Olympics Are Coming to the Capital of Fashion. Expect Uniforms Befitting a Paris Runway

FILE - Olympic athlete in BMX racing, Kamren Larsen, models the Team USA Paris Olympics opening ceremony uniform at Ralph Lauren headquarters on Monday, June 17, 2024, in New York. (Photo by Charles Sykes/Invision/AP, File)
FILE - Olympic athlete in BMX racing, Kamren Larsen, models the Team USA Paris Olympics opening ceremony uniform at Ralph Lauren headquarters on Monday, June 17, 2024, in New York. (Photo by Charles Sykes/Invision/AP, File)
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Olympics Are Coming to the Capital of Fashion. Expect Uniforms Befitting a Paris Runway

FILE - Olympic athlete in BMX racing, Kamren Larsen, models the Team USA Paris Olympics opening ceremony uniform at Ralph Lauren headquarters on Monday, June 17, 2024, in New York. (Photo by Charles Sykes/Invision/AP, File)
FILE - Olympic athlete in BMX racing, Kamren Larsen, models the Team USA Paris Olympics opening ceremony uniform at Ralph Lauren headquarters on Monday, June 17, 2024, in New York. (Photo by Charles Sykes/Invision/AP, File)

Sure, they call it the City of Light. But Paris is also the City of Fashion, one of most influential fashion capitals of the world for decades, no, centuries (remember Louis XIV?)
So it’s no surprise that fashion designers across the globe are busy getting their national team uniforms ready for their unique spotlight. When it comes to high-end Olympic fashion — be it for festive opening ceremonies, or for competition — all runways lead to Paris, The Associated Press reported.
Stella Jean will be there, styling each of Haiti’s dozen or so athletes herself. Jean, an Italian-Haitian designer based in Rome, figures she has exactly two seconds, on opening ceremony night, to make an impression on the world — an impression that may reverberate for years. “For these athletes, it’s a victory just to be here,” says Jean, whose vivid, colorful design is intended to highlight the cultural vitality of the Caribbean nation.
On the other end of the size (and budget) spectrum is Ralph Lauren, who will outfit hundreds of athletes of the US team at opening and closing ceremonies, for the ninth time. Lauren, who's presenting a casual look of blue jeans and blazers, is of course one of the world’s richest designers, along with Giorgio Armani, who has been designing Italy’s uniforms since 2012.
Countless other designers have gotten involved — including, this year, more young, “indie” labels eager to make a splash. It’s also a chance to emphasize qualities such as sustainability in fashion and adaptability, too, as in designs for the Paralympics.
“Designers and manufacturers now realize this can be a huge platform for them, for many things,” says Alison Brown, who co-hosts a podcast on all things Olympics, “Keep the Flame Alive.” For example: “Sustainability is a huge buzzword now for this whole Olympics,” she says.
And so is style — because, well, Paris.
“You always want to represent your country, and you want to represent the athletes. But it seems like this time, the pressure to do it well has been turned up a notch,” Brown says.
Some emerging details on various uniform designs:
Canada: A focus on inclusivity, adaptability During the design process, the team from Lululemon, outfitting Canada’s athletes for the second time, says they listened carefully to the athletes, and how they felt in the clothes. “When you feel your best, you perform your best,” says Audrey Reilly, creative director for Team Canada at the athletic apparel company.
She recalls listening to Alison Levine, a Paralympian who uses a wheelchair, and learning the athlete had nothing suitable to train in — so she wore medical scrubs.
“I was shocked that a professional athlete had to do that,” Reilly said in an interview. So we said, “Let’s investigate.” One result was a “seated carpenter pant,” part of a collection intended to be inclusive and adaptable. Other features include special closures to facilitate putting on and taking off garments, and pockets at the knees so an athlete like Levine can access her phone when training.
The collection covers all aspects of Team Canada’s journey, from travel to the games, to opening and medal ceremonies, to training — everything except competition. To combat the expected searing Paris heat, Lululemon, which has a four-Games deal with the team, paid special attention to ventilation and wicking.
And for opening ceremonies, designers created what they call a “tapestry of pride.” Hand-drawn and engineered into the fabric, it includes 10 animals — nine representing the provinces of Canada and one representing France. “We wanted to evoke all of Canada, coast to coast and north to south,” Reilly says.
Haiti: “They know their bodies are a flag” Stella Jean is used to designing beautiful clothes. But beauty for beauty’s sake was not a consideration in her designs for Haiti’s team. It was all about the message.
“This will be the first good news coming out of Haiti in at least the last three years,” she says, the athletes' appearance a counter-message to news about political turmoil, poverty or natural disasters. “So, I felt the responsibility to say as much as I can about the country."
For that, Jean is collaborating with Haitian artist Philippe Dodard, whose vibrant painting will be incorporated into the ceremonial uniforms — a brightly hued skirt for women and pants for men, paired with traditional items like a chambray shirt. The designs have been constructed from “leftover” fabric — sustainability, yes, but not because it is trendy, says Jean, but because in Haiti it’s both a tradition and a necessity.
Jean calls the Haitian athletes “ambassadors.”
“These ambassadors will be there, in Paris,” she says, "and they all know, even if they are very, very young, how important their presence is — and that it’s not just about performance. They know their bodies are a flag."
USA: “Nothing says America like blue jeans” For the last summer games in steamy Tokyo, Ralph Lauren outfitted athletes with something cool — literally — a technology that directed heat away through a fan device at the back of the neck.
For steamy Paris, he’s introducing another type of cool: good old American jeans.
“Nothing says America like blue jeans, especially when we’re in Paris,” said David Lauren, the label’s chief branding and innovation officer and the founder’s son, upon revealing the design in June.
For its ninth turn dressing Team USA for opening and closing ceremonies, Ralph Lauren says it will be fitting each athlete personally. For the opening ceremony they’ll be wearing tailored navy blazers with blue-and-white striped Oxford shirts — and those blue jeans.
For the closing ceremony, the team will wear white jeans with matching jackets in red, white and blue. Lauren called the closing ceremony looks “more graphic, more fun, a little more exciting.”
India: Mixing old and new Indian designer Tarun Tahiliani is known for his ability to meld traditional elements with a modern sensibility. And that's what he and his menswear brand Tasva has tried to do for his country’s Olympic team.
Tahiliani told GQ India that when he began doing research for India’s opening ceremony uniform, he noted a trend of countries incorporating their national flags into the design. So he began working on a design featuring the tricolor hues of saffron, white and green.
For men, Tahiliani began with a kurta, the typical Asian long and loose shirt. He paired that with a bundi, or traditional sleeveless jacket. He told the magazine he wears a bundi every day, inspired by his father, who was an admiral in the Indian navy.
After feedback from the Olympic committee, the designer moved away from a uniform-like look for women, opting for a sari, which he says “can flatter any body type, and that’s exactly what we want for our female athletes.”
All the designs incorporate embroidery of saffron and green. “The goal is to create outfits that empower our athletes to represent India with pride and confidence,” Tahiliani said.
Italy: A mix of elegance and tradition Italian athletes will be elegantly attired in Emporio Armani uniforms, as they have for every Olympics since 2012.
The podium tracksuit is emblazoned with “W Italia,” shorthand for “Eviva Italia,” or, “Long live Italy.” The motto could extend to designer Giorgio Armani himself, who turned 90 on July 11.
“Seeking new solutions for the athlete’s kit, which must blend elegance with practicality, is always an exciting challenge for me,″ Armani said last year when the national kit was presented at the Spring-Summer 2024 runway show for the youthful and sporty Emporio Armani brand.
The athletes’ tracksuits are in Armani blue, which has long been the color of the designer’s daily uniform, either as a T-shirt or fine pullover.
Athletes will have no excuse for not knowing the national anthem: the beginning is printed inside the collar of the polo shirts, and the entire first verse is inside the jackets.
Britain: Four nations, not one The 60-year old British clothing brand Ben Sherman, known for its menswear, is creating Britain’s Olympic uniforms for the third time, and this year wants to remind the world that Britain is four nations, not one.
Its design for the opening and closing ceremonies “represents the unity and diversity of the UK, reflecting the rich tapestry of our nation’s identity.” says the label’s creative director, Mark Williams.
Williams described in an email his new four-nation floral motif, featuring a rose, thistle, daffodil and shamrock, serving as “a nod to the unique identities and histories of England, Scotland, Wales, and Northern Ireland.”
Williams stresses the motif is not purely decorative, but meant to send a message of collaboration and unity. His floral motif appears is in colors of blue and red — on polo shirts, worn with a bomber jacket, and also on colorful socks, in a collaboration with the Happy Socks brand.
South Korea: Inspiration from a national symbol South Korea’s athletes will sport uniforms inspired by the country’s national “taegeuk” circular symbol, which occupies the center of its flag. The red-and-blue circle connotes harmony between the negative cosmic forces of the blue portion and the positive cosmic forces of the red.
The motifs on the North Face-branded uniforms also include one of the four black trigrams (groups of bars) from the flag’s corners, according to Youngone Outdoor Co., an official partner of the country’s Olympic committee which produces and distributes North Face clothing in South Korea. The trigram being used symbolizes water.
A uniform for medal ceremonies features a jacket depicting the indigo blue waters off the country’s east coast in an ink-wash painting style, a red belt and black pants, Youngone says.
Team Korea’s uniform for opening and closing ceremonies was designed by Musinsa Standard, a private-label brand run by South Korean online fashion store Musinsa. The all-light blue uniform includes a blazer, its lining engraved with traditional white and blue porcelain designs, a traditional-style belt and slacks.



London Fashion Week Opens with Tribute to One of Its Greats

London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File
London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File
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London Fashion Week Opens with Tribute to One of Its Greats

London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File
London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File

London Fashion Week, better known for nurturing new talent than for its big-name shows, kicks off on Thursday with a tribute to one of its stalwarts Paul Costelloe.

The Irish-American designer, who died aged 80 last November, was a regular fixture on the opening day of the British capital's fashion week since the inception of the show in 1984, AFP said.

Over four decades, his romantic, sartorial catwalks remained a constant: witness to the rise and fall of London Fashion Week (LFW) which has seen the departure of big fashion names to its counterparts in Milan, Paris and New York in recent years.

His son William Costelloe is now the creative director of the brand, which wrote on social media ahead of its LFW Autumn/Winter 2026 opening show: "A new season. A powerful moment. A legacy moving forward."

Tolu Coker, a British-Nigerian designer who launched her brand in 2018, will also show on Thursday her elegant, mainly-unisex designs inspired by diverse identities.

Notable names including Harris Reed and Richard Quinn will return to the catwalk in London, with Burberry closing the week in its usual fashion on Monday evening.

Other labels will bring a royal flavor to the runway, with brands worn by Princess Catherine including Emilia Wickstead, Edeline Lee and Erdem putting on shows.

However, there will be no show from the breakout Northern Irish designer Jonathan Anderson, who was one of the most eagerly awaited at London Fashion Week in recent seasons.

The 41-year-old took over at Dior last June, leaving him little time for his own brand, JW Anderson, which he founded in 2008.

For several years, London has been losing ground to its star-studded rivals in Paris and Milan, but it has clung onto its role as a breeding ground for young talent.

The British Fashion Council's NewGen initiative provides funding for emerging talent, with several up-and-coming designers finding their stride at LFW through the incubator.

'Great support'

Designers like Simone Rocha, Tolu Coker and Roksanda have become fashion week mainstays after making their debut on the NewGen catwalk.

Among the recent breakouts is Joshua Ewusie, a 27-year-old British creator born to Ghanaian parents who is due to put on his second fashion week show with his brand "E.W.Usie".

The young designer was supported by the King's Foundation, a charity founded by King Charles III, in partnership with Chanel, which gave him a studio space shortly after he graduated from the prestigious Central Saint Martins school.

His hometown London, which boasts several notable fashion schools, provides "great support for young designers," Ewusie told AFP ahead of his LFW presentation on Sunday.

"There's so many opportunities, I think, that London gives to help young brands start," he added.

His new collection is inspired by the 1980s, when his mother moved to London, says the designer. It's all about culture and identity, with leather as the star material.

French designer Pauline Dujancourt, known for her work with knitwear, also chose to stick with London Fashion Week after her studies at Paris's Ecole Duperre and Central Saint Martins in London.

"As much as Paris Fashion Week is incredible and I'm dreaming to be part of it one day, maybe there's a bit more room for younger brands in London at the start," said the 31-year-old designer, who will show her collection on Sunday.

"I think people have come to London Fashion Week expecting to see a bit of newness and younger generations as opposed to Paris and Milan, where it's more like established houses."


Online Seller eBay to Buy Secondhand Fashion Marketplace Depop from Etsy for $1.2B in Cash

FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo
FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo
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Online Seller eBay to Buy Secondhand Fashion Marketplace Depop from Etsy for $1.2B in Cash

FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo
FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo

Online seller eBay wants a bigger share of the Gen Z market.

The online seller has agreed to purchase secondhand fashion marketplace Depop from Etsy for about $1.2 billion in cash, the companies said Wednesday, according to The Associated Press.

The deal comes at a time when used clothing has become increasingly popular, sought out by shoppers searching for unique items that cost less than new ones and keep the old stuff from heading to the landfill.

In a statement, eBay's CEO Jamie Ianonne said that the acquisition is an opportunity to capture a younger demographic.

"We are confident that as part of eBay, Depop will be even more well-positioned for long-term growth, benefiting from our scale, complementary offerings, and operational capabilities,” Ianonne said.

As of Dec. 31, 2025, Depop's marketplace had 7 million active buyers, nearly 90% of which are under the age of 34, and more than 3 million active sellers, the joint release said.

The deal comes five years after Etsy bought Depop for $1.6 billion. The app was founded in 2011.

EBay, based in San Jose, California, said it intends to pay cash. Etsy, based in Brooklyn, New York, plans to utilize the proceeds for general corporate purposes, continued share repurchases and investment in its core marketplace, according to the release.

The transaction, which has been unanimously approved by eBay’s and Etsy’s boards, is currently expected to close in the second quarter, the companies said.

Depop is expected to retain its name, brand, platform, and its culture, the companies said.

EBay's shares rose more than 7%, while Etsy's share soared close to 15% in after-hours trading when the news was announced.


French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
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French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)

Just days before her third runway show, French designer Pauline Dujancourt was riding a wave of excitement and nerves.

The 31-year-old admitted she had begun having strange, nightmarish dreams ahead of her big moment at London Fashion Week on Sunday.

The British capital will once again host its Autumn/Winter fashion week from Thursday to Monday, after New York's bonanza and before the catwalk carousel moves to Milan and Paris.

London, known for its raw creative energy and rising talents, is where Dujancourt launched her label in April 2022 after training at the renowned arts and design school Ecole Duperre in Paris, and fashion hub Central Saint Martins in London.

She and her team began work in November on her autumn-winter 2026/27 collection to be unveiled before some 450 guests -- journalists, buyers and VIP clients.

For designers, everything comes down to those few precious minutes on the catwalk. It's no wonder nervousness mixes with the creative buzz.

"I go through every emotion," Dujancourt told AFP with a smile. "Some days I'm super excited, full of ideas, and others I'm like: why did I pick this color, this fabric?"

The questions and worries snowball: "Will everyone be on time? Will there be last-minute hitches on the day?"

In recent weeks, she has been running her daily schedule with military precision.
Dujancourt works year-round with four assistant designers, but the team swells to around 50 people ahead of the show.

And she works with a community of knitters in Lima, Peru, with handknitting -- "something that my grandmother taught me as a child" -- being a hallmark of her garments.

"She was so skillful and so humble about it. And no one really realized how much work it takes and how much technique it takes," she said.

Known for her sensual, airy knitwear, Dujancourt was a finalist for the LVMH Prize, won Elle UK's young talent award, and is supported by the British Fashion Council.

Her clients span the globe from Japan to the United States, France and the UK, with regular requests for wedding dresses.

Her new collection pays tribute to women persecuted during historical witch hunts.

"I really want to celebrate the fact that there are so many women around the world who are working so humbly on domestic skills ... like sewing, hand knitting," she said.

Two weeks before the show, young seamstresses were crocheting floral motifs in mohair and Japanese metallic thread at a south London studio overlooking the Thames river and Big Ben.

Workers were hunched over their desks pouring over designs, with the looks still "in pieces".

Then comes the moment when everything is assembled. "It's the magical stage, when the clothes start to come alive," she said, her blue eyes lighting up her face framed by long dark hair.

Less than a week before the show, fittings begin with an in-house model, followed by the castings to find the right models.

On the eve of the show come final fittings, hair and make-up tests. And finally, on Sunday morning, the full rehearsal.

Show day always brings surprises. At Dujancourt's last catwalk in September, several models arrived extremely late, held up by another show.

"They turned up still wearing the other show's make-up. We had to dress them and redo everything ... I nearly died," she recalled.

What is her worst nightmare? A model tripping or garments ripping in front of the cameras.

"I once dreamt I'd forgotten to get dressed before coming out to greet the audience -- that would be a bit embarrassing," she joked.

Around 25 outfits will strut the catwalk on Sunday, a moment that "goes by in a flash".
Afterwards comes the crash.

"We barely see it happening ... because we are backstage in the madness and the chaos of it," she said.

But then it's finished "and there's a bit of baby blues afterwards," as she comes down off the adrenaline rush.

Dujancourt heads to Paris after London Fashion Week to meet buyers, before work begins again for her next show, in September.