Is José Mourinho’s Negativity a Product of His Failure as a Player?

 José Mourinho shows a wry smile on the touchline as he watches Manchester United’s goalless draw with Liverpool at Anfield. Photograph: Tom Jenkins for the Guardian
José Mourinho shows a wry smile on the touchline as he watches Manchester United’s goalless draw with Liverpool at Anfield. Photograph: Tom Jenkins for the Guardian
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Is José Mourinho’s Negativity a Product of His Failure as a Player?

 José Mourinho shows a wry smile on the touchline as he watches Manchester United’s goalless draw with Liverpool at Anfield. Photograph: Tom Jenkins for the Guardian
José Mourinho shows a wry smile on the touchline as he watches Manchester United’s goalless draw with Liverpool at Anfield. Photograph: Tom Jenkins for the Guardian

It is a sad indication of the recent state of Liverpool that over the past couple of weeks they have seemed more significant as a test case for others than in and of themselves. José Mourinho took his Manchester United side to Anfield and, as he waited and waited and waited for the game “to break”, the watching world waited and waited and waited for something vaguely resembling action to break out. It didn’t and the game finished 0-0. Given Liverpool’s vulnerabilities and given Manchester City’s remarkable form, that felt even at the time like two points needlessly squandered.

A week later it felt even more like two points handed away as Tottenham Hotspur ruthlessly exploited Liverpool’s defensive problems to win 4-1 at Wembley. It’s not quite comparing like with like, of course – it will always be harder for United at Anfield than for Tottenham playing at home, even at Wembley – but the comparison still seemed telling, the limitations of an approach that simply waits for a mistake exposed.

But it does raise the question of why, with Liverpool at such a low ebb, Mourinho should have been so negative. Ten years ago, the former Argentina striker Jorge Valdano proposed a solution. After another hard-to-watch Mourinho performance at Anfield, when Chelsea visited for the 2007 Champions League semi-final second leg, Valdano wrote his notorious article in Marca in which, contrasting the quality of the atmosphere to the quality of the game, he noted: “Put a shit hanging from a stick in the middle of this passionate, crazy stadium and there are people who will tell you it’s a work of art. It’s not: it’s a shit hanging from a stick.”

Understandably, it’s the shit on a stick line that is remembered today but the article goes on. “Neither Mourinho nor [the Liverpool manager that night, Rafa] Benítez made it as a player,” Valdano wrote. “That has made them channel all their vanity into coaching. Those who did not have the talent to make it as players do not believe in the talent of players, they do not believe in the ability to improvise in order to win football matches. In short, Benítez and Mourinho are exactly the kind of coaches that Benítez and Mourinho would have needed to have made it as players.”

Now, clearly, that isn’t universally true. There have been countless managers who have had little or no playing experience whose sides played thrilling football, from Arrigo Sacchi to Marcelo Bielsa to Julian Nagelsmann. Equally there have been plenty of managers with very fine playing careers whose coaching inclination has been to conservatism, from George Graham to Fabio Capello to Diego Simeone. There certainly isn’t any direct correlation between the sort of player a manager was and the sort of football his teams play.

But perhaps there is a truth in the case of Mourinho. It has been noted repeatedly through his career how often his celebrations ape those of players, whether by his knee slides, his animated touchline dash at Old Trafford as Porto manager, running arm outstretched and finger pointed after Inter had prevailed in the Champions League semi-final at the Camp Nou or jumping on Sergio Ramos’s back at Real Madrid. He seems always to have been combating the sense of himself as an outsider in the world of professional football. He hated, for instance, the way he was described by the former Barcelona president Josep Lluís Núñez and by the local media there as “The Translator”.

Or take the way at Porto he described the process of “talking to the media” as “part of the game”. “When I go to the press conference before a game, in my mind the game has already started,” he said. “When I go to a press conference after a game, the game hasn’t finished yet. Or if the game has finished, the next one has already started.” He is inserting himself into the action. He may not be on the pitch but he is participating: he is one of the players.

That sense of alienation can only have been enhanced when he was overlooked for the Barcelona job in 2008. (Although Mourinho has claimed recently he turned Barça down, that’s not the way directors of the time remember it. “He is,” as the former Barça vice-president Marc Ingla observed, “a bit poisoned by the fact he was rejected.”

If Mourinho could not be one of the players, he could at least control the players. He could create a structure, he could make clear it was about him, the player of players, rather than any individual on the pitch.

And yet compelling as the theory of Mourinho as a player manqué is, and that as a result he feels the need to master them at all times, this is not a straightforward case. Both at Real Madrid and at Chelsea, Mourinho was accused by players of not organising them enough in an attacking sense. He resolved defensive issues but did not, as Antonio Conte or Pep Guardiola do in different ways, structure attacks; he left the forwards to improvise – precisely what Valdano accused him of prohibiting. The issue, perhaps, is that Eden Hazard felt the combination of structure in one facet and non-structure in another left even the most creative ill-equipped to improvise.

It has become common to describe Mourinho as a pragmatist, as though his approach is a result of him doing what it takes to win a game with little thought to the spectacle. But the implication of Valdano’s theory is that his reactive approach is actually just as ideological as Guardiola’s, a product, yes, of his desire to win, but also of issues relating to psychology and background, with all the wrinkles and blind spots that may entail. And that, perhaps, is why he refused to take on Liverpool as Mauricio Pochettino did.

The Guardian Sport



Verona Prepares its Ancient Arena for the Olympics Closing Ceremony on Sunday

A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
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Verona Prepares its Ancient Arena for the Olympics Closing Ceremony on Sunday

A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)

A city forever associated with Romeo and Juliet, Verona will host the final act of the Milan Cortina Winter Olympics on Sunday inside the ancient Roman Arena, where some 1,500 athletes will celebrate their feats against a backdrop of Italian music and dance.

Acclaimed ballet dancer Roberto Bolle has been rehearsing for the closing ceremony inside the Arena di Verona this week under a veil of secrecy, along with some 350 volunteers, for a spectacle titled “Beauty in Motion," which frames beauty as something inherently dynamic.

“Beauty cannot be fixed in time. This ancient monument is beautiful if it is alive, if it continues to change,” said the ceremony's producer, Alfredo Accatino. “This is what we want to narrate: An Italy that is changing, and also the beauty of movement, the beauty of sport and the beauty of nature."

Other headlining Italian artists include singer Achille Lauro and DJ Gabry Ponte, whose hits could be heard blasting from the Arena during rehearsals this week.

Inside a tent serving as a dressing room, seamstresses put the finishing touches on costumes inspired by the opera world as volunteers prepped for the stage, The Associated Press reported.

“It’s really special to be inside the Arena,” said Matilde Ricchiuto, a student from a local dance school. "Usually, I am there as a spectator and now I get to be a star, I would say. I feel super special.”

The Arena has been a venue for popular entertainment since it was first built in 1 A.D., predating the larger Roman Colosseum by decades. Accatino said the ancient monument will produce some surprises from within its vast tunnels.

“Under the Arena there is a mysterious world that hides everything that has happened. At a certain point, this world will come out," Accatino said, promising “something very beautiful."

The ceremony will open with athletes parading triumphantly through Piazza Bra into the Arena, which once served as a stage for gladiator fights and hunts for exotic beasts.

The closing ceremony stage was inspired by a drop of water, meant to symbolically unite the Olympic mountain venues with the Po River Valley, where Milan and Verona are located, while serving as a reminder that the Winter Games are being reshaped by climate change.

While the opening ceremony was held in Milan, the other host city, Cortina d’Ampezzo, nestled in the Dolomite mountains, was considered too small and remote to host the closing ceremony. Verona, in the same Veneto region as Cortina, was chosen for its unique venue and relatively central location, said Maria Laura Iascone, the local organizing committee's head of ceremonies.

“Only Italians can use such monuments to do special events, so this is very unique, very rare," Iascone said of the Arena.

She promised a more intimate evening than the opening ceremony in Milan's San Siro soccer stadium, with about 12,000 people attending the closing compared with more than 60,000 for the opening.

Iascone said about 1,500 of the nearly 3,000 athletes participating in the most spread-out Winter Games in Olympic history are expected to drive a little over an hour from Milan and between two and four hours from the six mountain venues.

The ceremony will close with the Olympic flame being extinguished. A light show will substitute fireworks, which are not allowed in Verona to protect animals from being disturbed.

The Verona Arena will also be the venue for the Paralympic opening ceremony on March 6. For the ceremonies, the ancient Arena has been retrofitted with new wheelchair ramps and accessible restrooms along with other safety upgrades. The six Paralympic events will be held in Milan and Cortina until March 15.


Arsenal Blows 2-goal Lead at Wolves to Boost Man City's Premier League Title Chances

Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026  Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026 Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
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Arsenal Blows 2-goal Lead at Wolves to Boost Man City's Premier League Title Chances

Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026  Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026 Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn

Arsenal blew a two-goal lead at last-place Wolves on Wednesday to give a huge boost to Manchester City in the race for the Premier League title.

The league leader was held to a surprise 2-2 draw at Molineux, having led 2-0 in the second half.

Teenage debutant Tom Edozie scored in the fourth minute of added time to complete Wolves' comeback.

“There was a big difference in how we played in the first half and the second half. We dropped our standards and we got punished for it,” Arsenal forward Bukayo Saka told the BBC.

The draw means Arsenal has dropped points in back-to-back games and leaves it just five ahead of second-place City, having played a game more.

With the top two still to play each other at City's Etihad Stadium, the title race is too close to call.

“(It's) time to focus on ourselves, improve our standards and improve our performances and it is in our control,” Saka said.

Arsenal has led the way for the majority of the season and one bookmaker paid out on Mikel Arteta's team winning the title after it opened up a nine-point lead earlier this month.

But Wednesday's result was the latest sign that it is feeling the pressure, having finished runner-up in each of the last three seasons. It has won just two of its last seven league games.

Having blown a lead against Brentford last week, it was even worse at a Wolves team that has won just one game all season.

Victory looked all but secured after Saka gave Arsenal the lead with a header in the fifth minute and Piero Hincapie ran through to blast in the second in the 56th.

But Wolves' fightback began with Hugo Bueno's curling shot into the top corner in the 61st.

The 19-year-old Edozie was sent on as a substitute in the 84th and his effort earned the home team only its 10th point of a campaign that looks certain to end in relegation.

While it did little for Wolves' chances of survival, it may have had a major impact at the top of the standings.

“Incredibly disappointed that we gave two points away,” Arteta said. "I think we need to fault ourselves and give credit to Wolves. But what we did in the second half was nowhere near our standards that we have to play in order to win a game in the Premier League.

“When you don’t perform you can get punished, and we got punished and we have to accept the hits because that can happen when you are on top."

Arsenal plays Tottenham on Sunday. Its lead could be cut to two points before it kicks off if City wins against Newcastle on Saturday.


Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
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Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)

Jannik Sinner powered past Alexei Popyrin in straight sets on Wednesday to reach the last eight of the Qatar Open and edge closer to a possible final meeting with Carlos Alcaraz.

The Italian, playing his first tournament since losing to Novak Djokovic in the Australian Open semi-finals last month, eased to a 6-3, 7-5 second-round win in Doha.

Sinner will play Jakub Mensik in Thursday's quarter-finals.

Australian world number 53 Popyrin battled gamely but failed to create a break-point opportunity against his clinical opponent.

Sinner dropped just three points on serve in an excellent first set which he took courtesy of a break in the sixth game.

Popyrin fought hard in the second but could not force a tie-break as Sinner broke to grab a 6-5 lead before confidently serving it out.

World number one Alcaraz takes on Frenchman Valentin Royer in his second-round match later.