‘Caesar’s’ Partner ‘Sami’: I Wept at First When I Saw Pictures, Then Became Emotionally Numb

Syrians gather outside a prison in Damascus the day after Assad’s fall, hoping to uncover the fate of their missing loved ones (AFP)
Syrians gather outside a prison in Damascus the day after Assad’s fall, hoping to uncover the fate of their missing loved ones (AFP)
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‘Caesar’s’ Partner ‘Sami’: I Wept at First When I Saw Pictures, Then Became Emotionally Numb

Syrians gather outside a prison in Damascus the day after Assad’s fall, hoping to uncover the fate of their missing loved ones (AFP)
Syrians gather outside a prison in Damascus the day after Assad’s fall, hoping to uncover the fate of their missing loved ones (AFP)

In the final installment of his interview with Asharq Al-Awsat, Osama Othman, the man who smuggled the “Caesar Files” documenting Syrian torture victims, described how the photos became a haunting part of his life.
“I lived with these images for years until the victims felt like friends,” he said.
Othman recalled his early emotional struggles.
“At first, I cried whenever I saw the photos,” he said.
“But over time, my feelings went numb. When I cried, I felt human. But when I started looking at the pictures coldly, just searching for specific ones, I felt like a stranger to myself. Bashar al-Assad disfigured the victims physically and destroyed us emotionally.”
For 11 years, Othman was known only by his codename “Sami” until he revealed his identity through Asharq Al-Awsat.
He shared one of the most heartbreaking moments: “Hearing a mother or wife recognize a loved one in the photos and say, ‘Thank God they’re dead. At least the waiting is over.’ It’s a pain that breaks your heart.”
Among the nearly 27,000 photos, some left a lasting impression on Othman. He mentioned victims with large tattoos of Assad on their chests and security officers smiling next to mutilated bodies, as if posing for a tourist photo.
The following is the text of the interview:
How did you handle seeing so many torture photos?
“The first images I got from ‘Caesar’ were devastating. You can’t imagine,” said Othman. “It’s one thing to see someone killed in a battle or a crime—you can understand it. But when you see photos of victims with burn marks all over their chests, it’s beyond comprehension.”
Othman shared how he coped.
“I saw these victims as my family—my brother, my father. That made it hurt even more. I felt their pain as if it was my own. What kind of person tortures someone like this? If they were going to die in prison, just kill them. Why subject them to such barbaric torture?”
“No regime in history has gone to such lengths to detain and torture its own people in ways no sane mind can comprehend. The cruelty is unimaginable,” he added.
Did you suffer from sleepless nights and tears?
“In the beginning, I couldn’t stop crying,” said Othman.
“These victims aren’t just numbers. They had mothers waiting for them, children, siblings, and lives. Assad turned them into photos with numbers. Even now, 10 years later, we have thousands of images with no names. We hoped to access records linking these numbers to identities when the regime fell, but that hasn’t happened.”
Othman and the Caesar Files for Justice organization are now working on a solution.
“We’re creating an app to match missing persons’ photos from families with our files, using forensic methods like skull measurements and other details beyond what the eye can see.”
Over time, Othman’s emotions changed.
“After looking at thousands of photos, certain details stick with you. For example, Branch 227 reminds me of victims with eyes gouged out, while Branch 215 committed over half of the recorded violations. These numbers and images are burned into my memory. I’ve seen so many that I can often tell which branch they came from at a glance.”
“These victims felt like my friends,” said Osama Othman.
“In some photos, you could see a victim screaming in their final moments, their mouth frozen open. That silent scream, heard only by God, reached us through the images. I felt as if they were entrusting me with a responsibility.”
Over time, Othman’s emotions dulled.
“At first, I cried and knew I was still human. But later, as I searched through the photos without feeling, I felt like a stranger to myself. Assad didn’t just destroy the victims physically—he broke us emotionally too.”
Were doctors involved in torture?
“There were reports of killings in hospitals,” confirmed Othman.
“We had photos of victims with medical tubes still in their arms and bandages on their bodies. It’s unclear what happened—were they arrested and taken to the hospital, or detained directly from there? I don’t know.”
Othman emphasized the lack of evidence.
“Without proof, I can’t confirm these claims. Some doctors have faced trials in Germany for alleged abuses against detainees, but many stories circulating publicly lack the legal backing to hold up in court.”
“Unfortunately,” he added, “any claims of torture or killings without solid evidence can’t withstand scrutiny in any court.”
The pictures uncovered the fate of some missing people, did the relatives of those missing contact you and how did you feel about them?
Othman frequently received photos from families of the missing, hoping to find their loved ones among the Caesar Files.
“Relatives would send me images, asking if their loved ones were in the files,” Othman said.
“I would compare these photos with thousands in the Caesar Files, searching for similarities.”
Othman explained that the process was slow and painstaking.
“It took a lot of time, but often I was able to find a match.”
Othman described the emotional toll of working with the Caesar Files.
“Often, when we send full-body images of victims to their families, it’s not their loved one. But sometimes, it is. What’s most heartbreaking is hearing them say ‘Thank God, thank God.’ Why? Because they’re relieved their loved one has died. A mother or wife says this in agony, grateful that their suffering has ended. This makes you wonder—how could a mother see her son tortured and dead, yet say ‘thank God’?”
Othman also recalled disturbing images.
“We have photos of victims who lost their eyes. One photo shows a man with a tattoo of Bashar al-Assad’s face, and the words ‘Syria, Assad’ under it. This man was tortured to death in the Air Force Intelligence branch in Damascus.”
One image, Othman said, still haunts him.
“In another, there are many bodies in a cart, from different branches, not just one. Some bodies are piled up outside a garage, decaying. What’s chilling is a soldier smiling in the background. It makes you question—why is he smiling? Is it happiness, or has he lost all sense of feeling in the face of such cruelty?”
Othman described a disturbing photo of hospital staff smiling, seemingly unaware of the horror around them.
“In the background, you can see bodies wrapped in plastic, others on tables, and some limbs visible. Hospital corridors were used to wrap up the bodies,” he said.
Othman also pointed to detailed images of victims’ eyes, which forensic experts can use to assess injuries and decay caused by insects.
He emphasized the pain of sharing these images.
“I don’t want to show more—it’s too painful for viewers and the victims’ families. But our message has reached the world. After 10 years, the Caesar Files exposed the regime’s crimes, and today, institutions and former prisoners are revealing even more about these atrocities.”
How did you feel about Russian President Vladimir Putin’s asylum offer to Assad?
Othman expressed his reaction to Russian President Vladimir Putin granting Assad asylum.
“Since Russia’s intervention in Syria in 2015, the Russian regime has been a partner in the Syrian regime’s crimes,” Othman said.
“We viewed the Russian officials as true partners in these atrocities, and they likely bear greater responsibility than the Syrian regime itself.”
Othman was not surprised by Assad seeking refuge in Russia.
“I don’t think this asylum will last long. We are committed to working tirelessly to bring Assad back to Syria, recover the stolen funds, and ensure he is prosecuted in Damascus.”
Othman shared his hopes for justice in Syria, expressing his desire to see Assad in the defendant’s cage.
“I pray I live long enough to witness that moment, just as I lived to hear the news of Assad's fall and the liberation of Damascus,” he said.
Asked whether Assad knew about the atrocities taking place in Syrian prisons, Othman was firm.
“In Syria, nothing happens without the president knowing. This is a repressive, security-driven regime led by Assad, or previously by his father, Hafez al-Assad. No security official under this regime would act without the president’s approval.”
Othman acknowledged that while they lack direct evidence linking Assad to specific crimes, the responsibility falls on the heads of the security agencies.
“Legally, the blame lies directly with the heads of security agencies, as the chain of command flows from them. But in Syria, everyone knows that even the smallest actions in any security branch or prison are part of a systematic plan known and approved by the regime's top leadership.”
On whether the victims in the Caesar Files were from specific regions or sects, Othman clarified, “The victims in the Caesar Files are Syrians, and we defend all Syrians. Since the victims are identified by numbers, not names, I can’t determine if they belong to a particular sect or group.”
However, he noted signs of certain affiliations.
“Some victims have tattoos on their bodies. You might be surprised to learn that several victims have a large tattoo of Bashar al-Assad on their chests. You could assume these men were Assad supporters. I don’t know their sects, but someone who tattoos Bashar al-Assad on their body surely has strong support for him.”
Othman pointed out that some tattoos found on victims might provide clues about their identity, but not with certainty.
“A tattoo of Palestine, for example, isn’t unique to Palestinians. We all support Palestine. But it’s likely this person was Palestinian, especially from the Palestinian community in Syria,” he said.
He emphasized that tattoos could hint at political beliefs or nationalities, but he wouldn't make assumptions.
“These tattoos may suggest political views or connections to certain countries, but I can't say for sure if the victims belonged to a specific sect or group.”
Othman added that once names are linked to numbers, he may be able to provide more concrete answers.
“When we can match names to numbers, I'll be able to say if many of these victims came from a particular sect.”
Do you believe that Syria is on its way to a rebirth?
Othman shared cautious hope for Syria’s future.
“God willing, a new Syria will be born,” he said, but added a note of caution.
“I don’t want to be pessimistic, but the real fight for Syria's rebuilding began on December 8, 2024, with Assad’s fall and Damascus’ liberation. Everything before that was just about toppling the regime and removing its leader.”
When will you return to Syria?
Othman said he is eager to return to Syria but faces administrative hurdles.
“I’m waiting for the right moment, but there are still many bureaucratic obstacles,” he explained.
“If it were possible, I would have gone back earlier.”
Regarding his fears due to his involvement in the Caesar Files, Othman admitted the risks remain.
“The fear is still there. We hid our identities to protect ourselves and our families, and that need still exists,” he said.
“The risks are greater now because we are pushing for accountability. This puts us in conflict with many people. I know the dangers, but I’m committed to this path and prepared for whatever comes. If I could do more from hiding, I would, but now it's important to be visible and move the case forward.”



Amputee Palestinian Boy Image Wins World Press Photo Award

This image provided by World Press Photo and taken by Samar Abu Elouf, for The New York Times, won the World Press Photo Award of the Year and shows Mahmoud Ajjour (9), who was injured during an Israeli attack on Gaza City in March 2024, finds refuge and medical help in Doha, Qatar, 28 June 2024. (Samar Abu Elouf, for The New York Times/World Press Photo via AP)
This image provided by World Press Photo and taken by Samar Abu Elouf, for The New York Times, won the World Press Photo Award of the Year and shows Mahmoud Ajjour (9), who was injured during an Israeli attack on Gaza City in March 2024, finds refuge and medical help in Doha, Qatar, 28 June 2024. (Samar Abu Elouf, for The New York Times/World Press Photo via AP)
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Amputee Palestinian Boy Image Wins World Press Photo Award

This image provided by World Press Photo and taken by Samar Abu Elouf, for The New York Times, won the World Press Photo Award of the Year and shows Mahmoud Ajjour (9), who was injured during an Israeli attack on Gaza City in March 2024, finds refuge and medical help in Doha, Qatar, 28 June 2024. (Samar Abu Elouf, for The New York Times/World Press Photo via AP)
This image provided by World Press Photo and taken by Samar Abu Elouf, for The New York Times, won the World Press Photo Award of the Year and shows Mahmoud Ajjour (9), who was injured during an Israeli attack on Gaza City in March 2024, finds refuge and medical help in Doha, Qatar, 28 June 2024. (Samar Abu Elouf, for The New York Times/World Press Photo via AP)

A haunting portrait of a nine-year-old Palestinian boy who lost both arms during an Israeli attack on Gaza City won the 2025 World Press Photo of the Year Award Thursday.

The picture, by Samar Abu Elouf for The New York Times, depicts Mahmoud Ajjour, evacuated to Doha after an explosion severed one arm and mutilated the other last year.

"One of the most difficult things Mahmoud's mother explained to me was how when Mahmoud first came to the realisation that his arms were amputated, the first sentence he said to her was, 'How will I be able to hug you'?" said Elouf.

The photographer is also from Gaza and was herself evacuated in December 2023. She now portrays badly wounded Palestinians based in Doha.

"This is a quiet photo that speaks loudly. It tells the story of one boy, but also of a wider war that will have an impact for generations," said Joumana El Zein Khoury, World Press Photo Executive Director.

The jury praised the photo's "strong composition and attention to light" and its thought-provoking subject-matter, especially questions raised over Mahmoud's future.

The boy is now learning to play games on his phone, write, and open doors with his feet, the jury said.

"Mahmoud's dream is simple: he wants to get prosthetics and live his life as any other child," said the World Press Photo organisers in a statement.

The jury also selected two photos for the runner-up prize.

The first, entitled "Droughts in the Amazon" by Musuk Nolte for Panos Pictures and the Bertha Foundation, shows a man on a dried-up river bed in the Amazon carrying supplies to a village once accessible by boat.

The second, "Night Crossing" by John Moore shooting for Getty Images, depicts Chinese migrants huddling near a fire during a cold rainshower after crossing the US–Mexico border.

The jury sifted through 59,320 photographs from 3,778 photo journalists to select 42 prize-winning shots from around the world.

Photographers for Agence France-Presse were selected four times for a regional prize, more than any other organization.

Nairobi-based Luis Tato won in the "Stories" category for the Africa region for a selection of photos depicting Kenya's youth uprising.

Jerome Brouillet won in the "Singles" category Asia-Pacific and Oceania for his iconic picture of surfer Gabriel Medina seemingly floating above the waves.

Clarens Siffroy won in the "Stories" category North and Central America for his coverage of the gang crisis in Haiti.

Finally, Anselmo Cunha won in the "Singles" category for South America for his photo of a Boeing 727-200 stranded at Salgado Filho International Airport in Brazil.