'The Man Who Stole Banksy' Tells Middle East Street Art Tale

A child in Beit Hanoun walks past a mural February 2015 that depicts children using an Israeli tower as a swing ride. (Getty Images)
A child in Beit Hanoun walks past a mural February 2015 that depicts children using an Israeli tower as a swing ride. (Getty Images)
TT

'The Man Who Stole Banksy' Tells Middle East Street Art Tale

A child in Beit Hanoun walks past a mural February 2015 that depicts children using an Israeli tower as a swing ride. (Getty Images)
A child in Beit Hanoun walks past a mural February 2015 that depicts children using an Israeli tower as a swing ride. (Getty Images)

“The Man Who Stole Banksy,” a street art documentary that will premiere at New York’s Tribeca Film Festival on Friday, spins a tale that mixes would-be art-world avarice with Middle East politics.

But the film about the removal and sale of a graffiti work on a concrete wall by anonymous British street artist Banksy in Bethlehem also serves to put a human face on an area beset by violence, said director Marco Proserpio, according to a Reuters report on Friday.

“Most of the things I have seen about Palestine was picturing them as victims – not just victims but not human beings,” the 33-year-old Italian filmmaker told Reuters.

“It’s not the common story you tell about Palestine,” he added. “The Banksy artwork was the right occasion to picture them as human beings.”

Banksy, who works in secret and whose artwork has fetched six-figure sums at auction, traveled to Bethlehem in the occupied West Bank in 2007 and painted six images in the birthplace of Jesus.

The film focuses on one work - a black spray-painted donkey whose documents are checked by an Israeli soldier in an ironic twist on the Jewish state’s strict security - and how one day it went missing from its concrete wall.

A main player Proserpio encounters is taxi driver and amateur bodybuilder Walid the Beast, who with the help of a well-off local businessman has the work removed and listed on eBay for $100,000.

A Danish collector buys the work but has so far been unable to resell it, and it now sits in European storage as a commodity, removed from its original context of the Israeli-Palestinian conflict.

“I wanted to investigate the different consequences of this action,” Proserpio said.

The film, narrated by punk rocker Iggy Pop, dives into questions of ownership, theft and the sale of street art, whose creators may never see a penny when their public displays are taken into private hands, said Reuters.

While Banksy’s works are public sensations in Europe and the United States, the film shows ambivalence among many in Bethlehem.

Older residents are insulted by the implication they are donkeys, which is like calling someone an idiot in Palestinian society.

At one point, Walid declares, “Banksy can’t change anything.”

But the documentary shows the effect on younger Palestinians, who understand the attention and power street art can give to individual expression amid the ongoing conflict.

It is, in fact, a universal story, Proserpio believes.

“It’s a primal need to write on walls to communicate with the people around you,” he said.



Iraq Counts Cost of Stray Bullets Fired in Anger or Joy 

The father holds up the x-ray of Muhammad Akram, 4-years-old, who was injured by a random gunshot in his home in a village in the Yusufiya not far from Baghdad on May 20, 2024. (AFP)
The father holds up the x-ray of Muhammad Akram, 4-years-old, who was injured by a random gunshot in his home in a village in the Yusufiya not far from Baghdad on May 20, 2024. (AFP)
TT

Iraq Counts Cost of Stray Bullets Fired in Anger or Joy 

The father holds up the x-ray of Muhammad Akram, 4-years-old, who was injured by a random gunshot in his home in a village in the Yusufiya not far from Baghdad on May 20, 2024. (AFP)
The father holds up the x-ray of Muhammad Akram, 4-years-old, who was injured by a random gunshot in his home in a village in the Yusufiya not far from Baghdad on May 20, 2024. (AFP)

At weddings, football matches and other special events, some Iraqi men like to fire salvos of celebratory gunfire into the sky, worrying little about where the bullets might fall.

For some Iraqis, the tradition has been devastating, as have random bullets from sporadic gun battles in a society still awash with weapons after decades of war and turmoil.

Baghdad mother Randa Ahmad was busy with chores when a loud bang startled her. Alarmed, she hurried to the living room to find her four-year-old son Mohamed bleeding on the floor.

"A stray bullet hit him in the head," the 30-year-old said weeks later, her child sitting timidly by her side in their suburban house.

The bullet "came out of nowhere", said Ahmad, who doesn't know who fired it or why.

Her child now suffers from severe headaches and tires easily, but doctors say surgery to remove the bullet is too risky.

"If the bullet moves," Ahmad said, "it could cause paralysis."

Celebratory gunfire and gun battles sometimes sparked by minor feuds are a daily occurrence in Iraq, where firearms possession remains widespread despite a period of relative calm.

Iraq, a country of 43 million, endured wars under ruler dictator Saddam Hussein, the 2003 US-led invasion, and the sectarian conflict and extremist insurgencies that followed.

During the years of bloody turmoil, all types of weapons flooded into the country and have often been used in tribal disputes and political score-settling.

Many households claim to own firearms for protection.

As of 2017, some 7.6 million arms -- handguns, rifles and shotguns -- were held by civilians in Iraq, says monitoring group the Small Arms Survey, which believes the number has since risen.

- 'Bullet fell from the sky' -

Saad Abbas was in his garden in Baghdad when he was jolted by a sharp, searing pain in his shoulder.

"At first, I thought someone had hit me with a stone," the 59-year-old said. Then he realized that a "bullet fell from the sky" and hit him.

Months later, he remains mostly bedridden, the projectile still lodged in his shoulder after doctors advised against surgery because of a pre-existing medical condition.

"I can't raise my hand," he said. "It hurts. I can't even remove my bed cover."

Abbas voiced fury at those who fire off celebratory rounds when "a football team wins, during a wedding or an engagement party".

"Where do the bullets go?" he asked. "They fall on people!"

He decried the rampant gun ownership and said that "weapons should be exclusively in the hands of the state".

Iraqi law punishes illegal firearms possession with up to one year in prison, but authorities announced plans last year to tighten controls.

Security forces have urged civilians to register their guns in 697 centers, allowing each family to possess just one light weapon for "protection", said interior ministry spokesman Miqdad Miri.

The government also recently started offering civilians up to $4,000 to buy their weapons.

But Miri acknowledged that in tribal and rural areas, many people "consider weapons a part of their identity".

In recent years, their collections have been swelled by the "huge quantities" of firearms left behind by the Iraqi army during the US-led invasion, he said.

During the tumultuous years since, weak border controls and the emergence of extremists allowed arms trafficking to thrive.

- 'Attached to their weapons' -

"Our main problem is not small arms but medium and large weapons," Miri said, referring to military-issue assault rifles and other powerful guns.

Security expert Ahmed el-Sharifi also said that "civilians are attached to their weapons" but that even harder to control are the arsenals of "armed political groups and tribes... This is the most dangerous."

Despite the state's efforts to control the gun scourge, the problem frequently makes headlines.

Earlier this year, a video went viral showing armed clashes between relatives in a busy market in eastern Baghdad that left one person dead.

In March, a senior intelligence officer was shot dead when he tried to resolve a tribal dispute.

And in April, celebratory gunfire at a wedding took the life of the groom in the northern city of Mosul.

Last year, another man, Ahmed Hussein, 30, said he was hit in the leg, presumably also by a bullet fired at a wedding.

He said he had just gone for a nap when he was startled by gunfire and then felt a sharp pain.

"I fell out of bed and looked at my leg to find it bleeding," Hussein said.

He too decried how even a simple argument "between children or at a football game" can quickly lead to someone squeezing a trigger, with those paying the price often "innocent bystanders".