The Iconic ‘T’ Stands for Twisted in Tory Burch’s New Collection at New York Fashion Week 

A model walks the runway during the Tory Burch Fall/Winter 2025 show at New York Fashion Week on February 10, 2025 in New York City. (AFP)
A model walks the runway during the Tory Burch Fall/Winter 2025 show at New York Fashion Week on February 10, 2025 in New York City. (AFP)
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The Iconic ‘T’ Stands for Twisted in Tory Burch’s New Collection at New York Fashion Week 

A model walks the runway during the Tory Burch Fall/Winter 2025 show at New York Fashion Week on February 10, 2025 in New York City. (AFP)
A model walks the runway during the Tory Burch Fall/Winter 2025 show at New York Fashion Week on February 10, 2025 in New York City. (AFP)

Tory Burch not only put her own twist on American sportswear in her new fall/winter collection at New York Fashion Week — she made it “twist-ed,” with exaggerated shapes and details, a splashy backdrop and memorable music.

Known for her classic lines and splashes of color against neutral tones, Burch says her inspiration for Monday’s show was “twisted American sportswear,” her way of taking expected pieces and adding unconventional details and pairings.

“It was sort of a literal and figurative take on the word ‘twisting.’ I loved the idea that sportswear was created in America,” Burch told The Associated Press after the show.

“I ... wanted it to give people the ability to have a second glance when you look at something. It has more depth than when you first perceived what it would be. And whether that’s in the luxurious yarn that you use or the sophistication of an interesting cut line and drape ... It was an exploration of that — of how do you twist things that make it more desirable?”

The collection featured layers galore, with sweaters draped on top of coats and button downs peeking from underneath sweaters, with an oversized blazer on top. Other standout looks included reimagined track pants, made in brushed wool and cotton, paired with blazers and sweaters.

Several utilitarian short jackets had multiple pockets, which Burch called “handbag jackets,” in black leather, denim, and one in fire engine red, paired with a brown skirt.

Some jackets and button-down shirts had exaggerated sleeves and cuffs, that hung loosely on the models like dad’s sportscoat. A series of textured velvet and jersey dresses with draping in muted colors could be dressed up or down.

Burch loves a little drama in her shows and always chooses venues that make a statement. She said she felt “very fortunate” to be showing at New York’s Museum of Modern Art.

“I’ve come here for my whole life and I’ve always loved MoMA and it’s just a miracle to me. It’s like the quintessential perfect space in New York.”

The runway was in two separate spaces connected by a giant staircase the models descended during the show. Some guests were seated on metal benches on the top of the two-story space and others were below in a stark white room with one wall of windows facing the street, and another a giant video screen showing skewed camera angles of the models walking and guests watching the show, giving off very big brother vibes.

The eerie soundtrack added to the experience — starting out with a booming techno beat. There were few if any lyrics, and instead a woman was heard giggling – sometimes maniacally. “It’s a bit twisted,” Burch said of the music with a smile. “You didn’t know if she was laughing or crying.”

Stars who attended the Burch show Amanda Seyfried, Jodie Turner-Smith, and Alexandra Daddario shared a bench with singer-songwriter Ciara and media icon Martha Stewart.

“Industry” star Myha’la said of Burch's collection: “It really exuded female strength, which I love."

Singer-songwriter-actor Charlotte Lawrence said she loved all the details in the show. “You can tell when a designer loves women, and obviously Tory does and knows how to dress women in a very elegant way that I believe ... sets a kind of blueprint of how to carry yourself with strength and confidence.”



Madonna is Surprise Attraction at Dolce & Gabbana Milan Show

US singer Madonna (L) is welcomed by Italian stylists Domenico Dolce (R) and Stefano Gabbana (C) after the womens's ready-to-wear Fall/Winter 2026 collection fashion show as part of the Milan Fashion Week, in Milan on February 28, 2026. (Photo by Miguel MEDINA / AFP)
US singer Madonna (L) is welcomed by Italian stylists Domenico Dolce (R) and Stefano Gabbana (C) after the womens's ready-to-wear Fall/Winter 2026 collection fashion show as part of the Milan Fashion Week, in Milan on February 28, 2026. (Photo by Miguel MEDINA / AFP)
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Madonna is Surprise Attraction at Dolce & Gabbana Milan Show

US singer Madonna (L) is welcomed by Italian stylists Domenico Dolce (R) and Stefano Gabbana (C) after the womens's ready-to-wear Fall/Winter 2026 collection fashion show as part of the Milan Fashion Week, in Milan on February 28, 2026. (Photo by Miguel MEDINA / AFP)
US singer Madonna (L) is welcomed by Italian stylists Domenico Dolce (R) and Stefano Gabbana (C) after the womens's ready-to-wear Fall/Winter 2026 collection fashion show as part of the Milan Fashion Week, in Milan on February 28, 2026. (Photo by Miguel MEDINA / AFP)

Step aside, influencers! Madonna was the star attraction Saturday at the Dolce & Gabbana show in Milan, the week's top celebrity sighting that risked overshadowing the brand's all-black collection of ultra-feminine looks.

Arriving 45 minutes late, the "Material Girl" made her way to her seat -- next to fashion doyenne Anna Wintour, no less -- wearing a short black corset-style dress underneath a black jacket, dark glasses and turquoise gloves.

And when Madonna is at your show during Milan Fashion Week, you practically leap from the catwalk to greet her, as did Stefano Gabbana and Domenico Dolce afterwards, escorting their guest backstage to the flash of hundreds of cameras, AFP reported.

Madonna, who has worked with D&G since the 1990s, stars in the brand's campaign for its The One perfume along with actor Alberto Guerra, also at the show.

The latest collection from the design pair was inspired by the idea of identity, according to the show notes, and built on "Sicily as emotion, black as strength, lace as intimacy, tailoring as authority".

Double-breasted panels featured on sharply tailored menswear-inspired black coats, trenches and pinstripe suits -- but placed on the garment's back side, offering a surprise enjoyed from both directions on the catwalk.

The designers heavily tapped black lace and sheer silk organza, allowing for ample glimpses of skin despite skirts cut to the shins, some with flouncy hems.

The lingerie feel pervaded the collection, on minidresses with long sleeves, flowing skirts, see-through tops or on bralettes worn underneath other lacey looks.

As in many of D&G's past collections, Sicily, the birthplace of Dolce, loomed large, whether in the knit fringed shawls that recalled elderly Sicilian widows or the black kerchiefs tied under the chin covering the models' hair.

The expert crochet handiwork on sweaters and shawls could have been done by Sicilian grandmothers -- who would likely have been shocked by how the old-fashioned technique became modern and sexy in the hands of the two designers.

A black corset and garters over hot pants were accessorized by a scarf that recalled a Sicilian staple, a fishing net, with its open weave.

Little black dresses were structured, sensual and very tight, while imposing (fake) fur coats were belted and paired with black kerchiefs.

One showstopper with diagonal white-and-black stripes would have made Disney villainess Cruella de Vil proud, while another in rich brown and black tones looked as if it could have been worn by Edie Beale in the 1975 queer culture classic, documentary "Grey Gardens".

After the show, D&G Chief Executive Alfonso Dolce, Domenico's brother, declined to comment on the current environment in the luxury industry, but told AFP that "we need to be positive, love life, and do our best every day in what we can do.

"We need love and peace, because if we have that, we have everything."


For Roberto Cavalli Designer, Dreams Come in All Black

 A model presents a creation by Cavalli during a fashion show as part of the Milan Fashion Week Women's collection Fall-Winter 2026-2027 in Milan on February 26, 2025. (AFP)
A model presents a creation by Cavalli during a fashion show as part of the Milan Fashion Week Women's collection Fall-Winter 2026-2027 in Milan on February 26, 2025. (AFP)
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For Roberto Cavalli Designer, Dreams Come in All Black

 A model presents a creation by Cavalli during a fashion show as part of the Milan Fashion Week Women's collection Fall-Winter 2026-2027 in Milan on February 26, 2025. (AFP)
A model presents a creation by Cavalli during a fashion show as part of the Milan Fashion Week Women's collection Fall-Winter 2026-2027 in Milan on February 26, 2025. (AFP)

Black may have been the color chosen by Roberto Cavalli's creative director for the new women's collection at Milan Fashion Week, but Fausto Puglisi is hardly feeling negative.

The nearly all-black palette -- accentuated with romantic jolts of lilac and plum -- used by Puglisi Thursday night at Milan Fashion Week was instead a defiant statement for the label known for its bold, often aggressive colors and animal prints.

"I wanted the collection to be black because I still have my dreams," Puglisi told AFP backstage after the show, where a version of the Eurythmics' 1980s pop classic "Sweet Dreams (Are Made of This)" accompanied the models down the catwalk.

Stiff embossed black leather on cropped jackets or skirts jutted out dramatically like mushroom caps while slouchy, low-slung trousers sewn from black vinyl shimmered like black liquid.

The dark collection nevertheless celebrated lightness and texture, with a strong dose of see-through black lace -- on tight sleeves, barely there slip dresses or paired with black velvet.

Persian lamb -- faux, of course -- had its moment, on trousers, coats, jackets and intermixed with black velvet to form the ruffles of a long skirt paired with lace-up boots.

"It's fake," enthused Puglisi proudly of the glossy, tightly curled Persian lamb.

"I love animals, I would never use real fur."

- 'Continue to dream' -

Puglisi recreated the look of fur, its wispiness and color variations, by printing it on flowing fabric, while a long black form-fitting tunic used sheer cut-outs to reproduce the stripes of a zebra.

A mood board backstage showed Old Master floral still lifes, Roman centurion breastplates and leather strips worn as armor, as well as black-and-white photographs of goth-like images and other inspirations.

Did Puglisi find it hard to be working in fashion in the current state of the world?

"I think it's important to create beauty. Always. It's like telling a director to stop, it's the same thing," he said, calling fashion, films and music "escapism".

"I think it's very important to keep creating with the vision of a child, with naivety and freshness," he added.

"I will not allow any dictator to stop my creativity. I continue to create and I continue to dream," he said.

To that effect, the last look of the night was a showstopper.

Its high necked top mixed lace, cut-outs and ruffles while its skirt looked like it had been sewn from a million black faux feathers.

All the better for Puglisi's dreams to take flight.


Dressed for Succession? Kim Jong Un, Daughter Fuel Speculation with Matching Coats

This picture taken on February 25, 2026 and released by North Korea's official Korean Central News Agency (KCNA) on February 26, 2026 shows North Korean leader Kim Jong Un (R) and his daughter Kim Ju Ae attending the military parade to commemorate the 9th Congress of the Workers' Party of Korea at Kim Il-sung Square in Pyongyang. (Photo by KCNA VIA KNS / AFP)
This picture taken on February 25, 2026 and released by North Korea's official Korean Central News Agency (KCNA) on February 26, 2026 shows North Korean leader Kim Jong Un (R) and his daughter Kim Ju Ae attending the military parade to commemorate the 9th Congress of the Workers' Party of Korea at Kim Il-sung Square in Pyongyang. (Photo by KCNA VIA KNS / AFP)
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Dressed for Succession? Kim Jong Un, Daughter Fuel Speculation with Matching Coats

This picture taken on February 25, 2026 and released by North Korea's official Korean Central News Agency (KCNA) on February 26, 2026 shows North Korean leader Kim Jong Un (R) and his daughter Kim Ju Ae attending the military parade to commemorate the 9th Congress of the Workers' Party of Korea at Kim Il-sung Square in Pyongyang. (Photo by KCNA VIA KNS / AFP)
This picture taken on February 25, 2026 and released by North Korea's official Korean Central News Agency (KCNA) on February 26, 2026 shows North Korean leader Kim Jong Un (R) and his daughter Kim Ju Ae attending the military parade to commemorate the 9th Congress of the Workers' Party of Korea at Kim Il-sung Square in Pyongyang. (Photo by KCNA VIA KNS / AFP)

North Korean leader Kim Jong Un donned matching jackets with his daughter at a military parade, state media photos showed Thursday, stoking speculation she is being groomed as heir.

Kim's teenage daughter Ju Ae featured prominently in state photos published to mark the closing stages of the ruling Workers' Party congress.

The duo donned matching leather jackets as they stood side-by-side to watch over a vast military procession.

Kim's wife, Ri Sol Ju, also appeared alongside the duo in a similar attire, AFP reported.

The Kim family has ruled North Korea with an iron grip for decades, and a cult of personality surrounding their "Paektu bloodline" dominates daily life in the isolated country.

Ju Ae has long been seen as the next in line, a perception stoked by a string of recent high-profile outings.

Analyst Lim Eul-chul said the jackets - a staple of leader Kim's wardrobe, especially during key public appearances - were more than a fashion statement.

"In North Korea's political symbolism, that look carries weight -- it's tied to the image of the leader as the ultimate guarantor of national security and future prosperity.

"So when that same symbolic attire is put on his young daughter, it's hard to see it as accidental."

Other photos from the parade showed Ju Ae striding a red carpet next to her father as he received salutes from North Korea's military top brass.

Ju Ae has been clearly "designated as a successor", South Korea's national intelligence service said earlier this month.

Korean affairs expert Leif-Eric Easley said Ju Ae's latest appearance demonstrated her elevated status.

"But she still appears in her capacity as the leader's daughter.

"She is probably not yet old enough to participate in the congress with an official party title."

Ju Ae was publicly introduced to the world in 2022 when she accompanied her father to an intercontinental ballistic missile launch.

Before then, the only confirmation of her existence had come from former NBA star Dennis Rodman, who visited the North in 2013.

Pyongyang has never confirmed Ju Ae's exact age, but analysts believe she is in her early teens.

Ju Ae has drawn attention for her taste in luxury fashion, appearing in Gucci sunglasses and wearing a Cartier watch.

At other times, she has mirrored her father's distinctive style, wearing matching leather jackets and dark glasses.