Bold Looks Among Boulders at Michael Kors’ New York Fashion Week Show 

A model walks the runway during the Michael Kors Spring/Summer 2025 fashion show during New York Fashion Week in New York on September 10, 2024. (AFP)
A model walks the runway during the Michael Kors Spring/Summer 2025 fashion show during New York Fashion Week in New York on September 10, 2024. (AFP)
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Bold Looks Among Boulders at Michael Kors’ New York Fashion Week Show 

A model walks the runway during the Michael Kors Spring/Summer 2025 fashion show during New York Fashion Week in New York on September 10, 2024. (AFP)
A model walks the runway during the Michael Kors Spring/Summer 2025 fashion show during New York Fashion Week in New York on September 10, 2024. (AFP)

Fashion sometimes involves risk and designer Michael Kors would tell you some risks aren’t worth taking. Last year, his September show was held outside and the weather did not cooperate, so he decided his spring/summer 2025 collection at New York Fashion Week would bring nature inside instead.

Kors and his team created a unique runway in a cavernous raw space in a midtown building, with stark metal benches lining the rectangular walls and gigantic faux black rocks scattered in the center and sides, similar to the rocky beaches of the Amalfi Coast. The drama of Italian cliffs in an urban setting was part of Kors’ abstract inspiration.

Kors says he’s “glued” to pop culture and was especially fascinated by the recent Netflix series “Ripley,” based on Patricia Highsmith’s classic novel, “The Talented Mr. Ripley.” The dark story is set in coastal Italy where a man who covets a friend’s wealthy life kills him and takes over his identity, killing anyone else who threatens his new persona.

“Seeing this romantic, moody, dark story shot all in black and white, I thought it brought something very different to the romance of it,” Kors told The Associated Press backstage before the show. “There was this sort of dark side of romance that’s not sweet, not insipid, and mysterious. And then also, this is my 35th anniversary of working with Italian artisans and I really wanted to play up all of the incredible tailors and craftspeople in Italy.”

The result was a show that used stark lighting and a haunting instrumental score to set the mood for a lot of black and white and muted colors with looks that evoke Ripley’s 1950’s hybrid style of city and resortwear.

“There’s lots of texture, black raffia, white embroideries. Everything is very tactile,” Kors explained. “It’s all the colors that you would find in the Mediterranean. So all of the natural colors have very soft browns and creams. And then of course, there’s going to be blue.”

The brand’s craftsmanship was on display with intricate peekaboo lace dresses and skirts and several dresses, skirts and coats adorned with flower applique’. Accessories stood out in the collection with leather handbags, hats and shoes teeming with black raffia that looked like leather straw. Nearly every look had a belt — some styled loosely but extra-long and knotted to dangle, and others wide and tight at the waist. The ever-present trench coat appeared for men and women on the runway, mostly oversized and slouchy.

This season’s shows brought guests and media to all corners of the city and surroundings, showing off its beauty and designers’ creativity — from a horse ranch in the tony Hamptons for Ralph Lauren, to a giant ferry boat docked on the East River for Tommy Hilfiger, to an old Domino sugar factory in Brooklyn for Tory Burch.

The show’s front row was packed with celebrities, including Kerry Washington, Mary J. Blige, Shailene Woodley, Mindy Kaling, and Lindsay Lohan.

“I’m always really inspired by the simplicity, the craftsmanship. He has a real kind of a love for women that is so kind of understated, but just so consistent,” Olivia Wilde said. “I always feel so beautiful in his clothes.”

Suki Waterhouse was wearing a pink lace Kors dress and matching fluffy coat. “The straw shoes with the matching bag was my absolute favorite,” the actor and recording artist said after the show. “I need to book a holiday to be able to wear those things.”



LVMH Names UK’s Sarah Burton Givenchy Creative Director

FILE PHOTO: Sarah Burton holds the British Brand award on behalf of McQueen at the Fashion Awards 2016 in London, Britain December 5, 2016. REUTERS/Neil Hall/File Photo
FILE PHOTO: Sarah Burton holds the British Brand award on behalf of McQueen at the Fashion Awards 2016 in London, Britain December 5, 2016. REUTERS/Neil Hall/File Photo
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LVMH Names UK’s Sarah Burton Givenchy Creative Director

FILE PHOTO: Sarah Burton holds the British Brand award on behalf of McQueen at the Fashion Awards 2016 in London, Britain December 5, 2016. REUTERS/Neil Hall/File Photo
FILE PHOTO: Sarah Burton holds the British Brand award on behalf of McQueen at the Fashion Awards 2016 in London, Britain December 5, 2016. REUTERS/Neil Hall/File Photo

French luxury goods company LVMH named on Monday Sarah Burton, the longtime-Alexander McQueen designer behind the Princess of Wales' 2011 wedding dress, as the new creative director for its Givenchy label.
The choice of the seasoned British designer, who joins Givenchy after nearly three decades at rival Kering's Alexander McQueen label, signals a new aesthetic direction for the label, filling a role covered by design teams since the end of last year, Reuters reported.
Her predecessor, Matthew M. Williams left Givenchy in December after three years. Known for his streetwear approach, Williams had mixed hoodies into lineups of sharp tailoring on the Paris catwalk, and embellished bags and shoes with prominent zippers and extra straps.
Burton, a famously discrete designer with a loyal following and strong design credentials, is known for flattering, deconstructed styles at McQueen, and carrying on the legacy of the label's founder, Lee McQueen following his death.
She had worked alongside him for fourteen years before becoming creative director in 2010.
Kering late last year, as part of an expansion drive at McQueen led by CEO Gianfilippo Testa, replaced her with a relatively unknown designer, Sean McGirr.
Burton will present her first collection for Givenchy next March, LVMH said.
"The arrival of Sarah Burton as head of our creative design is a very exciting moment for Givenchy," Givenchy CEO Alessandro Valenti said in a statement.
"Her remarkable career path and creative vision have already won her a vast fan base, and we are certain that under her direction, Givenchy will continue to innovate and captivate an extensive audience across the world stage," he added.