Brad Pitt Says Working with Dog Co-star Was 'Really Moving'

Brad Pitt arrives at the 74th edition of the San Sebastián Film Festival in San Sebastian, northern Spain, Wednesday, Sept. 23, 2026. (AP Photo/Miguel Oses)
Brad Pitt arrives at the 74th edition of the San Sebastián Film Festival in San Sebastian, northern Spain, Wednesday, Sept. 23, 2026. (AP Photo/Miguel Oses)
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Brad Pitt Says Working with Dog Co-star Was 'Really Moving'

Brad Pitt arrives at the 74th edition of the San Sebastián Film Festival in San Sebastian, northern Spain, Wednesday, Sept. 23, 2026. (AP Photo/Miguel Oses)
Brad Pitt arrives at the 74th edition of the San Sebastián Film Festival in San Sebastian, northern Spain, Wednesday, Sept. 23, 2026. (AP Photo/Miguel Oses)

Hollywood star Brad Pitt said on Wednesday that co-starring with a dog in his latest film, survival thriller "Heart of the Beast,” was "a really moving experience.”

Directed by David Ayer, the film explores the deep bond between a military officer and his combat dog, Odin, who survive an air crash and become trapped in the wilderness of Alaska.

Four dogs, all from the same family, were used to portray Odin, but the bulk of the performance was delivered by a German shepherd named Uber.

"I did have a really moving experience with Uber who plays Odin, who our dog whisperer found in New Zealand, and we bonded quickly," Pitt told a news conference at Spain's San Sebastian Film Festival, where the movie is screening out of competition.

"There were times he would do things that were just amazing, that were not in the script that you see in the film, and his expressions, they really moved me with him in the close-up," the 62-year-old Oscar winner added, according to AFP.

San Sebastian, the highest-profile film festival in the Spanish-speaking world, wraps up on Saturday.

A total of 17 films are vying for the top awards in the official section, with a jury presided over by US director Ira Sachs.



Dolly Parton's Estate Granted Temporary Restraining Order against Singer's Nephew

Tourists pass a portrait of the late Dolly Parton outside RCA Studio A, Wednesday, Sept. 23, 2026, in Nashville, Tenn. where Parton recorded "Jolene" and "I Will Always Love You" during a 1973 recording session. (AP Photo/George Walker IV)
Tourists pass a portrait of the late Dolly Parton outside RCA Studio A, Wednesday, Sept. 23, 2026, in Nashville, Tenn. where Parton recorded "Jolene" and "I Will Always Love You" during a 1973 recording session. (AP Photo/George Walker IV)
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Dolly Parton's Estate Granted Temporary Restraining Order against Singer's Nephew

Tourists pass a portrait of the late Dolly Parton outside RCA Studio A, Wednesday, Sept. 23, 2026, in Nashville, Tenn. where Parton recorded "Jolene" and "I Will Always Love You" during a 1973 recording session. (AP Photo/George Walker IV)
Tourists pass a portrait of the late Dolly Parton outside RCA Studio A, Wednesday, Sept. 23, 2026, in Nashville, Tenn. where Parton recorded "Jolene" and "I Will Always Love You" during a 1973 recording session. (AP Photo/George Walker IV)

A Tennessee judge granted Dolly Parton’s estate a temporary restraining order Wednesday against the late singer’s nephew Bryan Seaver and his private security company.

She’s Alive, the entity founded to manage and protect Parton’s estate, had filed the complaint against Seaver and Squadron Augmented Protection Services a day prior. The estate accused Seaver of threatening to commit violence and destroy his aunt’s legacy and business empire in court filings, The Associated Press said.

The order says the court took into account the repeated threats cited in the complaint, as well as the alleged demands for payment and Seaver’s “claimed access to weapons, experience with violence, and intention to retaliate.” It describes the communications as “concerning,” specifically noting the threat to use force.

As part of the order, Seaver and his company SAPS, which provided Parton’s security detail, must refrain from entering any She’s Alive property or talking with or being within 1,000 feet (305 meters) of She’s Alive employees and business partners. The order is also meant to keep Seaver from interfering with its business relationships.

A hearing is scheduled for Oct. 7.

Seaver, who was handpicked by the star to announce her death from cancer last month, did not respond to an email Wednesday from The Associated Press requesting comment on the order being granted.

Representatives for SAPS also did not respond, and no one was present at their office in downtown Nashville on Wednesday afternoon. No one came to the door at an address listed in court documents for Seaver in the semi-rural Nashville suburb of Fairview. A woman speaking to a reporter through a doorbell camera declined to comment.

In the temporary restraining order request filed by She’s Alive and other court documents, Seaver is accused of sending increasingly threatening messages over the last several weeks. She’s Alive is run by Danny Nozell, Parton’s longtime manager.

Last week, She’s Alive terminated Seaver and SAPS, saying his “terrorizing conduct made their continued retention untenable,” according to court documents.

The court documents showcase a series of messages She's Alive says were sent by Seaver, starting just before Parton's death. They start with threats to destroy Parton's brand, and then after her death, depict Seaver reveling in his newfound fame and calling himself an “international arms dealer.”

In one message written Sept. 1 and included in the court documents, he said: “I’m going to set up a podcast dedicated to ruining Dolly’s brand partnerships and telling the violations these people have done on us. It’s going to be great. Or f——— pay me.”

Seaver also claimed that he worked for private military contractors overseas during the Iraq War and used that experience as part of these threats, according to the complaint.

The messages have resulted in Parton’s trusts and estates attorney leaving and employees of She’s Alive resigning, according to the court documents. The entity has also had to hire private security for its employees, including at their homes, the documents state.

Kristin Mumford, a spokesperson for the Metropolitan Nashville Police Department, said in an email that there are no reports against Seaver in their system.

Parton was a beloved country music icon who wrote hundreds of songs, including classics like “Jolene,” “Coat of Many Colors” and “I Will Always Love You,” that earned a total of more than 100 million worldwide sales and more than 1 billion online streams.


Movie Review: In ‘Primetime,’ a Sinister Shift in Media, with a Dazzling Robert Pattinson

 This image released by A24 shows Tony Revolori, left, and Robert Pattinson in a scene from "Primetime." (A24 via AP)
This image released by A24 shows Tony Revolori, left, and Robert Pattinson in a scene from "Primetime." (A24 via AP)
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Movie Review: In ‘Primetime,’ a Sinister Shift in Media, with a Dazzling Robert Pattinson

 This image released by A24 shows Tony Revolori, left, and Robert Pattinson in a scene from "Primetime." (A24 via AP)
This image released by A24 shows Tony Revolori, left, and Robert Pattinson in a scene from "Primetime." (A24 via AP)

Buzzing with the sound of dial-up internet and the hum of grainy VHS tape, Lance Oppenheim’s “Primetime,” about Chris Hansen and his Dateline NBC series “To Catch a Predator,” identifies a seedy moment when media became the new arbiter of communal justice.

In “Primetime,” Hansen, as played with malicious precision by Robert Pattinson, is an ambitious TV journalist who scores big ratings by luring child predators out in front of his network TV cameras. But, more than that, he’s a new breed of media power — less a real person than a sleek assemblage of pixels who can, with a damning voiceover and a good close-up, seal a sad soul’s fate for videotape eternity.

In the opening scene of “Primetime,” Hansen has cornered a Long Beach, California, man who’s arrived to meet someone he thinks is a 13-year-old girl. Hansen strides into frame and asks the cowering man what his fate should be. “The electric chair?” he guiltily replies. No, Hansen says. “Dateline NBC.” A look of utter horror spreads across the man’s face.

That this minor character is played by Tony Revolori, the wonderful, kindly and too-little-seen star of “The Grand Budapest Hotel,” is more than a hint at Oppenheim’s sympathies. The British critic Charlie Brooker once wrote of “To Catch a Predator”: “When a TV show makes you feel sorry for potential child-rapists, you know it’s doing something wrong.” It's a good encapsulation of the moral dread that pulses through “Primetime.”

This is Oppenheim’s first feature film. The 30-year-old filmmaker has previously worked primarily in documentary, including the HBO series “Ren Faire” and the upcoming Elizabeth Holmes film “You Can See Everything,” co-directed with Nathan Fielder. And, perhaps because of that nonfiction sensibility, “Primetime” neither has a strong dramatic thrust nor offers especially deep portraits of its characters, including “Predator” producer Andie Bender (Merritt Wever), online vigilante Xavier Von Erck (Matthew Maher) and two of its actor “decoys”: Dan Plumb (Skyler Gisondo) and Del Harvey (Phoebe Bridgers). A more detailed history can be found in David Osit’s 2025 documentary, “Predators.”

Instead, “Primetime,” written by first-time screenwriter Ajon Singh, is predicated on a moment in time when something sinister was shifting in the media landscape. “TV is changing,” pronounces none other than Jeff Zucker, the former NBC Universal chief, playing himself. He frankly tells Hansen that he doesn’t like “To Catch a Predator,” but audiences do. He places the series in primetime, on Wednesday nights opposite ABC's “Lost,” ratcheting up the pressure for Hansen and company to deliver fresh blood. Viewers, no doubt, will be reminded, among other television news portraits, of Dan Gilroy’s “Nightcrawler,” the nocturnal neo-noir of “if it bleeds, it leads” local TV news.

A little glibly, “Primetime” revels in the dated ’00s aspirations of its characters: wannabe serious journalists chasing ratings and Hollywood hopefuls, like Dan, who are coaxed into performing as underaged children. The movie is always sitting in judgment of its characters — not an unfair perspective, by any means, but not one prone to three-dimensionality.

Then again, “Primetime” is most concerned with two-dimensional screens and their capacity to wreck lives, warranted or not. When a fan sitting next to Hansen on a plane asks him if he’s ever tempted to physically “bleed” the show’s targets, he smiles and replies, with a touch of pride: “I think what I do is maybe a little worse.”

Yet the cast elevates the film, especially Wever, whose producer is so casually good at the kind of manipulation her job requires. Bridgers is also an uncannily natural presence in her first major movie role.

But “Primetime” belongs to Pattinson. He’s always been best in more tightly outlined roles where his natural inclination to blur the edges can really go places. (This year has been especially good in this regard, with Pattinson playing the memorably unnerved fiancé of “The Drama” and the sleazy suitor Antinous of “The Odyssey.”) In “Primetime,” his Hansen is an anxious adjudicator whose zeal for a bigger target — a “whale” — comes as his hypocrisy grows more apparent. A National Enquirer reporter keeps calling with his own expose on Hansen.

From the film’s first moments, though, we know that what Hansen vilifies is within him, too. He sits quoting, maybe relishing, the lurid chat room exchanges of his subject. There aren’t many surprises in this vividly realized but predetermined drama. Yet it’s hard to argue with the case it presents. Says Hansen: “There used to be a pillory in every village. Now, there’s a television in every living room.”


Harvey Weinstein Sentenced to 15 Years in Prison for 2006 Sexual Assault

 Harvey Weinstein appears in Manhattan Court for sentencing Wednesday, Sept. 23, 2026 in New York. (Steven Hirsch/New York Post via AP, Pool)
Harvey Weinstein appears in Manhattan Court for sentencing Wednesday, Sept. 23, 2026 in New York. (Steven Hirsch/New York Post via AP, Pool)
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Harvey Weinstein Sentenced to 15 Years in Prison for 2006 Sexual Assault

 Harvey Weinstein appears in Manhattan Court for sentencing Wednesday, Sept. 23, 2026 in New York. (Steven Hirsch/New York Post via AP, Pool)
Harvey Weinstein appears in Manhattan Court for sentencing Wednesday, Sept. 23, 2026 in New York. (Steven Hirsch/New York Post via AP, Pool)

Harvey Weinstein was sentenced Wednesday to 15 years in prison for sexually assaulting a TV production assistant in 2006, capping a yearslong legal odyssey that a judge said cemented the disgraced movie mogul’s reputation as “the literal face of the #MeToo movement.”

The landmark New York prosecution began nearly a decade ago with multiple accusers, but after retrials, mistrials, acquittals and appeals, it was whittled to a single victim: Miriam Haley, who said the Oscar-winning producer forcibly performed oral sex on her at his Manhattan apartment. She had worked briefly on the Weinstein-produced reality series “Project Runway.”

Weinstein, 74, pleaded for mercy, citing his age and health issues, including cancer and congestive heart failure. He apologized “to anyone I have affected with my actions” and said he felt remorse for Haley. However, he added, “I have to reiterate my innocence.” His lawyers said he will appeal.

Once a towering figure in Hollywood, with such hits as “Shakespeare in Love,” “Pulp Fiction” and “Chocolat,” Weinstein’s downfall came quickly after sexual assault allegations in 2017 set off the #MeToo movement. Several of his dozens of accusers were in court on Wednesday.

Judge Curtis Farber said Weinstein wielded his power as a Hollywood kingmaker to prey on women looking to break into the industry, treating them as “mere objects to be played with and discarded with impunity.”

Farber said Weinstein’s refusal to accept responsibility, portraying himself as a victim during jailhouse interviews, weighed heavily on his sentencing decision. Weinstein had faced up to 25 years in prison.

Some of Weinstein's accusers attended the sentencing

Haley credited the swell of other accusers, some of whom she hugged afterward, for giving her the courage to come forward.

For years, she said, “it was like a dark and painful secret that ate away at my spirit, my enthusiasm and sense of self-worth, that it took a long time to regain.”

Jailed since his original conviction, Weinstein has already served more than six years behind bars, leaving him with about nine years on his sentence. But a pending resentencing in Los Angeles, where he was originally ordered to serve 16 years in prison for a 2013 rape, could put him away for the rest of his life.

Farber said it'll be his counterpart in California who decides whether Weinstein can serve his sentences at the same time. If it were up to him, Farber said, he'd run them consecutively, stacking Weinstein’s New York punishment on top of his Los Angeles sentence.

Weinstein, seated in a wheelchair, was quickly moved out of the courtroom after the sentencing. In the gallery, Jessica Mann, a former aspiring actress whose rape allegations ended in an overturned conviction and two hung juries, wept profusely as prosecutors, Haley and other accusers consoled her.

Weinstein and Haley both spoke in court

Haley, 49, fought through tears herself as she spoke in court. After testifying at two of Weinstein’s trials — the original and last year's retrial — it was her second time confronting the ex-studio boss at a sentencing proceeding.

“Having been sexually assaulted by Harvey Weinstein has had a devastating effect on my life and sense of security that may never go away,” Haley said. “Making the decision to speak up will have me looking over my shoulder for years to come.”

Weinstein hired private investigators to keep tabs on her, she said, and his defense lawyers and supporters ridiculed her in the media.

“It’s a life sentence for me,” she said.

Minutes later, Weinstein apologized while underscoring his claims of innocence. He maintains that he never raped or sexually assaulted anyone.

It was also Weinstein’s second time speaking at his sentencing — the latest in a series of courtroom soliloquies filled with complaints about his lodging at New York City's notorious Rikers Island jail complex, boasts about his philanthropy and reminiscence about his moviemaking prowess.

“Reflecting on all that has happened since 2017 has helped me recognize how my past conduct has negatively affected others,” Weinstein said, some of his accusers shaking their heads as he spoke. “I live with many regrets and sincerely apologize to anyone I have affected with my actions.”

“I really do have remorse for Miriam Haley,” he added. “I am not a violent man. I ask for mercy. I promise I will pass it on.”

Haley says Weinstein 'still feels entitled'

Haley said afterward that she was happy with the sentence. But, she said, it's clear from Weinstein’s remarks that he does not acknowledge what he did.

“I think he still feels entitled, and that’s part of the problem,” said Haley, who has also gone by the name Mimi Haleyi.

Other accusers, including psychotherapist and former model Kaja Sokola, stood with her as she spoke outside the courthouse.

Haley’s lawyer, Gloria Allred, rejected any suggestion that Weinstein’s sentencing means the #MeToo era is over, telling reporters: “Women are empowered in a way they have never been before.”

“Today was about the survivors,” said Manhattan District Attorney Alvin Bragg, who sat in the courtroom alongside Weinstein’s accusers.

“I’m moved, as we should all be moved, by their courage and their steadfastness,” he added.

A retrial, a split verdict and another sentencing

Weinstein was originally sentenced in 2020 to 23 years in prison — 20 years for assaulting Haley and three years for raping Mann.

New York’s highest court erased those guilty verdicts in 2024, ruling that Weinstein was prejudiced by testimony from other women whose allegations weren’t part of the case.

Tried for a second time last year, Weinstein was again convicted of a first-degree criminal sex act for assaulting Haley. In a messy split verdict, the jury acquitted him of forcibly performing oral sex on Sokola and could not reach a verdict on a rape charge involving Mann.

After another retrial ended in a hung jury in May, Manhattan prosecutors dropped the rape charge rather than pursue a fourth trial after Mann said she could not bear to testify again.

The Associated Press does not typically identify people who say they are victims of sexual assault unless they grant permission, which Haley, Sokola and Mann have done.