Waste Not: Taiwan Workshop Turns Trash into Sunglasses 

Arthur Huang, founder of Miniwiz, the company that runs Trash Kitchen, holds a pair of sunglasses made with plastic waste in Taipei, Taiwan, August 19, 2024. (Reuters)
Arthur Huang, founder of Miniwiz, the company that runs Trash Kitchen, holds a pair of sunglasses made with plastic waste in Taipei, Taiwan, August 19, 2024. (Reuters)
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Waste Not: Taiwan Workshop Turns Trash into Sunglasses 

Arthur Huang, founder of Miniwiz, the company that runs Trash Kitchen, holds a pair of sunglasses made with plastic waste in Taipei, Taiwan, August 19, 2024. (Reuters)
Arthur Huang, founder of Miniwiz, the company that runs Trash Kitchen, holds a pair of sunglasses made with plastic waste in Taipei, Taiwan, August 19, 2024. (Reuters)

Plastic bottle caps, food packaging, single-use utensils and scrapped toys are just some of the throw-away items that have been given a new life at a zero-waste workshop in Taipei.

Customers get hands-on experience in the recycling process, taking plastic waste brought from home, and melting and molding it into a pair of sunglasses within two hours.

"What we are trying to show in the Trash Kitchen is to let you see, feel, touch within minutes how this process can actually work without secondary pollution, and you can actually turn it into something of value directly in front of you," Arthur Huang, founder of Miniwiz, the company that runs the workshop, told Reuters.

The Taiwan company also produces tiles, bricks, hangers and other daily necessities from plastic and organic waste, using a "miniTrashpresso", a machine it developed in 2017, Huang said.

Kora Hsieh, editor-in-chief for fashion magazine Harper's Bazaar Taiwan, said the sunglasses project is a good initiative to promote sustainable fashion.

"I think environmental protection and fashion still have a long way to go. As for consumers, it is important for them to get first-hand experience, so a workshop like this is very helpful," she said.

Participants said the workshop inspired them to think twice about producing trash and pay more attention to reusable items.

"I have two children. I need to think about their future," said business owner Debbie Wu, 40.

"If you throw away trash without thinking, you kick the problem down the road. So if everyone can do their best, recycle and use less plastic, that will make a big difference," Wu said.

Taiwan produced a record 11.58 million metric tons of waste in 2023, including 6.27 million tons of recyclable trash, according to data from the Ministry of Environment.



Milan Fashion Week Opens with Light, Ethereal Yet Grounded Looks from Fendi, Ferretti and Marni 

A model walks the runway during the Fendi collection show at Milan's Fashion Week Womenswear Spring / Summer 2025, on September 17, 2024 in Milan. (AFP)
A model walks the runway during the Fendi collection show at Milan's Fashion Week Womenswear Spring / Summer 2025, on September 17, 2024 in Milan. (AFP)
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Milan Fashion Week Opens with Light, Ethereal Yet Grounded Looks from Fendi, Ferretti and Marni 

A model walks the runway during the Fendi collection show at Milan's Fashion Week Womenswear Spring / Summer 2025, on September 17, 2024 in Milan. (AFP)
A model walks the runway during the Fendi collection show at Milan's Fashion Week Womenswear Spring / Summer 2025, on September 17, 2024 in Milan. (AFP)

Just as the northern hemisphere starts the wardrobe transition from summer to fall, runway shows in the world’s fashion capitals seek to stir the imagination, and desire, for the next warm weather season.

Milan designers have been ambiguous about seasons in recent fashion weeks, with summer collections not corresponding to the soaring temperatures. That was not the case during the first day of Milan Fashion Week previews on Tuesday, featuring diaphanous, dreamy summery dresses, alongside crisp cotton.

Here are highlights from the first day of Milan Fashion Week of runway previews of mostly womenswear for Spring-Summer 2025:

Fendi centenary

Fendi honored its upcoming centenary with a Spring-Summer 2025 collection that paid elegant homage to the founding era, from art deco detailing to a flapper silhouette, light on the fringe.

In snippets of conversation that punctuated the show’s soundtrack, Silvia Venturini Fendi emphasized the matriarchal lineage that has made her the third generation to play a key Fendi role. “My mother was the energy of the house,” Venturini Fendi recalled.

The collection by Fendi womenswear artistic director Kim Jones sought to spotlight “100 years of very chic Roman women,” combining ready-to-wear with artisanal detailing of couture. Diaphanous dresses with art-deco embroidery were grounded with boots. Slip dresses were turned upside down as skirts, worn with a sheer top embellished with crystals. Knitwear defined the silhouette, under sheers or hugging the body over diaphanous trousers.

Bags by Venturini Fendi, artistic director of accessories, were soft and huggable, often carried in triplicate.

Ferretti’s artisanal summer

Alberta Ferretti showed her summery creations in the courtyard of a former cloister, now a science museum, with an elegant dome rising in the background, the juxtaposition emphasizing the artisanal heritage in her collection.

Instead of embellishments, Ferretti focused on technique. Laser cut cotton created an almost lace effect. Individual cotton leaves were stitched together as dresses or accents on bodices. Pleating elevated dresses, while boxer shorts gave a casual flair.

The day looks were in earthy tones of sand, ecru and black. For evening, chiffon dresses flowed in bright shades.

“They are real summer clothes, because the world in the summer is very warm. I know a show is supposed to be a show but reality is important,” Ferretti said backstage.

Marni’s essential beauty

Marni maintained its zany heritage under creative director Francesco Risso, with a wardrobe of whimsically tailored everyday looks for him and for her.

The female silhouette was swathed in form-fitting dresses and skirts, often with deep back slits, sometimes with a mermaid flair. Feathers, boas and crystal embellishments were pretty, and sometimes off-beat accents.

For him, broad shouldered jackets contrasted with skinny trousers. An off-skew bow on a chiffony blouson was kept aloft through some sartorial trickery.

Mixing art with fashion, models emerged in threes, and wandered through the showroom full of wooden chairs on conversational groups to a percussive piano trio.

A sense of Marni whimsy permeated the collection, partly but not only through a series of hats with a yesteryear military flair made light with feathery accents. Risso appeared to confirm his Napoleonic intentions, taking a bow with his hand thrust inside his jacket.

“We like things that are bold,” Risso said after the show.