Feel-Good Egyptian Leper Film Charms Cannes

Cannes film festival president Pierre Lescure (L) and Egyptian director A.B. Shawky at Cannes on May 9. (AFP)
Cannes film festival president Pierre Lescure (L) and Egyptian director A.B. Shawky at Cannes on May 9. (AFP)
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Feel-Good Egyptian Leper Film Charms Cannes

Cannes film festival president Pierre Lescure (L) and Egyptian director A.B. Shawky at Cannes on May 9. (AFP)
Cannes film festival president Pierre Lescure (L) and Egyptian director A.B. Shawky at Cannes on May 9. (AFP)

First-time director A.B. Shawky said Thursday that piecing together financing for a feel-good road movie about an Egyptian leper and his orphan friend nicknamed Obama was the least of his troubles getting his film to Cannes, said an Agence France Presse report on Thursday.

The newcomer is going toe-to-toe with Spike Lee, his former professor, and Jean-Luc Godard for the coveted Palme d'Or at the world's premier film festival with his debut feature "Yomeddine".

The touching, upbeat picture tells the story of Beshay, who lives in a leper colony north of Cairo, and Obama, who joins him on a cross-country trek after he escapes his overcrowded orphanage.

"It's my first film so obviously I didn't have any record to fall back when I go to financiers but also I had non-actors who weren't able to read and the main actor also had leprosy," said the Egyptian-Austrian director, who at 32 is the youngest in the competition.

Shawky found his lead actor Rady Gamal at the Abu Zaabal Leper Colony, where he made a short documentary in 2008, and said he was taken with the natural charisma behind his heavily scarred face and disfigured limbs.

"When you live in a secluded leper colony, you're not used to people staring at you all the time and now you have stand in front of a camera and have 60 people (on the crew) staring at you all day," he said, according to AFP.

"But by the end of the shoot he was the star -- everybody loved him, he cracks jokes all the time."

Shawky said advances in treatment of leprosy meant its devastating effects may make his film a historical relic in just a few decades.

"The older generation (such as Gamal) that contracted the disease before they came up with a cure for it in the 1980s are basically the last of their kind," he said.

As for the Nubian boy nicknamed Obama, Shawky said he didn't aim to get into US politics but rather show the global reach of cultural touchstones.

"There's a scene when they're on Garbage Mountain (a local trash dump) and they see a Newsweek magazine. Pop culture is so pervasive -- it's a magazine that was printed in the United States and it ends up on a garbage heap in Egypt," he said.

"I think a lot of people take it for granted how much these popular things affect people on the other side of the world, so you can have a kid named Obama in Egypt."

Tragically, Shawky said, European visa problems kept both actors from being able to have their moment in the Cannes limelight.

Despite the film's unflinching depiction of how the most vulnerable members of Egyptian society are treated, Shawky, who is Muslim, said he was not singling out one country.

"I lived in New York for six years -- every time I travel I get detained for two hours, just being strip-searched and asked questions that have nothing to do with me," he said.

"It's not a unique trait to Egypt -- what I really want to do is highlight marginalized groups. I wanted to give a voice to people who don't necessarily have anybody to speak for them."

Shawky and his producer-wife Dina Emam ended up turning to crowdfunding to scrape together the film's shoestring budget, and the example of mentors including Lee, who will screen his latest picture "BlacKkKlansman" in competition next week.

"I talked to him about this film when it was still just an idea," Shawky said of the veteran filmmaker who taught him at New York University.

"I hope I get to see him while we're here."

He admitted that his film's lighter tone might be an anomaly at the world's most prestigious cinema showcase, known for its gritty fare.

"I think it's important that people see a movie and not come out of it completely depressed, especially in an age like this," he said.

"Also it would be a lie because the main characters aren't like that. The real members of a leper colony don't wallow in self-pity. They know these are the cards they have been dealt and they just live with it."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”