World’s Only Winston Churchill Bookshop

Barry Singer has run Chartwell Booksellers in Midtown Manhattan for 34 years.Edu Bayer for The New York Times
Barry Singer has run Chartwell Booksellers in Midtown Manhattan for 34 years.Edu Bayer for The New York Times
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World’s Only Winston Churchill Bookshop

Barry Singer has run Chartwell Booksellers in Midtown Manhattan for 34 years.Edu Bayer for The New York Times
Barry Singer has run Chartwell Booksellers in Midtown Manhattan for 34 years.Edu Bayer for The New York Times

The call came down last week to Barry Singer, 60, owner of Chartwell Booksellers in Midtown Manhattan — “The World’s Only Winston Churchill Bookshop” — from an executive upstairs in urgent need of a Churchill coffee mug.

The mug request had Mr. Singer stumped. He told the caller to hold and disappeared into the rear of the store, a stately refuge of red carpet and carved oak book cabinets tucked in the public atrium of the Park Avenue Plaza between 52nd and 53rd Streets.

In his 34 years running the shop, Mr. Singer has sold Churchill’s polo jodhpurs, signed portraits, and even Churchill’s discarded cigar stubs ($1,500 apiece).

But mainly, he is a bookseller. At the moment he was shipping a copy of Churchill’s “My Early Life” ($1,500), as well as a portrait that had been signed by the former British prime minister during World War II ($11,000).

The shop has had a good year, with the British statesman being portrayed in two recent films, “Churchill” and “Darkest Hour,” as well as in the Netflix series, “The Crown.” The store itself was even featured as a setting recently in the Showtime series “Billions.” But the holiday rush was providing some new challenges for Mr. Singer.

Churchill died in 1965 at age 90, leaving an output of more than 40 titles and volumes that have been reprinted in some 8,000 different editions by now.

There are also roughly 800 books about Churchill, said Mr. Singer, who added that he’s had a copy of all of them in the store at some point. His inventory ranges from a $10 paperback of “Churchill on Europe” to a 1906 first-edition softcover of “For Free Trade,” written by the man himself, and stored in a safe at the shop. It goes for a “negotiable” $185,000, Mr. Singer said.

Rare editions of every title Churchill authored can be glimpsed on five shelves locked behind glass doors in the rear of the store: from a first edition of “The Story of the Malakand Field Force” ($5,500), to a signed volume of one of his final works, “A History of the English Speaking Peoples” ($6,500).

The shop has hung on as one of the last independent bookstores in Midtown Manhattan partly because of Mr. Singer’s own Churchillian tenaciousness, and also because the skyscraper’s owners, the Fisher Brothers, have long extended a “favorable” financial arrangement to Mr. Singer, he said.

“They have a certain affection for the shop,” said Mr. Singer, who, throughout the years, has certainly leveraged the spell that Churchill casts over certain rich and powerful men who admire his resolve and leadership.

For example, following the terrorist attacks of September 11, 2001, Mayor Rudolph W. Giuliani bought copies of John Lukacs’ “Five Days in London: May, 1940” to lean on, Mr. Singer said.

Caspar Weinberger, while serving as secretary of defense under President Ronald Reagan, bought a pile of books and told Mr. Singer to send the bill to the Pentagon, Mr. Singer said.

Mr. Singer hails from Passaic, N.J. and attended Columbia University. He is the author of several books himself, and as a freelance journalist, has written for publications like The New York Times.

His 2012 book, “Churchill Style: The Art of Being Winston Churchill” is on prominent display in the shop for $25, with signed first editions priced at $50.

Mr. Singer said he had little interest in Churchill 35 years ago when he met Richard Fisher, a real estate mogul with an English degree and a desire to put a bookstore in the lobby of his Park Avenue skyscraper.

Mr. Fisher named the shop after Chartwell, Churchill’s country home in Kent, England, but the store wasn’t devoted to Churchill, at first.

Sales in the early days were slow, so Mr. Singer began printing up weekly newsletters highlighing various hardcovers, and sending them to the high-powered finance firms in the building. One week, he mentioned a few Churchill books he had acquired, which caught the eye of the financier Saul Steinberg, the corporate raider.

Mr. Steinberg’s secretary called down to Mr. Singer requesting “a complete set of everything Churchill ever wrote, first edition and bound in leather,” Mr. Singer said.

Mr. Singer wound up charging Mr. Steinberg $100,000 for the set, half of which was for a rare copy of Churchill’s “Mr. Brodrick’s Army.”

“He got a bargain — it’s worth more now,” said Mr. Singer, who after his first year open, switched to a Churchill theme.

Mr. Steinberg kept the set in his 34-room Park Avenue triplex and held on to it for emotional support, Mr. Singer said, even when his losses forced him to sell off many other assets.

Mr. Singer reappeared from his office with a Churchill coffee mug, his personal keepsake, grabbed from his desk.

“I have one for you,” he told the executive on the phone, a regular customer. “On the house.”

The New York Times



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”