Renowned Lebanese Novelist Emily Nasrallah Dies at 87

Late Lebanese novelist and women's rights activist Emily Nasrallah. (NNA)
Late Lebanese novelist and women's rights activist Emily Nasrallah. (NNA)
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Renowned Lebanese Novelist Emily Nasrallah Dies at 87

Late Lebanese novelist and women's rights activist Emily Nasrallah. (NNA)
Late Lebanese novelist and women's rights activist Emily Nasrallah. (NNA)

Prominent Lebanese novelist Emily Nasrallah passed away on Wednesday at the age of 87.

A women’s rights activist and distinguished author of novels, children's books and short stories, Nasrallah focused her writing on themes of family, village life and emigration, as well identity and the lasting effects of Lebanon's 15-year civil war.

A mother of four, Nasrallah grew up in the southern Lebanese town of Kfeir before moving to Beirut, where she took up journalism and gained quick acclaim for her literary talents.

She published her first novel, "Birds of September", in 1962 shortly after graduating from the American University of Beirut with a degree in education and literature.

The book earned her three Arabic literary prizes and kick-started an influential career that spanned decades of political tumult in Lebanon. Several of her works have been translated into English and French.

Her latest book, published just this week and entitled "The Beautiful Times", is a journey through Lebanon in the 1950s that includes encounters with leading women and activists.

"We are sad that we have lost Emily Nasrallah, the person and the writer," Emile Tyan, chairman of al-Dar publishing house, told AFP.

"There cannot be a distinction between Emily the writer and the intelligent, literate, calm and powerful person that she was."

Tyan said that Nasrallah, a pillar of his Beirut-based publishing house, "represented a beautiful period with her literature, culture, ethics, thought, and her connection to her homeland and its roots".

In her best-known children's book "What happened to Zeeko", Nasrallah depicts the impact of Lebanon's 1975-1990 civil war through the eyes of a cat in Beirut abandoned by its family.

In February, Lebanese President Michel Aoun honored Nasrallah with the Commander of the National Order of the Cedar award in recognition of her literary achievements.

“With her passing, Lebanese literature lost one of its main pillars that has long embodied human values and attachment to the earth, nation and identity. Lebanon, however, will hold Nasrallah in high regard as pioneer that will remain in memories for generations to come,” he said on Wednesday.

"Today, Lebanon and the Arab world have lost a... literary icon, a (symbol) of Lebanese creativity, and a women's rights activist who added intellectual value to our country," Prime Minister Saad Hariri wrote on Twitter.

Culture Minister Ghattas Khoury said that Lebanon has lost "an important female face".

In a television interview two years ago, Nasrallah was humble about her literary talents.

"I do not claim that my language is superior," she said. "I like to write in simple language that is true and strong."

She will be laid to rest in the eastern city of Zahle on Thursday.



Götz Valien: The Last Dinosaur in the Movie Poster Industry

Götz Valien (Getty)
Götz Valien (Getty)
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Götz Valien: The Last Dinosaur in the Movie Poster Industry

Götz Valien (Getty)
Götz Valien (Getty)

In a digital age, Götz Valien is Berlin’s last movie poster artist, producing giant hand-painted film adverts.

For more than three decades, Austrian-born Valien, 65, earns a modest living producing film posters to hang at the city’s most beloved historic cinemas, a craft he says will probably die with him, at least in western Europe.

He adds a distinctive pop art flourish to each image coupled with the beauty of imperfection, part of the reason he has managed to extend his career well into the 21st century, according to an article published by The Guardian.

“Advertising is about drawing attention and I add the human touch, which is why it works,” he told the newspaper.

Valien’s work plays up the image’s essence: the imposing bow of a ship, the haunting eyes of a screen siren, a mysterious smile. He jokingly calls himself a Kinosaurier – a play on the German words for cinema and dinosaur.

His nearly-7x9-meter canvases long-graced the “film palaces” of the German capital, including the majestic Delphi in the west and the socialist modernist masterpiece Kino International on Karl Marx Allee in the east.

But the former’s adverts finally went digital in 2024, while the latter is closed for a years-long, top-to-bottom revamp. Dozens of independent cinemas among his clients have simply gone out of business.

The century-old Filmtheater am Friedrichshain (FaF) is the last movie theater in Berlin still employing Valien to tout its new releases, with his large-format posters covering its facade and interior walls around the ticket-and-popcorn counter.

Movie posters have existed as long as the nearly 130-year-old film industry.

But these days, few releases stay long enough in cinemas to justify bespoke art to advertise them, communications studies professor Patrick Rössler of the University of Erfurt, who has studied the history of film posters, told local media. And most independent cinemas don’t have the profit margins to afford them, even at what Valien calls his bargain-basement prices.