Pep Guardiola: My Debt to Andrés Iniesta and how he Opened my Eyes on Tactics

Pep Guardiola and Andres Iniesta. (Getty Images)
Pep Guardiola and Andres Iniesta. (Getty Images)
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Pep Guardiola: My Debt to Andrés Iniesta and how he Opened my Eyes on Tactics

Pep Guardiola and Andres Iniesta. (Getty Images)
Pep Guardiola and Andres Iniesta. (Getty Images)

Late summer 2008. Barcelona lose 1–0 in Soria against little Numancia on the opening day of the league season. A tough baptism for the debutant coach, Pep Guardiola, made all the harder when the result isn’t much better in their second game against Racing Santander, a 1–1 draw at the Camp Nou. Two weeks into Guardiola’s career in charge of Barcelona’s first team and they still haven’t won.

Pressure builds, the criticism is intense. But Guardiola remains steadfast. Sergio Busquets and Pedro Rodríguez, then two virtually unknown players from Tercera División, Spain’s fourth tier, are in the team. There are doubts, of course. Concerns.

In the media, it seems that only one voice defends the manager, but at least it is the voice: Johan Cruyff. That softens the blow, his authority alone enough to challenge the doomsayers, but still they prophesise doom. “This Barcelona looks very, very good,” Cruyff writes in his weekly column for El Periódico de Catalunya. “I don’t know what game the rest of you watched; the one I watched was unlike any I have seen at the Camp Nou in a long time.”

Cruyff, the great ideologue of the Catalan club, its philosopher king, had seen Guardiola coach the B team and was impressed; now he stands against the tide, alone in defending him. “The worst start to a season in many years. Just one goal scored, and that was a penalty. That’s an inescapable truth, numerically speaking,” he admits. “But in footballing terms, this must be read a different way. And Guardiola is the first to read it differently. He’s no novice, lacking expertise, and he is not suicidal. He watches, he sees, he analyses and he takes decisions.”

Guardiola himself agonized over those decisions too. He was holed up in his Camp Nou office, down in the basement where there was no natural light, going over the situation again and again, rewinding and replaying the videos, re-reading his notes, wondering what to change but convinced of one thing: his idea, Cruyff’s idea, had to be maintained. He would persevere, however hard it became. And support was about to come from an unexpected source.

He was still going over it, endlessly, when he heard a knock at the door. “Come in.”

“Hello, míster.”

A small figure poked his head around the door, and spoke calmly. “Don’t worry, míster. We’ll win it all. We’re on the right path. Carry on like this, OK? We’re playing brilliantly, we’re enjoying training. Please, don’t change anything,” said Andrés Iniesta.

Guardiola couldn’t believe it.

The request was short, but heartfelt, deep. It caught Guardiola off guard, barely able even to respond. If it was a surprise that anyone should seek him out to say that, it was even more of a surprise that it was Iniesta, usually the silent man. And then he closed the door and left.

That’s Andrés. He doesn’t say much, only what he really has to. It’s like scoring goals: he doesn’t score often, either. But when it’s needed, there he is.

Guardiola will never forget Cruyff defending him in print. And he will never forget Andrés appearing at his door. He’ll never forget that they were right, too. At the end of the 2008–09 season, Barcelona had won six titles. All six.

“People usually think that it is the coach who has to raise the spirits of his players; that it is the coach who has to convince his footballers; that it is his job to take the lead all the time,” says Guardiola. “But that’s not always the case. It wasn’t the case at the Camp Nou for me, and in my first year at Bayern Munich something similar happened as well. It’s not often things like that happen and when they do, they rarely come to light. People always think the coach is the strongest person at a club, the boss, but in truth he’s the weakest link. We’re there, vulnerable, undermined by those who don’t play, by the media, by the fans. They all have the same objective: to undermine the manager.

“You start, you lose at Numancia, you draw with Racing, you just can’t get going, you feel watched and you feel alone and then suddenly, there’s Andrés telling me not to worry,” Guardiola continues. “It’s hard to imagine, because it’s not the kind of thing that happens and because it’s Iniesta we’re talking about, someone who doesn’t find it easy to express his feelings. And after he’d gone, I asked myself: how can people say that coaches should be cold when they make decisions? Impersonal? That’s ridiculous! How can I be cold, distant, removed with Andrés? Sorry, no way. Eighty-six per cent of people didn’t believe in me [according to an online poll]. Lots of people wanted Mourinho. We hadn’t won, hadn’t got going. And then Andrés comes and says that! How am I supposed to be cold? It’s impossible. This goes deeper. This isn’t cold, calculated, and nor should it be. There’s no doubt: Andrés will play with me, always. Because he’s the best. And because things like that don’t get forgotten. Why did he come to my office? I don’t know.”

Lorenzo Buenaventura is a part of Guardiola’s coaching staff, in charge of physical preparation. He has followed Pep from Barcelona to Bayern and from there to Manchester City. He shares this memory with Pep now, offers up an answer too.

“Why? I suppose because that’s the way he felt; I suppose because it mattered to him,” he says. “Andrés doesn’t do anything he doesn’t truly believe in; he does it because it feels right to him. He’s genuine, always.” Guardiola concedes: “Maybe he spoke out because he could see that there was a method we were following, that everyone was training well, that we explained to them why we did things the way we did, and above all because that was the kind of football that he had been brought up on, ever since he was little.”

“There were other players who sent us little messages,” Buenaventura insists. “That’s true,” Guardiola admits. “But Andrés’ message was powerful. How could I forget that? I can still see him standing there at the door, looking at me. Telling me we play very well. And then he left. I thought: ‘Well, if Andrés says so …’”

Andrés and Cruyff were proven right; Guardiola’s decision to maintain that philosophy was vindicated. In week three Barcelona scored six against Sporting Gijón and never looked back; everything fell into place, it all worked so smoothly. Within a few months, they had become a model to aspire to. Not just because of the results – no one had won a treble in Spain before, still less six trophies from six – but because of the way they played, the way they treated the ball, fans, even opponents. Theirs was a different approach, a way of seeing and expressing football that was embodied by players like Iniesta.

“We never seem to treat Andrés the way we should; we don’t seem to recognize him. He’s the absolute business as a player,” Guardiola says. “He never talks about himself, never demands anything, but people who think he’s satisfied just to play are wrong. If he thought he could win the Balon d’Or one year, he’d want to win it. Why? Because he’d say to himself: ‘I’m the best.’

“I think Paco defined him perfectly,” Guardiola says. Paco Seirulo was Barcelona’s former physical coach, the man from whom Lorenzo Buenaventura learnt; now Guardiola makes Seirulo’s description his own. “Andrés is one of the greats. Why? Because of his mastery of the relationship between space and time. He knows where he is at every moment. Even in a midfield where he’s surrounded by countless players, he chooses the right path every time. He knows where and when, always. And then he has this very unique ability to pull away. He pulls out, then brakes, then pulls out again, then brakes again. There are very few players like him.

“There are footballers who are very good playing on the outside but don’t know what to do inside. Then there are players who are very good inside but don’t have the physique, the legs, to go outside. Andrés has the ability to do both. When you’re out on the touchline, like a winger, it is easier to play. You see everything: the mess, the crowd, the activity is all inside. When you play inside, you don’t see anything in there because so much is happening in such a small space and all around you. You don’t know where the opposition is going to come at you from, or how many of them. Great footballers are those who know how to play in both of those environments. Andrés doesn’t only have the ability to see everything, to know what to do, but also the talent to execute it; he’s able to break through those lines. He sees it and does it.

“I’ve been a coach for a few years now and I have come to the conclusion that a truly good player is always a good player,” Guardiola says. “It’s very hard to teach a bad player to be a good one. You can’t really teach someone to dribble. The timing needed to go past someone, that instant in which you catch out your opponent, when you go past him and a new scenario opens up before you … Dribbling is, at heart, a trick, a con. It’s not speed. It’s not physique. It’s an art.”

Lorenzo Buenaventura says: “What happens is that Andrés brakes. That’s the key, the most important thing. People say: ‘Look how quick he is!’ No, no, that’s not the point. It’s not about speed, about how fast he goes; what it’s really about is how he stops and when, then, how he gets moving again.”

Guardiola adds: “Tito Vilanova defined him very well. Tito used to say: ‘Andrés doesn’t run, he glides. He’s like an ice hockey player, only without skates on. Sssswishhh, sssswishhh, sssswishhhh …’ That description is evocative, very graphic, and I think it’s an accurate one. He goes towards one side as if he was skating, watching everything that’s going on around him. Then, suddenly, he turns the other way with that smoothness he has. Yes, that’s it, Andrés doesn’t run, he glides.”

Guardiola adds: “Sometimes in life, it’s first impressions that count and the first impression I have of Andrés was the day my brother Pere, who was working for Nike at the time, told me about Iniesta. I was still playing for Barcelona myself and he said: ‘Pep, you’ve got to come and see this kid.’ It was before the final of the Nike Cup. I remember getting changed quickly after training and rushing there, dashing to the stadium. And yes, I saw how good he was. I told myself: ‘This kid will play for Barcelona, for sure … he’s going to make it.’ I told myself that, and I told Pere that too.

“On my way out of the ground after that final when Andrés was the best player on the pitch, I came across Santiago Segurola, the football writer. I said to him: ‘I’ve just seen something incredible.’ I had this feeling that what I’d just witnessed was unique. That was my first impression of Andrés.

“But later,” Guardiola admits, “I came to really value something else Andrés does, something that he had made me see with time: the importance of attacking the center-backs. No one does it. But watch and you see it. If the central defender has to step out, everything opens up; the whole defense becomes disorganized and spaces appear that weren’t there before. It’s all about breaking through lines to find space behind them. Open, then find.

“For example, we set up our attack so that Leo Messi could attack the central defenders,” Guardiola explains. “We had to attack in such a way as to get the ball to Andrés and Leo so that they could attack the central defenders and that opened them up. When we managed that, we knew that we would win the game because Leo scored goals and Andrés generated everything else: dribbling, numerical superiority, the ability to unbalance the game, the final pass, both to the outside and filtered through the middle. He sees it all and he has that gift for dribbling that’s so unique to him. That dribbling ability is everything today. And it was Andrés who opened my eyes to the importance of an inside forward or midfielder being able to dribble too. If he dribbles, if he carries the ball and goes at people, everything flows. With time, I saw that.”

The Guardian Sport



Verona Prepares its Ancient Arena for the Olympics Closing Ceremony on Sunday

A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
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Verona Prepares its Ancient Arena for the Olympics Closing Ceremony on Sunday

A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)

A city forever associated with Romeo and Juliet, Verona will host the final act of the Milan Cortina Winter Olympics on Sunday inside the ancient Roman Arena, where some 1,500 athletes will celebrate their feats against a backdrop of Italian music and dance.

Acclaimed ballet dancer Roberto Bolle has been rehearsing for the closing ceremony inside the Arena di Verona this week under a veil of secrecy, along with some 350 volunteers, for a spectacle titled “Beauty in Motion," which frames beauty as something inherently dynamic.

“Beauty cannot be fixed in time. This ancient monument is beautiful if it is alive, if it continues to change,” said the ceremony's producer, Alfredo Accatino. “This is what we want to narrate: An Italy that is changing, and also the beauty of movement, the beauty of sport and the beauty of nature."

Other headlining Italian artists include singer Achille Lauro and DJ Gabry Ponte, whose hits could be heard blasting from the Arena during rehearsals this week.

Inside a tent serving as a dressing room, seamstresses put the finishing touches on costumes inspired by the opera world as volunteers prepped for the stage, The Associated Press reported.

“It’s really special to be inside the Arena,” said Matilde Ricchiuto, a student from a local dance school. "Usually, I am there as a spectator and now I get to be a star, I would say. I feel super special.”

The Arena has been a venue for popular entertainment since it was first built in 1 A.D., predating the larger Roman Colosseum by decades. Accatino said the ancient monument will produce some surprises from within its vast tunnels.

“Under the Arena there is a mysterious world that hides everything that has happened. At a certain point, this world will come out," Accatino said, promising “something very beautiful."

The ceremony will open with athletes parading triumphantly through Piazza Bra into the Arena, which once served as a stage for gladiator fights and hunts for exotic beasts.

The closing ceremony stage was inspired by a drop of water, meant to symbolically unite the Olympic mountain venues with the Po River Valley, where Milan and Verona are located, while serving as a reminder that the Winter Games are being reshaped by climate change.

While the opening ceremony was held in Milan, the other host city, Cortina d’Ampezzo, nestled in the Dolomite mountains, was considered too small and remote to host the closing ceremony. Verona, in the same Veneto region as Cortina, was chosen for its unique venue and relatively central location, said Maria Laura Iascone, the local organizing committee's head of ceremonies.

“Only Italians can use such monuments to do special events, so this is very unique, very rare," Iascone said of the Arena.

She promised a more intimate evening than the opening ceremony in Milan's San Siro soccer stadium, with about 12,000 people attending the closing compared with more than 60,000 for the opening.

Iascone said about 1,500 of the nearly 3,000 athletes participating in the most spread-out Winter Games in Olympic history are expected to drive a little over an hour from Milan and between two and four hours from the six mountain venues.

The ceremony will close with the Olympic flame being extinguished. A light show will substitute fireworks, which are not allowed in Verona to protect animals from being disturbed.

The Verona Arena will also be the venue for the Paralympic opening ceremony on March 6. For the ceremonies, the ancient Arena has been retrofitted with new wheelchair ramps and accessible restrooms along with other safety upgrades. The six Paralympic events will be held in Milan and Cortina until March 15.


Arsenal Blows 2-goal Lead at Wolves to Boost Man City's Premier League Title Chances

Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026  Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026 Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
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Arsenal Blows 2-goal Lead at Wolves to Boost Man City's Premier League Title Chances

Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026  Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026 Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn

Arsenal blew a two-goal lead at last-place Wolves on Wednesday to give a huge boost to Manchester City in the race for the Premier League title.

The league leader was held to a surprise 2-2 draw at Molineux, having led 2-0 in the second half.

Teenage debutant Tom Edozie scored in the fourth minute of added time to complete Wolves' comeback.

“There was a big difference in how we played in the first half and the second half. We dropped our standards and we got punished for it,” Arsenal forward Bukayo Saka told the BBC.

The draw means Arsenal has dropped points in back-to-back games and leaves it just five ahead of second-place City, having played a game more.

With the top two still to play each other at City's Etihad Stadium, the title race is too close to call.

“(It's) time to focus on ourselves, improve our standards and improve our performances and it is in our control,” Saka said.

Arsenal has led the way for the majority of the season and one bookmaker paid out on Mikel Arteta's team winning the title after it opened up a nine-point lead earlier this month.

But Wednesday's result was the latest sign that it is feeling the pressure, having finished runner-up in each of the last three seasons. It has won just two of its last seven league games.

Having blown a lead against Brentford last week, it was even worse at a Wolves team that has won just one game all season.

Victory looked all but secured after Saka gave Arsenal the lead with a header in the fifth minute and Piero Hincapie ran through to blast in the second in the 56th.

But Wolves' fightback began with Hugo Bueno's curling shot into the top corner in the 61st.

The 19-year-old Edozie was sent on as a substitute in the 84th and his effort earned the home team only its 10th point of a campaign that looks certain to end in relegation.

While it did little for Wolves' chances of survival, it may have had a major impact at the top of the standings.

“Incredibly disappointed that we gave two points away,” Arteta said. "I think we need to fault ourselves and give credit to Wolves. But what we did in the second half was nowhere near our standards that we have to play in order to win a game in the Premier League.

“When you don’t perform you can get punished, and we got punished and we have to accept the hits because that can happen when you are on top."

Arsenal plays Tottenham on Sunday. Its lead could be cut to two points before it kicks off if City wins against Newcastle on Saturday.


Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
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Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)

Jannik Sinner powered past Alexei Popyrin in straight sets on Wednesday to reach the last eight of the Qatar Open and edge closer to a possible final meeting with Carlos Alcaraz.

The Italian, playing his first tournament since losing to Novak Djokovic in the Australian Open semi-finals last month, eased to a 6-3, 7-5 second-round win in Doha.

Sinner will play Jakub Mensik in Thursday's quarter-finals.

Australian world number 53 Popyrin battled gamely but failed to create a break-point opportunity against his clinical opponent.

Sinner dropped just three points on serve in an excellent first set which he took courtesy of a break in the sixth game.

Popyrin fought hard in the second but could not force a tie-break as Sinner broke to grab a 6-5 lead before confidently serving it out.

World number one Alcaraz takes on Frenchman Valentin Royer in his second-round match later.