Louis Vuitton Pays Homage to Barcelona Architect Antoni Gaudí in 2025 Cruise Collection 

A model wears a creation by Louis Vuitton during a fashion show for the Cruise 2025 collection in the Park Güell in Barcelona, Spain, Thursday, May 23, 2024. (AP)
A model wears a creation by Louis Vuitton during a fashion show for the Cruise 2025 collection in the Park Güell in Barcelona, Spain, Thursday, May 23, 2024. (AP)
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Louis Vuitton Pays Homage to Barcelona Architect Antoni Gaudí in 2025 Cruise Collection 

A model wears a creation by Louis Vuitton during a fashion show for the Cruise 2025 collection in the Park Güell in Barcelona, Spain, Thursday, May 23, 2024. (AP)
A model wears a creation by Louis Vuitton during a fashion show for the Cruise 2025 collection in the Park Güell in Barcelona, Spain, Thursday, May 23, 2024. (AP)

Louis Vuitton unveiled its latest fashion designs at Barcelona’s Park Güell on Thursday, providing the clothes with drama to finally match Antoni Gaudí’s architectural masterpiece.

Nicolas Ghesquiere’s ambitions for the Parisian house’s 2025 Cruise collection were unveiled before an A-list crowd, including actresses Ana de Armas, Jennifer Connelly and Saoirse Ronan.

Louis Vuitton usually unveils its ready-to-wear collections in the French capital, while choosing exotic and attention-grabbing locations for its destination cruise collections.

Where tourists tread daily in tank tops, shorts and flip flops, this UNESCO World Heritage Site for one night was home to cutting-edge garments that blended with its earthly tones that are at once organic and yet seemingly ethereal.

The models weaved their way through the 86 Doric columns that hold up a vaulted square in the center of the park that overlooks Barcelona and the Mediterranean Sea in the distance.

The show notes said Ghesquiere had been inspired by Gaudí’s “legacy in constant mutation” and Spain’s rich artistic heritage.

“As if in homage to such opulent purity, the Maison’s rigorous spirit embraces the country’s passionate character,” the notes read. “The fervor of its colors, its loyalty to tradition elevated into artistic expression, dark and light that never appear contradictory.”

Dramatic silhouettes contrasted with the soft curves of Gaudí’s organic structures, which were then reflected in the dresses that draped and folded into volumes that defied gravity.

And then there were flashes that delighted: a pair of equestrian boots that finished in a bunch of tassels.

The fashion show, however, was not celebrated by all. A group of a few hundred residents protested the event for what they said were the inconveniences it had caused, including reduced parking in the area. The protest also included animal right activists.

The group of protesters located a few streets down the hill from the park’s outer wall could be heard beating drums, blowing air horns and setting off firecrackers before the show kicked off. Catalan police said they arrested one person for resisting violently to their decision to remove the protesters from a street to let traffic through.

Park Güell, pronounced “gu-ay” was started in 1900 as a planned upscale residential development designed by Gaudí, whose other works include the still-in-progress La Sagrada Familia Basilica. But a lack of buyers led to it being ditched in favor of a park that eventually passed into the hands of the Barcelona townhall.

It now receives 4.4 million visitors a year, mostly from the US, Britain, France, Germany and Italy, with Barcelona residents only representing 0.3% of the visitors, according to the park.



Dior’s Mount Olympus: A Sporty Couture Homage to the Paris Games

Models present creations by Christian Dior during the Haute-Couture Fall/Winter 2024 show as part of the Paris Fashion Week in Paris, on June 24, 2024. (AFP)
Models present creations by Christian Dior during the Haute-Couture Fall/Winter 2024 show as part of the Paris Fashion Week in Paris, on June 24, 2024. (AFP)
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Dior’s Mount Olympus: A Sporty Couture Homage to the Paris Games

Models present creations by Christian Dior during the Haute-Couture Fall/Winter 2024 show as part of the Paris Fashion Week in Paris, on June 24, 2024. (AFP)
Models present creations by Christian Dior during the Haute-Couture Fall/Winter 2024 show as part of the Paris Fashion Week in Paris, on June 24, 2024. (AFP)

Dior staged an homage to sport on the eve of the Paris Olympics on the grounds of the Musée Rodin on the first day of Paris Couture Week on Monday.

The show let the sumptuous, lightweight silks — georgette, taffeta, tulle, and sporty jersey — speak for themselves, draped elegantly over the body.

Here are some highlights of the fall-winter 2024 collections:

Athletes old and new

The walls were lined with dazzling artworks of athletes by Faith Ringgold, a feminist artist who died in April. Designer Maria Grazia Chiuri used fall’s couture as a stage “to pay a fitting tribute to all athletes ... from antiquity to the present day.”

On the runway, Grecian-style draping evoked the original Olympics. The nod to antiquity echoed the Italian designer’s penchant for historical influences.

Jersey fabric, an unconventional couture material, was handled poetically. It cascaded down the model’s body in loose, fluttery segments, with a twin leather belt to define the waist.

Mosaic embroidery on skin-tight tank tops added a contemporary twist, seeming to sculpt the bust. Sandals adorned with pearls sported crisscross straps up the leg.

The nicest looks were the simplest. An ecru lightweight wool gown seemed like a single whoosh of fabric, hanging whimsically and loosely from the shoulders. It had an unexpected cowl back. This simplicity with an element of surprise is quintessential Chiuri, who has said she often finds elegance in restraint.

Serena Williams marveled and applauded from the front row.

Van Herpen breaks the mold

Iris van Herpen presented her couture as sculptures in what the house called a “profound shift” in the Dutch designer’s trajectory.

“For a long time I’ve been working on expanding people’s perception of how fashion and art can be symbiotic,” van Herpen said. She compared her techniques in couture, such as draping directly on the mannequin, to sculpting.

“Even though we call one practice ‘haute couture’ and the other ‘art,’ to me, it’s one universe,” she said.

Van Herpen unveiled her collection amid her new large-scale, monumental pieces at a “hybrid" show. They were crafted with innovative techniques on tulle surfaces and suspended via steel tubes.

While preparing her retrospective in Paris' Musée des Arts Décoratifs that recently closed, van Herpen realized a longstanding ambition to delve into sculpture and painting. Her new works, developed over a year, reconnect with nature and the freedom of slowing down. Her move to a tranquil residence outside Amsterdam fostered this idea.

“The little transformations that happen every day fiercely inspire me,” she said.

The fall couture dovetailed with similar themes. Gravity-defying, slowed-down silhouettes and ethereal draping embraced the couturier’s signature three-dimensional printing and silk folding. The Umwelt and Aeromorphosis gowns featured a gradient of pearls mimicking cyclonic sculptures, while the transparent Ataraxy dress, sculpted with a heat gun, captured the sense of floating away. They held a Renaissance-like feel.

Honoring Japanese craftsmanship, the Sensorium dress was crafted from obi fabric, which evoked a sense of spirituality and peace.