Kepa Farce Distracted His Teammates and Disrespected the Entire Game

 The 24-year-old Chelsea goalkeeper refused Maurizio Sarri’s attempts to substitute him before Sunday’s penalty shootout at Wembley. Photograph: Nigel French/PA
The 24-year-old Chelsea goalkeeper refused Maurizio Sarri’s attempts to substitute him before Sunday’s penalty shootout at Wembley. Photograph: Nigel French/PA
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Kepa Farce Distracted His Teammates and Disrespected the Entire Game

 The 24-year-old Chelsea goalkeeper refused Maurizio Sarri’s attempts to substitute him before Sunday’s penalty shootout at Wembley. Photograph: Nigel French/PA
The 24-year-old Chelsea goalkeeper refused Maurizio Sarri’s attempts to substitute him before Sunday’s penalty shootout at Wembley. Photograph: Nigel French/PA

Just two weeks ago we were mourning the death of England’s greatest goalkeeper, a man who did his job without fuss. It would be presumptuous to guess the reaction of Gordon Banks, were he still alive, to the behaviour of Kepa Arrizabalaga in the Carabao Cup final on Sunday but it’s hard to imagine any footballer of his generation not being appalled by the young Basque’s display of insubordination, for which he belatedly apologised on Monday evening.

It is not just the orientation of the Wembley pitch from north-south to east-west that has been radically modified since Banks enjoyed his finest hour on the turf now so arrogantly desecrated by Arrizabalaga’s refusal to accept his substitution. Chelsea’s payment of £71.6m to bring the 24-year-old to the Premier League, and the wages of £70m that he is due to receive over the seven years of his contract, belong to a different planet from the one inhabited by a man whose career began in the era of the £20 maximum wage.

It is possible to have some sympathy for the psychological strain imposed on young men set apart by sudden wealth without feeling that it can be used to justify Arrizabalaga’s response to seeing the electronic board with his number on it in the closing moments of extra time against Manchester City. Link that to the problems behind the scenes at Stamford Bridge, and the crescendo of questions about the squad’s faith in their head coach, and you have the ingredients of a belief that he could face down authority and get away with it.

Nobody comes well out of this except the referee, whose remit does not extend to enforcing a manager’s wishes on the field. Jon Moss allowed the sudden conflagration to burn itself out, and then got on with a shootout, which almost came as an anticlimax.

You could say that if Arrizabalaga felt he was not injured badly enough to prevent him taking part in the shootout, then he had every right to insist on continuing to do the job for which he had been picked. (Afterwards he compounded the offence by claiming that he had exaggerated his injury in order to give his team a respite). But not every substitution – these days, not even the majority – is enforced by injury. The system was introduced to avoid something like Roy Dwight’s broken leg reducing Nottingham Forest to 10 men early in the 1959 FA Cup final, but it evolved long ago into a sophisticated weapon of tactical rearrangement. And why should what goes for, say, a playmaker be any different for a goalkeeper?

Had Maurizio Sarri always planned to bring on Willy Caballero for the shootout, it would have made very good sense. The Argentinian keeper saved three penalties for Manchester City against Liverpool in the final of the same competition three years ago, and after moving to Chelsea he saved the first penalty in a successful shootout against Norwich City in the FA Cup third round last season. During his time as a City player Caballero would have become familiar with the penalty‑taking habits of many of Chelsea’s opponents on Sunday.

That alone would have been a valid reason for bringing him on at the end of extra time, even though Arrizabalaga had helped Chelsea to keep a clean sheet for 120 minutes. Football, particularly as conceived by men such as Sarri and Pep Guardiola, who watched events with amazement from the other dugout, is increasingly about the identification and deployment of specialised talents. But since the young goalkeeper had twice required treatment, apparently for cramp, in the closing stages of extra time, there seemed to be no other decision to be made.

Many years ago, Goalkeepers Are Crazy was the title of a collection of Brian Glanville’s football-themed short stories. Crazy, perhaps, but seldom this demented, and Arrizabalaga’s tantrum created two areas of risk for Chelsea. The first was that he increased the pressure on himself at a time when relaxed concentration would be vital. The second, and more important, would be that his little psychodrama disrupted his teammates’ focus in a moment when at least five of them would need every ounce of available coolness. And we saw how that worked out.

Sarri’s wild reaction heightened the sense of farce: screaming, scowling, gesticulating, making to leave the stadium but then turning back after the tunnel doors had opened to let him out, finally returning to his seat and – as always – taking out his notepad and pen, scribbling away with his head down, this time perhaps drafting his notice to Roman Abramovich or a letter to the Banca Monte dei Paschi di Siena in Naples, asking for his old job back.

You could blame Sarri for losing his control of the team and for not having a captain on the field capable of exerting it, but not for being angry. After a dull first half in which City’s lethal attackers were kept at bay, his players blossomed in the second period and must have been sorry when the interval before extra time disrupted their momentum. But you could also blame him for the presence of Jorginho – his chouchou, as the French say – whose limp first penalty handed the initiative straight back again.

Arrizabalaga was playing for Athletic Bilbao’s B team in Spain when Lionel Messi irritated Luis Enrique, then Barcelona’s head coach, by declining to come off late in a match against Eibar in 2014, with the team 3-0 up. The world’s greatest player was setting an example to a young man who would become the world’s most expensive goalkeeper. That, in combination with other factors, gave us yesterday’s farce: a moment in which the entire game was so lamentably disrespected.

The Guardian Sport



Verona Prepares its Ancient Arena for the Olympics Closing Ceremony on Sunday

A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
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Verona Prepares its Ancient Arena for the Olympics Closing Ceremony on Sunday

A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)

A city forever associated with Romeo and Juliet, Verona will host the final act of the Milan Cortina Winter Olympics on Sunday inside the ancient Roman Arena, where some 1,500 athletes will celebrate their feats against a backdrop of Italian music and dance.

Acclaimed ballet dancer Roberto Bolle has been rehearsing for the closing ceremony inside the Arena di Verona this week under a veil of secrecy, along with some 350 volunteers, for a spectacle titled “Beauty in Motion," which frames beauty as something inherently dynamic.

“Beauty cannot be fixed in time. This ancient monument is beautiful if it is alive, if it continues to change,” said the ceremony's producer, Alfredo Accatino. “This is what we want to narrate: An Italy that is changing, and also the beauty of movement, the beauty of sport and the beauty of nature."

Other headlining Italian artists include singer Achille Lauro and DJ Gabry Ponte, whose hits could be heard blasting from the Arena during rehearsals this week.

Inside a tent serving as a dressing room, seamstresses put the finishing touches on costumes inspired by the opera world as volunteers prepped for the stage, The Associated Press reported.

“It’s really special to be inside the Arena,” said Matilde Ricchiuto, a student from a local dance school. "Usually, I am there as a spectator and now I get to be a star, I would say. I feel super special.”

The Arena has been a venue for popular entertainment since it was first built in 1 A.D., predating the larger Roman Colosseum by decades. Accatino said the ancient monument will produce some surprises from within its vast tunnels.

“Under the Arena there is a mysterious world that hides everything that has happened. At a certain point, this world will come out," Accatino said, promising “something very beautiful."

The ceremony will open with athletes parading triumphantly through Piazza Bra into the Arena, which once served as a stage for gladiator fights and hunts for exotic beasts.

The closing ceremony stage was inspired by a drop of water, meant to symbolically unite the Olympic mountain venues with the Po River Valley, where Milan and Verona are located, while serving as a reminder that the Winter Games are being reshaped by climate change.

While the opening ceremony was held in Milan, the other host city, Cortina d’Ampezzo, nestled in the Dolomite mountains, was considered too small and remote to host the closing ceremony. Verona, in the same Veneto region as Cortina, was chosen for its unique venue and relatively central location, said Maria Laura Iascone, the local organizing committee's head of ceremonies.

“Only Italians can use such monuments to do special events, so this is very unique, very rare," Iascone said of the Arena.

She promised a more intimate evening than the opening ceremony in Milan's San Siro soccer stadium, with about 12,000 people attending the closing compared with more than 60,000 for the opening.

Iascone said about 1,500 of the nearly 3,000 athletes participating in the most spread-out Winter Games in Olympic history are expected to drive a little over an hour from Milan and between two and four hours from the six mountain venues.

The ceremony will close with the Olympic flame being extinguished. A light show will substitute fireworks, which are not allowed in Verona to protect animals from being disturbed.

The Verona Arena will also be the venue for the Paralympic opening ceremony on March 6. For the ceremonies, the ancient Arena has been retrofitted with new wheelchair ramps and accessible restrooms along with other safety upgrades. The six Paralympic events will be held in Milan and Cortina until March 15.


Arsenal Blows 2-goal Lead at Wolves to Boost Man City's Premier League Title Chances

Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026  Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026 Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
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Arsenal Blows 2-goal Lead at Wolves to Boost Man City's Premier League Title Chances

Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026  Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026 Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn

Arsenal blew a two-goal lead at last-place Wolves on Wednesday to give a huge boost to Manchester City in the race for the Premier League title.

The league leader was held to a surprise 2-2 draw at Molineux, having led 2-0 in the second half.

Teenage debutant Tom Edozie scored in the fourth minute of added time to complete Wolves' comeback.

“There was a big difference in how we played in the first half and the second half. We dropped our standards and we got punished for it,” Arsenal forward Bukayo Saka told the BBC.

The draw means Arsenal has dropped points in back-to-back games and leaves it just five ahead of second-place City, having played a game more.

With the top two still to play each other at City's Etihad Stadium, the title race is too close to call.

“(It's) time to focus on ourselves, improve our standards and improve our performances and it is in our control,” Saka said.

Arsenal has led the way for the majority of the season and one bookmaker paid out on Mikel Arteta's team winning the title after it opened up a nine-point lead earlier this month.

But Wednesday's result was the latest sign that it is feeling the pressure, having finished runner-up in each of the last three seasons. It has won just two of its last seven league games.

Having blown a lead against Brentford last week, it was even worse at a Wolves team that has won just one game all season.

Victory looked all but secured after Saka gave Arsenal the lead with a header in the fifth minute and Piero Hincapie ran through to blast in the second in the 56th.

But Wolves' fightback began with Hugo Bueno's curling shot into the top corner in the 61st.

The 19-year-old Edozie was sent on as a substitute in the 84th and his effort earned the home team only its 10th point of a campaign that looks certain to end in relegation.

While it did little for Wolves' chances of survival, it may have had a major impact at the top of the standings.

“Incredibly disappointed that we gave two points away,” Arteta said. "I think we need to fault ourselves and give credit to Wolves. But what we did in the second half was nowhere near our standards that we have to play in order to win a game in the Premier League.

“When you don’t perform you can get punished, and we got punished and we have to accept the hits because that can happen when you are on top."

Arsenal plays Tottenham on Sunday. Its lead could be cut to two points before it kicks off if City wins against Newcastle on Saturday.


Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
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Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)

Jannik Sinner powered past Alexei Popyrin in straight sets on Wednesday to reach the last eight of the Qatar Open and edge closer to a possible final meeting with Carlos Alcaraz.

The Italian, playing his first tournament since losing to Novak Djokovic in the Australian Open semi-finals last month, eased to a 6-3, 7-5 second-round win in Doha.

Sinner will play Jakub Mensik in Thursday's quarter-finals.

Australian world number 53 Popyrin battled gamely but failed to create a break-point opportunity against his clinical opponent.

Sinner dropped just three points on serve in an excellent first set which he took courtesy of a break in the sixth game.

Popyrin fought hard in the second but could not force a tie-break as Sinner broke to grab a 6-5 lead before confidently serving it out.

World number one Alcaraz takes on Frenchman Valentin Royer in his second-round match later.