Tennis Legend Serena Williams Honored as ‘Fashion Icon’ at Fashion Industry’s Big Awards Night 

Serena Williams attends the CFDA Fashion Awards at the American Museum of Natural History on Monday, Nov. 6, 2023, in New York. (AP)
Serena Williams attends the CFDA Fashion Awards at the American Museum of Natural History on Monday, Nov. 6, 2023, in New York. (AP)
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Tennis Legend Serena Williams Honored as ‘Fashion Icon’ at Fashion Industry’s Big Awards Night 

Serena Williams attends the CFDA Fashion Awards at the American Museum of Natural History on Monday, Nov. 6, 2023, in New York. (AP)
Serena Williams attends the CFDA Fashion Awards at the American Museum of Natural History on Monday, Nov. 6, 2023, in New York. (AP)

Tennis legend Serena Williams told a glittery fashion industry audience how fashion became a favored mode of expression as she grew up in the public eye, with the tennis court serving as her runway.

“I knew when I was a little girl that I was different, so I explored fashion and style as a way to distinguish myself,” Williams said as she accepted the Fashion Icon award Monday night from the Council of Fashion Designers of America. “In many ways for me, the tennis courts became my runway, and the US Open was my own New York Fashion Week.”

Reimagining the traditional tennis outfit became a way, she said, to express “my individuality and my confidence and most importantly, my culture.”

Williams, who retired from tennis last year, is the first athlete to win the Fashion Icon award, and it was presented to her by Kim Kardashian, a CFDA honoree last year. Kardashian called Williams “fearless, heroic, authentic, iconic — the greatest of all time.”

The fashion industry’s equivalent of Oscar night was held at the American Museum of Natural History in Manhattan and hosted by Anne Hathaway. In top designer awards, Catherine Holstein of the label Khaite was named womenswear designer of the year, and Willy Chavarria won for menswear. The award for accessories went to Ashley Olsen and Mary-Kate Olsen of the label The Row.

Among other honors: Gwyneth Paltrow accepted the Innovation award for goop, her 15-year old lifestyle brand, presented by Demi Moore. Vanessa Hudgens presented a tribute from the CFDA board of directors to Vera Wang, for her impact on the bridal industry. Designer Maria Cornejo won a lifetime achievement award, presented by Laura Linney.

There was also a tribute to the 50th anniversary of hip-hop with a short film by director Hype Williams, introduced by Mary J. Blige and with music by Pharrell.

When Williams, now 42, retired from tennis, she said she needed to make the tough choice to focus on motherhood. She gave birth in August to a baby girl, almost exactly a year after her last match as a tennis star. Adira River Ohanian is the second child — and second daughter — for Williams and her husband, Reddit co-founder Alexis Ohanian. Their first, Olympia, was born in 2017.

In her speech, she spoke fondly about how she'd learned to express her creativity on the court. “I designed skirts out of denim and I wore purple tutus and bodysuits,” she said, “and put beads in my hair, and braids. It was really just a fun time for me.”

Williams studied fashion during her playing career, and in 2018, launched her “S by Serena” clothing line, which she said in her speech was intended “to inspire women to embrace their bodies and love who they are no matter their size, race or income.”

Among her many thank-yous, she saved her last for her mother, “for actually making those first tennis outfits when I was young.” Watching her sew, she said, “created this creativity in me that I still have to this day."

The CFDA awards are presented by Amazon Fashion. Other honors: Alina Cho received a media award, Domenico De Sole won the founder's award, Mara Hoffman won a sustainability award, and the international award went to Jonathan Anderson for JW Anderson and Loewe.



Dolce & Gabbana Debut in Paris, Showing Italian Artistry on French Soil

The logo of Italian designers Dolce & Gabbana is seen at a branch office at Bahnhofstrasse shopping street in Zurich, Switzerland September 9, 2020. REUTERS/Arnd Wiegmann
The logo of Italian designers Dolce & Gabbana is seen at a branch office at Bahnhofstrasse shopping street in Zurich, Switzerland September 9, 2020. REUTERS/Arnd Wiegmann
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Dolce & Gabbana Debut in Paris, Showing Italian Artistry on French Soil

The logo of Italian designers Dolce & Gabbana is seen at a branch office at Bahnhofstrasse shopping street in Zurich, Switzerland September 9, 2020. REUTERS/Arnd Wiegmann
The logo of Italian designers Dolce & Gabbana is seen at a branch office at Bahnhofstrasse shopping street in Zurich, Switzerland September 9, 2020. REUTERS/Arnd Wiegmann

For the first time in their 40-year history, the Italian design duo Dolce & Gabbana are showcasing their work in the French fashion capital. Paris, the birthplace of haute couture, now finds itself hosting a powerful Italian counterpoint to French luxury fashion.
The message, as curator Florence Müller puts it, is direct: “Yes, Italy does it too.”
The landmark exhibition, Du Coeur a la Main (From the Heart to the Hand) running from Jan. 10 to March 31, is not only a love letter to Italian craftsmanship, but to the interconnectedness of fashion. “The story of couture is global,” Müller explained. “Embroidery, lace, brocade — they existed long before Parisian couture, in Italy, in India, and beyond.”
Spread across 1,200 square meters (1,400 square yards) of the newly refurbished Grand Palais, the exhibit showcases over 200 looks from the company's Alta Moda and Alta Sartoria collections and 300 handmade accessories, as well as objects like Sicilian ceramics. It includes 10 themed rooms that delve into the artistic roots of Dolce & Gabbana’s work.
Baroque grandeur defines the collection, unapologetically maximalist and layered with embellishments. Among the highlights is a gown inspired by Venice's Murano glass, encrusted with glass mosaics from Orsoni Venezia 1888, the glassmakers behind the golden mosaics of St. Mark's Basilica. Müller described it as “a sculpture on textile — pure craftsmanship elevated to art.”
Opera takes center stage. A black velvet gown softened by gold embellishments captures the drama of Bellini’s Norma, while a romantic blue dress for Verdi’s La Traviata flows like an aria, its tulle layers whispering love and loss. Meanwhile, icons of the brand, such as Sophia Loren and Naomi Campbell, are immortalized in giant paintings. Classical Italian opera and traditional Sicilian folk melodies provide the soundtrack, adding layers of drama.
But Du Coeur a la Main is not just about finished pieces. Five real seamstresses from Dolce & Gabbana’s Milan atelier work live during the exhibition, crafting bodices, bustiers and corsets before visitors’ eyes. “This seamstress is sewing lace to form a dress, while another is draping fabric by hand,” Müller said. “It’s extraordinary. This is not just fashion — it’s art.”
Sicily, Domenico Dolce’s birthplace, lies at the heart of the collection. Traditional Sicilian hand-painted carts, ceramics and lace-making techniques are woven into couture. Yet the exhibit also underscores fashion's often-ignored global influences.
“Luxury goods and artisans traveled more than we think,” Müller said. “The silk and brocades used at Versailles Palace came from India, and Italian artisans were hired to craft the Hall of Mirrors ... (Fashion) is constant exchanges and inspirations — this exhibit reveals what time forgot.”
Italian and French fashion have long been framed as rivals, with French conglomerates such as LVMH and Kering and Paris Fashion Week sometimes viewed as the pinnacle of the industry. But this exhibition challenges that hierarchy, showing that the two traditions are more interconnected than they are opposed. Both rely on les petites mains — "the little hands" — the artisans whose precision and passion elevate couture to art.
“The techniques may differ — Sicily’s lace traditions versus Paris’s tailoring — but the soul of couture remains the same: the human touch,” Müller said. The exhibit reveals the shared ingenuity of French and Italian ateliers, whether in a Sicilian workshop or a Parisian salon.
Even beyond couture, the exhibit highlights the breadth of “Made in Italy.” Everyday items like Smeg refrigerators and coffee presses given a D&G reworking reflect the ethos of Italian craftsmanship, transforming functional objects into canvases for artistry.
“Fashion is art. It’s meant to inspire, to dazzle, to make us dream. Whether you wear it once or never, its value is in its beauty, not its practicality,” Müller said.
When asked about hyperbole of the dazzling gowns — many of which seem impossible to wear on the street — she replies with a smile: “So what?”