Underground Railroad Refuge for Hundreds of Slaves Discovered in Philadelphia

William Still's house in Philadelphia. (The Washington Post)
William Still's house in Philadelphia. (The Washington Post)
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Underground Railroad Refuge for Hundreds of Slaves Discovered in Philadelphia

William Still's house in Philadelphia. (The Washington Post)
William Still's house in Philadelphia. (The Washington Post)

"There are three fugitive slaves here and they want liberty" was the message delivered to William Still, directing him to a Philadelphia hotel on a moment's notice. The letter was undated, the signature illegible. But Still understood.

It was 1855, and Still, the son of freed slaves, had become one of Philadelphia's most prominent abolitionists and a leader of the Underground Railroad, a network of secret locations where slaves could find shelter on the journey north. The slaves at Bloodgood's Hotel were Jane Johnson and her two boys. They were with their master, who had taken them on a trip through Philadelphia to New York. Momentarily out of the watchful eye of the slave-holder, Johnson whispered to a black waiter that she was a slave - and she wanted her freedom.

Still was on his way to give it to her.

Still and a fellow abolitionist, a white man named Passmore Williamson, arrived just in time to see Johnson and the children leaving the hotel and boarding a steamboat bound for New York at a nearby dock. Still and Williamson rushed the deck, telling Johnson in the presence of the slaver that in this state, she was a free woman. To break the bonds of slavery, all she had to do was come with them.

"Remember," the abolitionists told her, as Still recounted in his self-published book, "if you lose this chance you may never get such another."

Johnson took it. While Williamson engaged the slaveholder in an escalating argument, Still hurried Johnson and the children off the boat and into a waiting carriage, actions that would soon get Still arrested and make him a nationally known hero in newspapers across the country.

As he had done for hundreds of slaves seeking freedom, he provided Johnson and her boys refuge at his home, a place that, as one biographer later described it, "had become known as a safe and convenient station on the line of the northward march": The Underground Railroad.

Now, more than 150 years later, Philadelphia preservationists believe they have finally discovered exactly where that home stands.

This month, the Philadelphia Historical Commission unanimously voted to designate the 19th century row house where Still lived and where he harbored hundreds of slaves from 1850 to 1855 as a site on the Philadelphia Register of Historic Places, protecting it from demolition or serious alteration. The protection, the preservationists said, is important in a city whose limited African American historic markers are more akin to "tombstones," left at sites where the original buildings no longer exist. One such marker exists for Still, in fact, outside a home the preservationists claim is not the original structure.

"From my perspective, it's a huge discovery," Jim Duffin, one of the preservationists, told The Washington Post. "The hardest problem of trying to retrieve the story of the Underground Railroad is finding documentation that the sites existed. This is one of the incredibly rare opportunities where we absolutely know that this site had a connection to the Underground Railroad because of its connection to Still."

An 1850s dressmaking advertisement is what led Duffin to the location of Still's home.

The problem with mid-19th century property records, he said, was that they identified the street on which Still lived - but didn't give an exact house number.

"I was ready to give up," Duffin said, having scoured 19th-century maps and city records. "Then I came across a newspaper ad from his wife."

Still's wife, Letitia, was a dressmaker. In an 1851 advertisement for dresses "done in the best manner by Letitia Still," she described exactly where on Ronaldson Street customers - and ultimately Duffin - could find her.

Despite remodeling of the house over the years, "the powerful sense of connection with the past that comes from a specific historic site such as this is of vital importance," Lonnie G. Bunch, director of the Smithsonian National Museum of African American History and Culture, said in a letter of support for the site's nomination.

Today, the house stands three stories with a tan-colored brick facade and a drab, windowless roughcast brick on its side, the first rowhouse in a sequence of three along a narrow street. A Whole Foods, Starbucks and a couple of art galleries adorn the block and surrounding area where Still once lived, a neighborhood he described in the 1850s as predominantly African American, instead with furniture stores and stove stores and "one confectionary." Still's house on Ronaldson Street - now South Delhi Street - was last remodeled in 1920, according to records, when the tan-colored bricks replaced red ones.

But the front marble steps, said Oscar Beisert, the preservationist who first organized the team to track down Still's home, appear to be original.

"When people look at those steps," Beisert told The Post, "they see the steps where those fugitives stood when they knocked on that door."

In 1872, Still published hundreds of stories of those fugitives in a book aptly titled "The Underground Railroad," among the most comprehensive first-person accounts of the Underground Railroad ever written.

It includes the story of Jane Johnson and how, at Still's and Williamson's trial for kidnapping her, Johnson showed up to testify - considered extremely rare at the time - that she desired to escape and seek freedom, allowing Still to be acquitted. It includes stories of slaves who escaped their masters by packing themselves into a small box or a wooden chest, then being shipped on a steamboat up the coast to the Philadelphia. He writes of slaves who hid in a cave for months after escaping from jail and being shot by slave-catchers while running through the woods and of a slave who had come to Still at Harriet Tubman's urging after he was imprisoned for 10 years for possessing a copy of "Uncle Tom's Cabin."

And he writes of a slave who, Still would discover, was his own long-lost brother.

Although Still grew up free on a New Jersey farm as the youngest of 18 children, he had two brothers he only knew of through stories. While Still's father had toiled for years to pay for his freedom, Still's mother had to escape - twice. The second time, she faced a Sophie's choice: She had four children - two baby daughters and two older sons, Peter and Levin - and she would not be able to take all of them with her.

"The sorrowful night came," Still's biographer wrote of his mother's escape in 1872. "Nerved for the hour and the solemn occasion, she rushed to the little straw bed on which her four were sleeping, kissed her boys farewell without waking them, clasped the two little girls in her strong, true arms, bade her mother good-bye, and trusting in God, began again the perilous march for freedom."

Before Still was even 18, he would help a runaway slave he found in the woods do the same, escorting him down an untraveled path for 20 miles and delivering him to safety, away from his master.

A decade later, after moving to Philadelphia, Still had worked his way up from a clerk at the Pennsylvania Anti-Slavery Society to overseeing its Underground Railroad operations. Not even a year on the job, he would finally meet his brother Peter for the first time.

One day while Still was busy mailing out the weekly abolitionist newspaper, Philadelphia Freeman, an acquaintance came in and introduced Still to a stranger who said he had escaped slavery, and now was trying to find his parents. He gave their names, and told the same story Still's mother had been telling for the past 40 years.

"By this time I was simply thunderstruck, so to speak," Still wrote in his own account. "I had to summon all my powers of control in the presence of the stranger, so fully was I convinced by this time that he was one of my long-lost brothers."

The "marvelous coincidence," Still wrote in "The Underground Railroad," is what ultimately convinced him to begin keeping meticulous records of every fugitive slave who arrived at his door, in hopes that perhaps the records may one day help other long-lost family members to find each other.

The risk of keeping the records in the age of the Fugitive Slave Act, he reasoned, paled in comparison to the importance of keeping them for history's sake.

"While the grand little army of abolitionists was waging its untiring warfare for freedom, prior to the rebellion, no agency encouraged them like the heroism of fugitives," he wrote. "The pulse of the four millions of slaves and their desire for freedom were better felt through 'The Underground Railroad' than through any other channel.

"These facts must never be lost sight of."

The Washington Post



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”