Pablo Escobar…from Drug Lord to Saint in Colombia

A sign comparing Pablo Escobar, left, with FARC leader and chief negotiator Ivan Marquez in Medellin, April 15, 2013. REUTERS/Albeiro Lopera
A sign comparing Pablo Escobar, left, with FARC leader and chief negotiator Ivan Marquez in Medellin, April 15, 2013. REUTERS/Albeiro Lopera
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Pablo Escobar…from Drug Lord to Saint in Colombia

A sign comparing Pablo Escobar, left, with FARC leader and chief negotiator Ivan Marquez in Medellin, April 15, 2013. REUTERS/Albeiro Lopera
A sign comparing Pablo Escobar, left, with FARC leader and chief negotiator Ivan Marquez in Medellin, April 15, 2013. REUTERS/Albeiro Lopera

Three decades ago, Maria Ines Suarez was living in a neighborhood that residents of the Colombian city of Medellin knew as "the rubbish dump."

The 68-year-old woman recalls: “I shared a one-room shack with my five children. We washed in a well and used candles for light. We rummaged through garbage for food.”

According to a report published by the German news agency (dpa), the retired domestic worker now lives in a comfortable house in a neighborhood created by and named after her benefactor, the late drug lord Pablo Escobar, one of the most violent criminals in history, whom local residents revere almost as a saint.

"Many people keep his picture in their homes and light candles for him," Yamile Zapata says at her hairdressing salon near an outdoor wall painting paying tribute to Escobar.

The Drug Lord had donated houses to about 400 poor families in the area while trying to launch a political career in the 1980s.

Twenty-four years after "the Boss" was gunned down by police, or, as many believe in Medellin, shot himself in the ear while being besieged on a rooftop, at age 44, his figure still seems omnipresent in Colombia's second-largest city.

"His hitmen killed my uncle. He did nothing good, only made poor children dream of having a gun and a motorbike, instead of wanting to study," said Sebastian Lopez, a tourism company employee.

Many people in Medellin tell stories about relatives or acquaintances who associated with or were killed by the Medellin cartel headed by Escobar.

He dominated cocaine trade to the United States and earned him a fortune worth tens of billions of dollars.

He bombed a plane he mistakenly believed to carry another presidential candidate in 1989, blew up secret police headquarters and nearly toppled the government through assassinations, bribes and bombings aimed at intimidating it into submission.

Many houses in Medellin are still believed to hide Escobar's drug money inside their walls.

Interest in Escobar has only been increased by local Colombian television series and hit Netflix show "Narcos."

About half a dozen tourism operators now taking dozens of visitors to see places associated with the drug lord almost daily.

The sights include a white multi-storey building called Monaco, one of Escobar's residences, which was once bombed by the rival Cali drug cartel. The local authorities have left the building in police custody, unsure what to do with it.

Further away, on a green hillside where Escobar built a luxury prison for himself, residents of an elderly people's home that now operates there stroll in the garden.

The "prison" grounds contain a helicopter pad, a building where Colombia's top football teams came to play for Escobar, and a chapel with a statue of the crucified Christ surrounded by golden guns.

"The administrators here pretend the statue was brought in by local priests, because they don't want the place to be associated with Pablo Escobar," a tourism guide says.

Escobar's grave at the Montesacro cemetery has meanwhile become a site of pilgrimage. "People come here daily to pray and ask him for help," says Federico Arrollave, a cemetery employee known as "the angel" guarding the grave covered with flowers.

"Pablo is making more money dead than alive" for Medellin through the tourism industry, jokes Escobar's brother Roberto Escobar, who served 14 years in prison and now runs a museum in one of Pablo's former houses.

Museum employees refer to the drug lord respectfully as "Don Pablo," to his hitmen as "the boys," describe him as a Robin Hood who dished out money to the poor, and even claim that he "wanted to finish with corruption."

Medellin Mayor Federico Gutierrez is anything but pleased with the tourism industry booming around Escobar in the city taking pride in its Metro train and environmental policies.

He issued a public letter criticizing a Panama travel agency for advertising "narco tours" in 2016 and lashed out at U.S. Rapper Wiz Khalifa, who visited the grave in Montesacro in March.

"One really notices how this guy has not had to suffer from the violence of these drug traffickers. This shameless man, instead of taking flowers to Pablo Escobar, should have taken flowers to the victims, and owes an apology to the city," Gutierrez said.

Cocaine trafficking continues in Colombia, where the surface of illegal coca fields increased by up to 50% to up to 150,000 hectares in 2016, according to the newspaper El Tiempo.

The growth has continued despite a peace deal that the government signed in November 2016 with the guerrilla movement FARC, which was involved in the drug trade.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”