Exclusive - Khomeini: A Political Leader or Just Another Ayatollah?

Exclusive - Khomeini: A Political Leader or Just Another Ayatollah?
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Exclusive - Khomeini: A Political Leader or Just Another Ayatollah?

Exclusive - Khomeini: A Political Leader or Just Another Ayatollah?

Alef Lam Khomeini
Biography of Imam Khomeini
By Hedayat-Allah Behbudi
1157 pages
Price: 600,000 rials ( about $5)
Published by: Institute or Political research, Tehran, 2018

At first glance it might be a surprise that 40 years after the late Ayatollah Ruhallah Khomeini appeared as a central player in Iran’s chequered politics it is only now that an official biography of him is put on the market by the authorities in Tehran.

However, a study of this hefty volume shows that the delay may have been due to the inability of the ruling establishment to reach a consensus on what kind of historic image of the controversial cleric to market.

Presenting Khomeini as just another ayatollah, even if the adjective “grand” is attached to the title, would mean lining him up with hundreds of other clerics with similar titles during the past 200 years, that is to say since such titles became fashionable among the mullahs.

On the other hand, casting Khomeini in the role of a political leader, which he was in the last decade of his long life, could undermine the claim of his followers that he was a “holy” figure and thus above politics.

Presenting Khomeini as a government leader is equally problematic, if only because the decade in which he enjoyed almost absolute power was marred by mass executions, a costly war with Iraq and systemic corruption that started with the confiscation of almost a quarter of a million private businesses and homes by the revolutionary mullahs and their allies.

Khomeini’s promise to Iranians, quickly broken, would vitiate any claim he might have had to success as government leader. This is what he said: “We will not only make you prosper in your material life, but would also provide a prosperous spiritual life. You need spirituality. Yet, they robbed us of spirituality. We will not only provide free water and electricity, build homes and give free transport for the needy classes but will also elevate you to the position of human beings.”

The author of this biography has opted for a different image, one that better reflects the way that Khomeini’s followers see him, that is to say as a central figure in a new religious cult that, though inspired by duodecimal Shiism, transcends it in a number of significant ways.

Behbudi divides his book into eight broad sections and 18 chapters.

The first section provides a detailed and largely well-researched narrative of the cleric’s family background to highlight his roots in rural Iran where the prevalent mind-set had changed little since the foundation of the Safavid Dynasty in the 16th century.

Behbudi shows that early on, the young Khomeini demonstrated an impatient desire for something different. A man of action by nature he wanted to do things in a rural backwater named Khomeini where there was nothing to do but endlessly repeating a life pattern fixed centuries before. In those days, perhaps even throughout his life, Khomeini had to fight against boredom: he wanted to be at the centre of things, doing things. And, yet, as a theologian he had to keep quiet, read books, count blessings on a rosary, and pray.

Behbudi’s work in that section should be appreciated if only because there is very little documentary evidence of the cleric’s early life.

However, the biographer fails to note a major event: The advent of Reza Shah Pahlavi, the king who tried to modernize Iran and, in the process, created unprecedented opportunities for families like that of Khomeini to imagine a better future for themselves. It was in that context that the young Khomeini had the opportunity to embark on theological studies first in the nearby city of Arak and later in the “holy” city of Qom.

The second section covers almost four decades of Khomeini’s life as a cleric, studying and later teaching theology. The author goes out of his way to upgrade Khomeini’s position as a theologian, contradicting facts provided in numerous books and testimonies. The truth is that Khomeini never reached the highest level of theological authority within the traditional Shiite hierarchy. Destined to become a top league politician, he was never more than a second division theologian.

The third section deals with Khomeini’s dabbling in philosophy and poetry with not very happy results. Almost nothing is left of the cleric’s ventures into philosophy or “Irfan” (cognizance), maybe because his heirs prefer not to expose his deep ignorance of both subjects. As for poetry, Khomeini is seen encountering such classical poets as Mowlawi and Hafez and returning humiliated from the encounter. Conscious of the fact that he was a mediocre poet, Khomeini kept his poems almost a secret while he lived. It was only after his death that his embarrassing verses were published.

In the fourth section, we see Khomeini more and more morphing into a political activist.

He becomes fascinated by the Fedayeen Islam, the Shiite version of the Muslim Brotherhood, and its charismatic leader Muhammad Nawwab Safavi. Always a lover of action, Khomeini had quite a few exciting times thanks to the Fedayeen Islam. He provided fatwa cover for a series of political murders as Nawwab Safavi’s gunmen assassinated the anti-clerical writer Ahmad Kasravi, Education Minister Ahmad Zangeneh, Court Minister Abdul-Hussein Hazhir and, finally, Prime Minister Haj-Ali Razm-Ara.

The fifth section deals with Khomeini’s emergence as a prominent critic of the Shah and leader of the opposition to such reforms as distribution of land among poor peasants, the granting of the vote to women, and state control over endowment (waqf) properties, thus depriving the mullahs of a major source of income.

The sixth section portrays Khomeini in exile, first in a seaside resort in Turkey and then in Najaf, Iraq. It is a pity that Behbudi almost entirely ignores the cleric’s feverish political activities there, including meetings and alliances with the Tudeh (Communist) Party chief Reza Radmanesh and a former SAVAK (the Shah’s secret police) head, General Teymur Bakhtiar, not to mention a panoply of Palestinian leaders including Yasser Arafat.

The seventh section deals with the events that were to be dubbed “the Islamic Revolution”. The core of the drama lasted just over four months, during which Khomeini was in exile in Paris. It was marked by eight mass demonstrations and a series of strikes against the Shah, persuading him to leave the country without a fight.

The final section depicts the emergence of the cult of Khomeini which, over the past four decades, has evolved into something resembling a new religious sect.

Khomeini has been given the title of “Imam”, something that duodecimal Shiites regard as limited only to Prophet Muhammad’s cousin and son-in-law Ali Ibn Abitaleb and his 11 descendants. The official calendar, includes 12 days associated with Khomeini and his deeds while Ali himself has to do with only two days. The Islamic Republic has changed the school curricula in place under the Shah by cutting one hour from teaching Arabic and Islamic “shariah” (theology), devoting it instead to a study of Khomeini’s words and deeds.

Khomeini also has his own “shrine”, built at huge expense. Khomeini’s grandson, Hassan, also a mullah, presents himself as the “holy” shrine’s Custodian (mutuwalli) a title used for guardians of “holy” shrines in Mash’had, Qom, Najaf and Karbala. Regular pilgrimages are organized to the shrine of the “Imam” near Tehran, often at government expense. Images of “Imam Khomeini” are depicted with trees in the form of wooded areas on many hill slopes across Iran to be seen from the air. Senior officials, including the current “Supreme Guide” Ali Khamenei, quote the “Imam” regularly to shield whatever position they have taken against critical scrutiny.

Behbudi’s book is a valuable contribution to understanding the mind-set of the current ruling elite in Tehran as followers of a new religious cult which, as time goes by, distances itself further from commonly accepted notions of politics. Dealing with a political elite, including challenging them or finding a modus vivendi, is easier than dealing with a religious cult. And there lies part of the problem in dealing with the Islamic Republic in its present form.



Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
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Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA

The Saudi Ministry of Culture, in collaboration with the "Lenobadir" volunteer and community partnership program and the Athr Foundation, has launched the Ship of Tolerance initiative in Historic Jeddah during Ramadan.

The initiative aims to enhance shared human values through arts, and promote tolerance and coexistence among children and families. It provides an educational and cultural experience aligned with the area’s unique character as a UNESCO World Heritage site.

As part of this global art project, children will create artworks that represent acceptance and dialogue.

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan, linking the initiative's values with local heritage and enriching visitors' connection to the region's identity.

This effort supports cultural programs with educational and social dimensions in Historic Jeddah, activating local sites for experiences that combine art, crafts, and community participation. It aligns with the National Strategy for Culture under Saudi Vision 2030, focusing on heritage preservation and expanding culture's impact on daily life.


Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
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Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)

On a cloudy winter's day, visitors stream into what was once William Shakespeare's childhood home in Stratford-upon-Avon and the nearby Anne Hathaway's cottage, family residence of the bard's wife.

Hathaway's cottage is one of the settings for the BAFTA and Oscar best film contender "Hamnet", and the movie's success is drawing a new wave of tourists to Shakespeare sites in the town in central England.

Shakespeare's Birthplace is the house the young William once lived in and where his father worked as a glove maker, while Hathaway's cottage is where he would have visited his future wife early in their relationship.

Typically, around 250,000 visitors, from the UK, Europe, the United States, China and elsewhere, walk through the locations each year, according to the Shakespeare Birthplace Trust. ‌The charity looks after ‌Shakespeare heritage sites, which also include Shakespeare's New Place, the site of ‌the ⁠Stratford home where the ⁠bard died in 1616.

Visitors are flocking in this year thanks to "Hamnet", the film based on Maggie O'Farrell's 2020 novel, which gives a fictional account of the relationship between Shakespeare and Hathaway, also known as Agnes, and the death of their 11-year-old son Hamnet in 1596.

"Visitor numbers have increased by about 15 to 20% across all sites since the film was released back in January. I think that will only continue as we go throughout the year," Richard Patterson, chief operating officer for the Shakespeare Birthplace Trust, said.

"They particularly want ⁠to look (at) Anne Hathaway's cottage and the specifics around how the family ‌engaged in the spaces and the landscape in and around ‌the cottage... you can see why he would have been inspired."

NEW ACCESS TO SHAKESPEARE

"Hamnet" has 11 nominations at ‌Sunday's British BAFTA awards, including best film and leading actress for Jessie Buckley, who plays Agnes. It ‌also has eight Oscar nominations, with Buckley seen as the frontrunner to win best actress.

"Hamnet" is set in Stratford-upon-Avon and London although it was not filmed in Stratford.

It sees Paul Mescal's young Shakespeare fall for Agnes while teaching Latin to pay off his father's debts. The drama, seen mainly through Agnes' eyes, focuses on their ‌life together and grief over Hamnet's death, leading Shakespeare to write "Hamlet".

"Shakespeare... is notoriously enigmatic. He writes about humanity, about feeling, about emotion, about conflict, ⁠but where do we understand ⁠who he is in that story?" said Charlotte Scott, a professor of Shakespeare studies and interim director of collections, learning and research at the Shakespeare Birthplace Trust.

"And that's driven people creative and otherwise for hundreds and hundreds of years. Where is Shakespeare's heart? And this is what the film I think has so beautifully opened up."

Little is known about how the couple met. Shakespeare was 18 and Hathaway 26 when they married in 1582. Daughter Susanna arrived in 1583 and twins Judith and Hamnet in 1585.

The film acknowledges the names Hamnet and Hamlet were interchangeable back then. While grief is a dominant theme, audiences also see Shakespeare in love and as a father.

"A lot of people will see this film not necessarily having... had any kind of relationship with Shakespeare," Scott said.

"So people will come to this film, I hope, and find a new way of accessing Shakespeare that is about creativity, that is about understanding storytelling as a constant process of regeneration, but also crucially, looking at it from that kind of emotive angle."


Culture Ministry Continues Preparations in Historic Jeddah to Welcome Visitors during Ramadan 

Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
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Culture Ministry Continues Preparations in Historic Jeddah to Welcome Visitors during Ramadan 

Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)

The Saudi Ministry of Culture is continuing its efforts to revitalize Historic Jeddah in preparation for welcoming visitors during the holy month of Ramadan, offering cultural programs, events, and heritage experiences that reflect the authenticity of the past.

The district has emerged as a leading cultural tourism destination at this time of year as part of the “The Heart of Ramadan” campaign launched by the Saudi Tourism Authority.

Visitors are provided the opportunity to explore the district’s attractions, including archaeological sites located within the geographical boundaries of the UNESCO World Heritage-listed area, which represent a central component of the Kingdom’s urban and cultural heritage.

The area also features museums that serve as gateways to understanding the city’s rich heritage and cultural development, in addition to traditional markets that narrate historical stories through locally made products and Ramadan specialties that reflect authentic traditions.

These initiatives are part of the ministry’s ongoing efforts to revitalize Historic Jeddah in line with the objectives of Saudi Vision 2030 and aiming to transform it into a vibrant hub for arts, culture, and the creative economy, while preserving its tangible and intangible heritage.