A ‘Stormproof Umbrella’ from the Netherlands

Created by a Dutch student in 2006, the Senz umbrella is designed to redirect gusts of wind. The umbrella is popular in Europe, but remains relatively unknown in the United States. (Senz)
Created by a Dutch student in 2006, the Senz umbrella is designed to redirect gusts of wind. The umbrella is popular in Europe, but remains relatively unknown in the United States. (Senz)
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A ‘Stormproof Umbrella’ from the Netherlands

Created by a Dutch student in 2006, the Senz umbrella is designed to redirect gusts of wind. The umbrella is popular in Europe, but remains relatively unknown in the United States. (Senz)
Created by a Dutch student in 2006, the Senz umbrella is designed to redirect gusts of wind. The umbrella is popular in Europe, but remains relatively unknown in the United States. (Senz)

There are few places in the world more hazardous for umbrellas than the Netherlands, a country under constant assault by stiff winds and pelting rain.

Like many Dutch natives, Gerwin Hoogendoorn had grown accustomed to replacing broken umbrellas after storms. But after losing three umbrellas in a week, Hoogendoorn — a master’s student studying industrial design and engineering at the time — decided he’d had enough.

“After doing some research I discovered 1.1 billion umbrellas are thrown away each year — the equivalent weight of 70,000 elephants,” the 38-year-old said. “I was fed up and I decided I had to solve this problem.”

After analyzing dozens of broken umbrellas he’d collected from trash bins after rainstorms, Hoogendoorn had an epiphany: The key to designing a better umbrella wasn’t blocking the wind, but using it to his advantage. A year-round windsurfer since the age of eight, Hoogendoorn realized he understood this concept instinctively.

With little more than some glue and his grandmother’s sewing machine, an early prototype of the Senz umbrella was born. Capable of withstanding gusts up to 70 mph — according to the company — the aerodynamic umbrella looks like some combination of a Stealth bomber and a Batman cape and is designed to stabilize in high winds instead of crumpling.

Nine days after going on sale in October 2006, Hoogendoorn and two partners who brought the device to market had already sold 10,000 umbrellas, running out of stock completely. And now Hoogendoorn’s “stormproof” umbrella has become a regular sight on Dutch streets and has recently appeared on a top umbrella list in the United States in part because of its unique design.

Umbrellas range from pocket-size to contraptions large enough to cover your deck and have changed little in several thousand years. References to “parasols” date to ancient Egypt, Greece, India and Rome.

“Since the appearance of first silk umbrellas in China, they represented true works of art and were because of that limited only to wealthy merchants, noble families, and royals,” according to Umbrellahistory.net. “Created from frames of mulberry bark and bamboo that is at least five years old, Chinese workers painted the silk top with various designs of dragons, nature, landscapes, animals, figures, flowers, scenes from their mythology, and writings.”

The problem with most umbrellas, as any storm survivor will attest, is that an umbrella’s hinges — which give it retractability — are also the devices’ weakest point, making the umbrella vulnerable to strong winds that fill the canopy. If a powerful gust of wind doesn’t flip an umbrella over entirely, it’s likely to break the hinges and turn the umbrella inside-out.

While the Senz has a unique design, there has been criticism. Some users have complained that its odd shape makes it difficult to store and unable to shield more than one person at a time from rain.

Hoogendoorn designed the Senz to redirect the wind, allowing the umbrella to float on the strong gust like a kite. He also removed hinges from his design and replaced them with sturdy ribbing that’s nearly impossible to turn inside-out.

When wind rushes beneath the Senz, the umbrella stabilizes instead of flipping. The company has demonstrated the umbrella’s strength by placing employees in wind tunnels and turning them on full blast.

The front of the umbrella angles upward so the user’s view isn’t obstructed and the Senz lacks the pointed tips that put pedestrian’s eyes at risk of being poked. The handle allows the umbrella to turn on its own when it encounters wind.

Hoogendoorn claims he can hold the umbrella with only two fingers without trouble in winds up to 40 mph.

“Our umbrella is different,” Hoogendoorn said. “If the wind gets underneath, then its catches the backside of the umbrella, causing it to turn into the same direction of the wind. This is what you want because the rain is almost always coming from the direction of the wind.”

“Like a windsurfer,” Hoogendoorn added, “the idea is to use the wind to your advantage.”

(The Washington Post)



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”