Comedy Legend Jerry Lewis Dead at 91

Jerry Lewis. (Reuters)
Jerry Lewis. (Reuters)
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Comedy Legend Jerry Lewis Dead at 91

Jerry Lewis. (Reuters)
Jerry Lewis. (Reuters)

American comedy legend Jerry Lewis passed away on Sunday at the age of 91, his family announced.

He died of end-stage heart disease Clark County Coroner John Fudenberg said on Monday.

Lewis parlayed his distinctive style of low-brow comedy into a long-running movie and stage career. He also became a fund-raising powerhouse with his annual Labor Day telethon.

He had been hospitalized for about five weeks beginning in early June for a urinary tract infection, keeping him from traveling to Toronto to appear in a film, his spokeswoman, Candi Cazau, told Reuters by telephone.

Lewis rose to fame as the goofy foil to suave partner Dean Martin. At home, he was both loved and derided, while in France, he became a comic icon.

He once summed up his career by saying "I've had great success being a total idiot" and said the key was maintaining a certain child-like quality.

He was the classic funnyman who longed to play "Hamlet." He cried as hard as he laughed. He sassed and snarled at critics and interviewers who displeased him. He pontificated on talk shows, lectured to college students and compiled his thoughts in the 1971 book "The Total Film-Maker."

"I believe, in my own way, that I say something on film. I'm getting to those who probably don't have the mentality to understand what ... 'A Man for All Seasons' is all about, plus many who did understand it," he wrote. "I am not ashamed or embarrassed at how seemingly trite or saccharine something in my films will sound. I really do make films for my great-great-grandchildren and not for my fellows at the Screen Directors Guild or for the critics."

Jim Carrey, an actor whose style owed a heavy debt to Lewis, paid tribute to the comedian soon after news of his death.

"That fool was no dummy," Carrey wrote. "Jerry Lewis was an undeniable genius an unfathomable blessing, comedy's absolute! I am because he was!"

Lewis was 87 when his last movie, "Max Rose," came out in 2013, playing a jazz pianist who questions his marriage after learning his wife of 65 years may have been unfaithful.

The son of vaudeville entertainers, Lewis became a star in the early 1950s as Martin's comic sidekick in nightclubs, on television and in 16 movies. At their height, they set off the kind of fan hysteria that once surrounded Frank Sinatra and the Beatles.

Their decade-long partnership ended with a bitter split and Lewis went on to star in his own film comedies.

Lewis' movie persona, like the character he created in the act with Martin, varied little from film to film. He was zany and manic, forever squealing, grimacing and flailing his way through situations beyond his control.

He starred in more than 45 films in a career spanning five decades. His cross-eyed antics often drew scorn from critics but he was for a time a box-office hit who commanded one of the biggest salaries in Hollywood.

Long after his celebrity faded at home, Lewis was wildly popular in France, where he was hailed as "le Roi du Crazy" (the king of crazy) and inducted into the Legion of Honor, France's highest award, in 1984. He received a similar honor in 2006.

He explained his popularity in France, by saying: "The French are very visually oriented even though they are cerebral. They enjoy what they see and laugh. Then, later, they ask why."

Lewis, born Joseph Levitch on March 16, 1926, in Newark, New Jersey, started on upstate New York's Borscht Belt comedy circuit as a singer at age 5.

He first teamed with the debonair Martin in 1946 while they were performing in an Atlantic City, New Jersey, nightclub - Martin as a singer and Lewis as a comic.

Their largely improvised act, with Lewis making wild comic forays into the audience, was an immediate hit. Their 1950 movie debut, "My Friend Irma," was followed by "My Friend Irma Goes West" the next year.

Their relationship soured, however, and by the time they made their last movie together, "Hollywood or Bust," they reportedly were not speaking. They parted after a 1956 nightclub show, 10 years to the day after they first teamed.

The split reportedly stemmed from personality conflicts and Lewis' interest in producing and directing movies. Others attributed it to Lewis' ego and need for control, as well as a desire for approval from the often-remote Martin.

They reunited in 1976 when Sinatra brought Martin onstage during the muscular dystrophy telethon and they remained friends until Martin's 1995 death.

Since Martin died, "not a day has passed that Jerry did not think of Dean," Cazau told Reuters.

In 1960, Lewis made his movie directorial debut with "The Bellboy" and starred in the storybook parody "Cinderfella." Three years later, he starred in his most popular movie, the self-directed "Nutty Professor," playing a nerdy academic who makes a potion that turns him into the obnoxiously hip Buddy Love.

Lewis became closely associated with his annual Labor Day telethon to benefit children with muscular dystrophy. He first started doing telethons for the Muscular Dystrophy Association in 1952 before retiring from the job in 2011.

His fundraising efforts won him the Jean Hersholt Humanitarian Award at the 2009 Oscar telecast, an honor he said "touches my heart and the very depth of my soul."

Cazau said that from their inception in 1966 his Labor Day telethons had raised $2.45 billion over some 45 years.

Lewis had a movie revival in 1982, winning acclaim as an arrogant talk show host kidnapped by an obsessed fan in "The King of Comedy." He scored another late-career triumph with his 1995 Broadway debut in a revival of "Damn Yankees" and appeared in the film "Funny Bones" that same year.

Lewis was beset for years by numerous ailments, including heart attacks, an inflammatory lung disorder and chronic back pain caused by pratfalls earlier in his career.

Lewis had homes in Las Vegas and San Diego. He had six sons with singer Patti Palmer, including Gary of the rock group Gary Lewis and the Playboys. After a divorce, Lewis married SanDee Pitnick in 1983, with whom he adopted a daughter.

"When the truth comes down to the truth, I am so grateful that I'm on that stage or in front of that camera," Lewis told The Associated Press in 2016. "To have a career that I had in film, I'm so grateful for it. I don't take advantage of it. I don't use it improperly. And I love the fact that there's nowhere I can go where people don't know me."



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”