music and the way Oasis’ songs have continued to have a life of their own, as the band lay dormant for fifteen years,” co-directors Dylan Southern and Will Lovelace said in their directors' statement. “The documentary, like the reunion and the tour, took on a life of its own.”

It’ll be in theaters shortly after the festival. Disney is giving “Oasis: Don't Look Back in Anger” an IMAX release on Sept. 11, and it's expected to arrive on the Disney+ streaming service later this year.


Director Maggie Gyllenhaal Ditched AI for Marilyn Monroe Film

President of Venezia 83 Competition jury Maggie Gyllenhaal poses on the red carpet on the day of the opening ceremony of the 83rd Venice International Film Festival, in Venice, Italy, September 2, 2026. (Reuters)
President of Venezia 83 Competition jury Maggie Gyllenhaal poses on the red carpet on the day of the opening ceremony of the 83rd Venice International Film Festival, in Venice, Italy, September 2, 2026. (Reuters)
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Director Maggie Gyllenhaal Ditched AI for Marilyn Monroe Film

President of Venezia 83 Competition jury Maggie Gyllenhaal poses on the red carpet on the day of the opening ceremony of the 83rd Venice International Film Festival, in Venice, Italy, September 2, 2026. (Reuters)
President of Venezia 83 Competition jury Maggie Gyllenhaal poses on the red carpet on the day of the opening ceremony of the 83rd Venice International Film Festival, in Venice, Italy, September 2, 2026. (Reuters)

Actress-director Maggie Gyllenhaal said Friday she had abandoned using AI video-generation technology for her upcoming film about Marilyn Monroe because "it fundamentally did not work."

The American is head of the jury at this year's Venice Film Festival, but she is also premiering her new 17-minute film depicting 1950s screen icon Monroe.

The short movie imagines Monroe as a 100-year-old, with Dakota Johnson playing her before her death in 1962.

"The people who commissioned this project from me asked me to use AI," Gyllenhaal told a panel discussion about AI in Venice.

"They were using licensable AI, training it off of Marilyn Monroe films that we had licensed. And I went for it. I was like, 'All right, I'm curious. I don't know. Let's see'," Gyllenhaal told The Future of Creativity event.

"And it fundamentally did not work. We worked hard at it, and in the end, I threw it away because what was coming through Dakota playing Marilyn Monroe was so much more moving, human, alive."

Her statement underlines the current limitations of AI video technology, which has sparked fears about the impact on jobs throughout the film and TV industries.

The "Dark Knight" actress and director of "The Lost Daughter" also revealed how AI companies are seeking to license the images of actors in order to reproduce them through software.

"Someone who I respect a lot theoretically asked me to consider the idea of asking actors who trust me, because I have a lot of actors who trust me that I love, and they should trust me to give me their likeness and to make a film with them," she said.

"I thought it's completely and absolutely different paradigm than how I think, how I work," she added.