Fendi Fuses Jewels and Couture, as Chloe Confirms Hearst is Leaving

Models present creations by Fendi during the Women's Haute-Couture Fall/Winter 2023/2024 Fashion Week in Paris on July 6, 2023. (Photo by Alain JOCARD / AFP)
Models present creations by Fendi during the Women's Haute-Couture Fall/Winter 2023/2024 Fashion Week in Paris on July 6, 2023. (Photo by Alain JOCARD / AFP)
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Fendi Fuses Jewels and Couture, as Chloe Confirms Hearst is Leaving

Models present creations by Fendi during the Women's Haute-Couture Fall/Winter 2023/2024 Fashion Week in Paris on July 6, 2023. (Photo by Alain JOCARD / AFP)
Models present creations by Fendi during the Women's Haute-Couture Fall/Winter 2023/2024 Fashion Week in Paris on July 6, 2023. (Photo by Alain JOCARD / AFP)

Fendi put a fitting exclamation point on Paris couture week by drawing an A-list crowd to the opulent Palais Brongniart. Naomi Watts, Zoe Saldana, Cardi B and Shakira were among the celebrities seated front row for a show that dazzled with its artful fusion of jewelry-making and deceptively simple couture.

The show unfurled with a strikingly neutral ensemble, seemingly a second skin, acting as the prelude to the jewelry-inspired collection. The design skill was evident in its huge, eccentric sleeve that darted out narrowly from the shoulder, capturing imaginations. In stark contrast came a fluid emerald green satin gown that cascaded down the runway, shimmering with the dynamism of a precious gem.
Figure-defining silhouettes in vibrant ruby red and jet black were showcased by models, their forms distilled down to their essential sinews. A cream sheath, brought to life with an Asian-inspired waist wrap, bore finely carved groove lines, invoking the refined artistry of jewelry craftsmanship.
Looks that seemed to bloom from the shoulders left necklace-less necks provocatively bare, as if in anticipation of an exquisite adornment.
The show was a poetical ode to couture. “Our canvas was a template inspired by high jewelry. Even in the absence of physical jewelry, its essence is echoed through the collection’s color palette and ornamentation, with the clothes themselves channeling the spirit of jewelry,” Kim Jones, Fendi’s designer, explained. “We took cues from the flesh tones and the hues of stones: black diamonds, rubies, sapphires. It’s a dance of soft and hard, flesh and stone.”
Elsewhere, fashion whispers were finally confirmed: Gabriela Hearst is stepping down as the creative director of Maison Chloé after a brief but impactful three-year tenure. Hearst, the first female designer with multicultural roots (Uruguay and United States) to lead a Parisian fashion house, has been a transformative force at Chloé since her appointment in December 2020.

Despite the relative brevity of her tenure, Hearst leaves an indelible imprint on Chloé. She ushered the house into a new era of sustainability, turning it into the first European luxury fashion house to secure a B Corp certification. Hearst’s sustainability agenda included innovative initiatives such as the integration of eco-friendly materials, a ground-breaking resale program and collections focusing on climate-forward solutions.
Her leadership at Chloé sparked considerable growth and a seismic shift in the fashion house’s ethos. Riccardo Bellini, president and CEO of Chloé, praised Hearst’s vision, passion and commitment to values, crediting her with scripting a “new and vibrant chapter” in the annals of Chloé.



Madonna Makes Veiled Entrance to Dolce&Gabbana for Show Celebrating Her 1990s Heyday

US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI
US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI
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Madonna Makes Veiled Entrance to Dolce&Gabbana for Show Celebrating Her 1990s Heyday

US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI
US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI

Celebrities swarmed Milan Fashion Week on the last big day of runway shows on Saturday, sending crowds of adoring fans from venue to venue.
Madonna sat in a front-row seat at Dolce & Gabbana, along with Naomi Campbell and Victoria De Angelis of Maneskin. Her bandmate, Maneskin frontman Damiano David, showed up at Diesel, one of the season's hottest tickets, across town. Jacob Elordi took a seat on a bunny-shaped bean bag chair to take in the Bottega Veneta show.
Highlights from Milan Fashion Week's mostly womenswear previews for next spring and summer on Saturday, The Associated Press said.
Dolce & Gabbana Celebrate Madonna
Madonna attempted a semi-stealth entrance to the Dolce & Gabbana runway show draped in a black veil for a runway show referencing her 1990s heyday and celebrating the cone bra.
Models in bleach-blonde wigs strutted in Domenico Dolce and Stefano Gabbana’s signature corsets and fitted jackets, each featuring the aggressively feminine cone bra, in a collection that notes said “pays homage to an ironic and powerful female figure.”
Madonna wasn't cited specifically, but the stars of the Milan designers and pop star have been aligned ever since they made costumes for her 1993 Girlie Show tour. The tour promoted Madonna's “Erotica” album launched alongside her taboo-breaking coffee table book, “Sex.”
“Madonna has always been our icon. It’s thanks to her that a lot of things in our lives changed,'' the designers said in a note.
The collection, dubbed “Italian Beauty,” perfectly captured that moment in time. Cone bras peeked out of cropped jackets with a pencil skirt, garters swung from corsets and coats sculpted the body. Floral prints returned, accenting a color scheme of black, nude, red and white. Oversized cross earrings finished the looks. Heels were unapologetically high.
After taking their bows, the designers walked down the runway to greet their guest of honor. Madonna, still covered by the Chantilly long lace veil fastened by a gold and crystal crown, stood to embrace them both.
Bottega Veneta taps wonder Bottega Veneta's sometimes misproptioned, sometimes crinkled, always provocative collection explores the intersection between the real world and fantasy, adulthood and childhood. Creative director Matthieu Blazy's meaning is simple: To delight.
“We need beauty. We need joy,'' Blazy said backstage. ”We need that experimental act. It is also an act of freedom.”
In this universe, a dental clinic receptionist wears a skirt with a trouser on just one leg, which Blazy asserts as a playful act. In a familiar scene, a well-dressed father carries his daughter's pink and purple school bag. “Do we like the bag? I don’t know. Does it tell a story? Yes,'' Blazy said.
Each detail is deliberate, from a flat collar on a dress shaped like bunny ears to big colorful raffia wigs, even if their ultimate purpose is just for fun. Crinkled clothes signify a child's attempt to dress up, only to be ruined by the end of the day.
Blazy's characters carried what appeared to be ordinary plastic grocery bags, but which were made out of nylon and leather — part of the brand's ongoing technological innovations. The faux plastic bags signified everyday life, and were accompanied by brand’s trademark woven bags, one for a violin, another a wine bottle.
Ferragamo’s freedom of movement Ferragamo creative director Maximilian Davis celebrated the freedom of movement inherent in ballet in his new collection, inspired by archival photos of brand founder Salvatore Ferragamo fitting African American ballet dancer Katherine Dunham for shoes.
Dunham often trained and worked in the Caribbean, which allowed the British designer’s with Jamaican roots “to find a link between Ferragamo’s Italian-ness and my heritage.”
The collection recalls a 1980s way of dressing, with strong shoulders and oversized tailoring, also an homage to Russian ballet star Rudolf Nuryev, another historic Ferragamo customer.
To emphasize movement, Davis created long parachute dresses in silk nylon, suede and organza with a billowing bubble shape. The ballet dancer is honored in cashmere dancer wraps color-blocked with layered leotards. More subversively, shorts with frayed denim suggested a tutu.
Diesel elevates denim Diesel models tramped a field of 14,800 kilograms (nearly 33,000 pounds) of denim scraps “to highlight the beauty of waste, creating a dystopian backdrop for the brand’s latest collection of elevated denim.
The Veneto-based brand under creative director Glenn Martens has become a laboratory for textile experimentation. Short-shorts are embroidered with a cascade of extra-long fringe, for a skirt-like effect. Jeans are lasered to look destroyed; necklines on cotton sweatshirts look distressed but the effect is actually a jacquard with the cotton burned away to the tulle.
Marten's said the brand's “disruption” goes beyond its design. "We are pushing for circularity in our production,'' he said. In that vein: A coat was made from leftover spools of denim thread, while oversized jeans were from recycled cotton, some from Diesel's own production. And the scraps piled on the floor were to be repurposed after the show.