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DCT Abu Dhabi Inaugurates Sir Bani Yas Church, Monastery

Sheikh Nahyan bin Mubarak Al Nahyan, the UAE Minister of Tolerance gives an interview to The Associated Press, in Abu Dhabi, United Arab Emirates, Thursday, Jan. 24, 2019. (AP Photo/Kamran Jebreili).
Sheikh Nahyan bin Mubarak Al Nahyan, the UAE Minister of Tolerance gives an interview to The Associated Press, in Abu Dhabi, United Arab Emirates, Thursday, Jan. 24, 2019. (AP Photo/Kamran Jebreili).
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DCT Abu Dhabi Inaugurates Sir Bani Yas Church, Monastery

Sheikh Nahyan bin Mubarak Al Nahyan, the UAE Minister of Tolerance gives an interview to The Associated Press, in Abu Dhabi, United Arab Emirates, Thursday, Jan. 24, 2019. (AP Photo/Kamran Jebreili).
Sheikh Nahyan bin Mubarak Al Nahyan, the UAE Minister of Tolerance gives an interview to The Associated Press, in Abu Dhabi, United Arab Emirates, Thursday, Jan. 24, 2019. (AP Photo/Kamran Jebreili).

The UAE saw the inauguration of a Church and Monastery on Sir Bani Yas Island, the first Christian site discovered in the UAE, following the implementation of conservation measures and site enhancements by the Department of Culture and Tourism, Abu Dhabi (DCT Abu Dhabi). The Sir Bani Yas Church and Monastery date back to the 7th and 8th centuries CE, and the site's buildings were discovered in 1992.

The discovery was followed by many excavation works that uncovered the eastern and northern quarters, the surrounding wall, and courtyard houses. In 1994, it was proved that the site's architectural scheme belongs to the church. According to the official information released Thursday, crosses made of plaster were found during excavations among few other plaster pieces that feature fine inscriptions.

Artifacts found at the site show how the inhabitants of the settlement used the sea, in addition to cattle, sheep and goats, as food sources, while glass and ceramic objects indicate that they traded widely across the Arabian Gulf.

The inauguration ceremony for the site was conducted by Sheikh Nahyan bin Mubarak Al Nahyan, Minister of Tolerance. The event was attended by Mohamed Khalifa Al Mubarak, chairman of DCT Abu Dhabi, and Saif Saeed Ghobash, undersecretary of DCT Abu Dhabi, as well as conservators, archaeologists, heritage experts and clerics.

Sheikh Nahyan bin Mubarak Al Nahyan said: "The Sir Bani Yas Church and Monastery site received special attention from the founding father of the UAE, the late Sheikh Zayed bin Sultan Al Nahyan, due to the great significance and value it holds as a historic part of the UAE's cultural heritage. He gave his directions to preserve and renovate the site and work on improving it once the first traces of Christian history in Bani Yas emerge."

"The late Sheikh Zayed played a key role in supporting archaeological excavations studies and research related to history and heritage. He welcomed archaeological expeditions in the emirate and established the Al Ain Museum to display the archaeological discoveries and artifacts from these missions and provide insight into the lifestyle of communities that resided in the region before us," he added.

DCT Abu Dhabi completed its conservation program for the site as part of a larger plan to manage the entire island. This plan provided a chance to gather data on the site and monitor its condition, as well as set policies to regulate any future excavations and research, restoration, management and conservation.

For his part, Mohamed Al Mubarak, chairman of DCT Abu Dhabi, said: "Sheltering archaeological sites is a complex undertaking that has great implications for their conservation, presentation, interpretation, and overall management. The new shelter over the Sir Bani Yas Church and Monastery is a protective measure that demonstrates DCT Abu Dhabi’s expertise in the field of heritage conservation and its commitment to the long-term protection of archaeological sites."

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Varieties

Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
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Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)

The world knew Jimmy Carter as a president and humanitarian, but he also was a woodworker, painter and poet, creating a body of artistic work that reflects deeply personal views of the global community — and himself.
His portfolio illuminates his closest relationships, his spartan sensibilities and his place in the evolution of American race relations. And it continues to improve the finances of The Carter Center, his enduring legacy, The Associated Press said.
Creating art provided “the rare opportunity for privacy” in his otherwise public life, Carter said. “These times of solitude are like being in another very pleasant world.”
‘One of the best gifts of my life' Mourners at Carter’s hometown funeral will see the altar cross he carved in maple and collection plates he turned on his lathe. Great-grandchildren in the front pews at Maranatha Baptist Church slept as infants in cradles he fashioned.
The former president measured himself a “fairly proficient” craftsman. Chris Bagby, an Atlanta woodworker whose shop Carter frequented, elevated that assessment to “rather accomplished.”
Carter gleaned the basics on his father’s farm, where the Great Depression meant being a jack-of-all-trades. He learned more in shop class and with Future Farmers of America. “I made a miniature of the White House,” he recalled, insisting it was not about his ambitions.
During his Navy years, Jimmy and Rosalynn Carter chose unfurnished military housing to stretch his $300 monthly wage, and he built their furniture himself in a shop on base.
As president, Carter nurtured woodworking rather than his golf game, spending hours in a wood shop at Camp David to make small presents for family and friends. And when he left the White House, West Wing aides and Cabinet members pooled money for a shopping spree at Sears, Roebuck & Co. so he could finally assemble a full-scale home woodshop.
“One of the best gifts of my life,” Carter said.
Working in their converted garage, he previewed decades of Habitat for Humanity work by refurbishing their one-story house in Plains. He also improved his fine woodworking skills, joining wood without nails or screws. He also bought Japanese carving tools, and fashioned a chess set later owned by a Saudi prince.
Not just any customer Carter frequented Atlanta’s Highland Woodworking, a shop replete with a library of how-to books and hard-to-find tools, and recruited the world’s preeminent handmade furniture maker, Tage Frid, as an instructor, Bagby said.
Still hanging near the store entrance is a picture of Frid, who died in 2004, teaching students including a smiling former president at the front of the class.
“He was like a regular customer,” Bagby said, other than the “Secret Service agents who came with him.”
Carter built four ladder-back chairs out of hickory in 1983, and Sotheby’s auctioned them for $21,000 each at the time, the first of many sales of Carter paintings and furniture that raised millions to benefit The Carter Center.
It was rarely about the money, though. Jill Stuckey, a longtime friend who would have the Carters over to her home in Plains, recalled seeing the former president carrying out one of her chairs.
“I said, ‘What are you doing?’” she recalled. “He said, ‘It’s broken. I’m going to take it home and fix it.’”
He was at her back door at 7:30 the next morning, holding her repaired chair.
Carter compared woodworking to the results of his labor as a Navy engineer, or as a boy on the farm: “I like to see what I have done, what I have made.”
‘No special talent,' but his paintings drive auctions Carter employed a folk-art style as a late-in-life amateur painter and claimed “no special talent,” but a 2020 Carter Center auction drew $340,000 for his painting titled “Cardinals," and his oil-on-canvas of an eagle sold for $225,000 in 2023, months after he entered hospice care.
Carter’s work hangs throughout the center’s campus. A room where he met with dignitaries is encircled with birds he painted after he and Rosalynn took on bird watching as a hobby.
Near the executive offices are a self-portrait and a painting of Rosalynn in their early post-presidential years, hanging across from a trio of Andy Warhol prints showing Carter in office.
Carter’s earliest years predominate, with boyhood farm scenes and portraits of influential figures like his father James Earl Carter Sr., whose death in 1953 led him to abandon a Navy career and eventually enter politics in Georgia.
Some of his subjects, including both of his parents, are looking away. Carter's likeness of his mother shows “Miss Lillian” as a 70-year-old Peace Corps volunteer in India. Jason Carter said the piece was particularly meaningful to his grandfather, who lost reelection at a relatively youthful 56.
“When he got out of the White House, she was standing there saying, ’Well, I turned 70 in the Peace Corps. What are you going to do?” Jason Carter said.
One Carter subject who meets his gaze is a young Rosalynn — they married when she was 18 and he was 21. He described her as “remarkably beautiful, almost painfully shy, obviously intelligent, and yet unrestrained in our discussions.”
Another who doesn’t look away is Rachel Clark, a Black sharecropper who had hosted the future president after they worked in the fields. “Except for my parents, Rachel Clark was the person closest to me,” Carter wrote of his childhood.
'Just a word of praise' Carter wrote more than 30 books — even a novel — but was most introspective in poetry.
On his first real recognition of Jim Crow segregation: “A silent line was drawn between friend and friend, race and race.”
On his Cold War submarine’s delicate dance with enemies: “We wanted them to understand ... to share our love of solitude ... the peace we yearned to keep.”
Rosalynn’s smile, he gushed, silenced the birds, “or may be I failed to hear their song.”
Perhaps Carter’s most revealing poem, “I Wanted to Share My Father’s World,” concerns the man who never got to see his namesake son’s achievements. He wrote that he despised Earl’s discipline, and swallowed hunger for “just a word of praise.”
Only when he brought his own sons to visit his dying father did he “put aside the past resentments of the boy” and see “the father who will never cease to be alive in me.”