Houses of Poetry Sprout across Gulf Countries

Head of Kuwaiti house of poetry Abdullah al-Failakawi, Kuwaiti Writers National Association Chief Talal Saad Al-Rumaydi, Sharjah House of Poetry Director Abdullah al-Buraiki, Asharq Al-Awsat
Head of Kuwaiti house of poetry Abdullah al-Failakawi, Kuwaiti Writers National Association Chief Talal Saad Al-Rumaydi, Sharjah House of Poetry Director Abdullah al-Buraiki, Asharq Al-Awsat
TT

Houses of Poetry Sprout across Gulf Countries

Head of Kuwaiti house of poetry Abdullah al-Failakawi, Kuwaiti Writers National Association Chief Talal Saad Al-Rumaydi, Sharjah House of Poetry Director Abdullah al-Buraiki, Asharq Al-Awsat
Head of Kuwaiti house of poetry Abdullah al-Failakawi, Kuwaiti Writers National Association Chief Talal Saad Al-Rumaydi, Sharjah House of Poetry Director Abdullah al-Buraiki, Asharq Al-Awsat

In the wake of modern literature, literary critic and Cairo University professor Gaber Asfour deemed the outburst of contemporary novels to have subdued the field of Arabic literature, an opinion which did not sit well with old-fashioned Diwan poets.

Poets have mobilized to bring back to life the vibrant culture of Diwan poetry, giving birth to a ‘houses of poetry’ movement.

Traditionally, Diwan stands for a collection of poems produced by one author and are usually are recited in gatherings.

Subsequently, houses of poetry are devoted to organize regular evenings and seminars to revive Diwan poems as folklore and consolidate support for the works of composers.

This phenomenon spread in more than one Gulf country, and in many Arab countries. A group of poets officially announced establishing a houses of poetry headed by poet Abdullah al-Failakawi and in cooperation with the national literary association.

Speaking to Asharq Al- Awsat, Failakawi said he believes that houses of poetry should surge all over the Arab world.

Diwans reflect the respective Arab capitals they are produced in and interact with its issues and relationships with other fellow Arab capitals, Failakawi explained in his defense of the traditional Diwan going up against modern literature.

Giving an example on the sociocultural benefits of the movement, Failakawi said that the Kuwaiti house of poetry is home to a constellation of Kuwaiti poets and residents who create and interact with the community.

“Poets are the messengers of beauty and the makers of public conscience,” added Failakawi.

Putting it simply, the Kuwaiti poet said that “if you want to change the actions of a people, first change their feelings.”

“And if you want to change their feelings, then let them express their conscience,” he added.

“Our vision is to create an Arab poetry renaissance which is launched from Kuwait. In order to achieve this, we will allow all forms and schools of Arabic poetry to interact with each other.”

“Each team will listen to the versifiers of the other team and exchange criticism and expertise.”

The National Association of Kuwaiti Writers is the vessel on which the house of poetry floats.

"Poetry still has its great place…. We in the association are proud of them (renowned and traditional Arab poets) and their son very much—and poetry in Kuwait has a long and documented history and literature to its record,” Kuwaiti Writers National Association Chief Talal Saad Al-Rumaydi said.

“The Kuwaiti Literary Association Board of Directors have taken into consideration that poets should have a special forum dedicated to looking after and celebrating their new and old achievements—upon that, it decided on establishing and empowering the Kuwaiti House of Poetry in Kuwait,” Rumaydi added.

"Sheikh Dr. Sultan bin Muhammad Al Qasimi, Member of the Supreme Council and Ruler of Sharjah, has expressed his belief in the importance of Arabic poetry and its active role in the cultural and humanistic movement," Emirati poet and Sharjah House of Poetry Director Abdullah al-Buraiki said.

Buraiki says that the Sharjah house of poetry embraces all poetry trends both in its classical and modernist genres.

He said that most activities center on drawing on the experiences of all creative poets without exception, and promoting their work through Arab cultural and artistic production and exchange.

Buraiki said that the body he heads is committed to a set of main objectives—among these goals is: rooting the role of poetry and poets in cultural movements and society, communicating the voice of poetry to all social sectors, documenting local, Gulf and Arabic poetry movement, as well as supporting poets and encouraging them financially and morally.



Greece's 'Instagram Island' Santorini nears Saturation Point

Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP
Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP
TT

Greece's 'Instagram Island' Santorini nears Saturation Point

Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP
Tourists queue as they wait to take a picture from one of the balconies. Aris Oikonomou / AFP

One of the most enduring images of Greece's summer travel brand is the world-famous sunset on Santorini Island, framed by sea-blue church domes on a jagged cliff high above a volcanic caldera.
This scene has inspired millions of fridge magnets, posters, and souvenirs -- and now the queue to reach the viewing spot in the clifftop village of Oia can take more than 20 minutes, said AFP.
Santorini is a key stopover of the Greek cruise experience. But with parts of the island nearing saturation, officials are considering restrictions.
Of the record 32.7 million people who visited Greece last year, around 3.4 million, or one in 10, went to the island of just 15,500 residents.
"We need to set limits if we don't want to sink under overtourism," Santorini mayor Nikos Zorzos told AFP.
"There must not be a single extra bed... whether in the large hotels or Airbnb rentals."
As the sun set behind the horizon in Oia, thousands raised their phones to the sky to capture the moment, followed by scattered applause.
For canny entrepreneurs, the Cycladic island's famous sunset can be a cash cow.
One company advertised more than 50 "flying dresses", which have long flowing trains, for up to 370 euros ($401), on posters around Oia for anyone who wishes to "feel like a Greek goddess" or spruce up selfies.
'Respect Oia'
But elsewhere in Oia's narrow streets, residents have put up signs urging visitors to respect their home.
"RESPECT... It's your holiday... but it's our home," read a purple sign from the Save Oia group.
Shaped by a volcanic eruption 3,600 years ago, Santorini's landscape is "unique", the mayor said, and "should not be harmed by new infrastructure".
Around a fifth of the island is currently occupied by buildings.
At the edge of the cliff, a myriad of swimming pools and jacuzzis highlight Santorini is also a pricey destination.
In 2023, 800 cruise ships brought some 1.3 million passengers, according to the Hellenic Ports Association.
Cruise ships "do a lot of harm to the island", said Chantal Metakides, a Belgian resident of Santorini for 26 years.
"When there are eight or nine ships pumping out smoke, you can see the layer of pollution in the caldera," she said.
Cruise ship limits
In June, Prime Minister Kyriakos Mitsotakis floated the possibility of capping cruise ship arrivals to Greece's most popular islands.
"I think we'll do it next year," he told Bloomberg, noting that Santorini and tourist magnet Mykonos "are clearly suffering".
"There are people spending a lot of money to be on Santorini and they don’t want the island to be swamped," said the pro-business conservative leader, who was re-elected to a second four-year term last year.
In an AFP interview, Tourism Minister Olga Kefalogianni echoed this sentiment and said: "We must set quotas because it's impossible for an island such as Santorini... to have five cruise ships arriving at the same time."
Local officials have set a limit of 8,000 cruise boat passengers per day from next year.
But not all local operators agree.
Antonis Pagonis, head of Santorini's hoteliers association, believes better visitor flow management is part of the solution.
"It is not possible to have (on) a Monday, for example, 20 to 25,000 guests from the cruise ships, and the next day zero," he said.
Pagonis also argued that most of the congestion only affects parts of the island like the capital, Fira.
In the south of the island, the volcanic sand beaches are less crowded, even though it is high season in July.
'I'm in Türkiye
The modern tourism industry has also changed visitor behavior.
"I listened (to) people making a FaceTime call with the family, saying 'I'm in Türkiye," smiled tourist guide Kostas Sakavaras.
"They think that the church over there is a mosque because yesterday they were in Türkiye."
The veteran guide said the average tourist coming to the island has changed.
"Instagram has defined the way people choose the places to visit," he said, explaining everybody wants the perfect Instagram photo to confirm their expectations.