An Art Museum in Your Hotel Lobby

Timothy Paul Myers’s “Alizarin” was on display in the lobby of The Peninsula Hong Kong. It will be displayed at the Tokyo location next spring. | Simon J. Nicol for The Peninsula Hotels
Timothy Paul Myers’s “Alizarin” was on display in the lobby of The Peninsula Hong Kong. It will be displayed at the Tokyo location next spring. | Simon J. Nicol for The Peninsula Hotels
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An Art Museum in Your Hotel Lobby

Timothy Paul Myers’s “Alizarin” was on display in the lobby of The Peninsula Hong Kong. It will be displayed at the Tokyo location next spring. | Simon J. Nicol for The Peninsula Hotels
Timothy Paul Myers’s “Alizarin” was on display in the lobby of The Peninsula Hong Kong. It will be displayed at the Tokyo location next spring. | Simon J. Nicol for The Peninsula Hotels

Procuring and exhibiting art in all forms has been synonymous with the hotel experience for several decades now, with both luxury and midlevel brands highlighting local artwork and museum-quality pieces rather than predictable poster reprints.

Guests like it: In a 2018 survey conducted by the nonprofit organization, Americans for the Arts, 72 percent of respondents said they enjoyed the arts in “non-arts” venues including hotels.

Art-centric hotels are popping up in many cities, including the ART in Denver and the upcoming Hall Arts Hotel in Dallas, hoping to attract a new breed of clients who want to be surrounded by sculptures, video installations, paintings and mixed media.

But of late, some properties have begun to push the boundaries of what it means to be a hotel with great art.

Actively Supporting Artists
Artists once depended only on galleries to showcase their work and be “discovered,” but more hotels now actively seek and support new talent in that role.

“We didn’t want to commission art merely for the purposes of decoration,” said Carson Glover, vice president of brand marketing at The Peninsula Hotels. The company created the “Art in Resonance” program, highlighting midcareer artists whose works were unveiled at the Hong Kong property in March.

“Nurturing the artist is an aspect that is so often lost in the business,” he added.

For the first installment of “Art in Resonance,” the American sculptor Janet Echelman created a netlike sculpture whose shape constantly changes with the wind. The Australian-born artist Timothy Paul Myers hand-wrapped everyday items like cups, saucers, and chairs in red felt, creating a site-specific sculpture called “Alizarin” that stood out in the neutral tones of the lobby. And Shanghai-based MINAX architects created a modern version of the traditional Chinese teahouse using 999 pine and bamboo wooden pieces.

“For over twenty years I found myself making these large environmental installations that I can’t afford to build on my own,” says Mr. Paul Myers. His work and that of the other artists will travel to other Peninsula locations over the next few years, much like a museum exhibit.

Rotating Exhibits
Two contemporary art collectors, Laura Lee Brown and Steve Wilson, opened The 21c Museum Hotels in 2006 in Louisville, Ky., with a vision to save the downtown.

The hotel has amassed more than 3,000 works, now spread over public areas, lounges, and rooms, and exhibits are open to the public 24 hours a day, seven days a week. In this aspect, this group of museum hotels — opening its ninth location this year — operates differently than a traditional gallery, which typically has more restricted exhibit hours.

The brand also co-curates exhibitions with museums like the North Carolina Museum of Art with the mind-set that hotel art does not necessarily need to take the place of gallery art.

After the film and video artist Christina Zeidler took over the Gladstone Hotel in Toronto, Canada, the 37-room boutique hotel began holding rotating exhibits annually as well as live events. Artists also helped with the interior design of the rooms.

“Artists are given free rein to think about the design of the furniture, window coverings, wallpaper or wall treatment,” said the exhibitions director Lee Petrie, who explains that apart from the permanent room art, the hotel shies away from commissioning anything. They believe continuously changing exhibits are draws for repeat visits.

Murals
Installing murals has become an increasingly popular way for hotels to spice up room design.

In Philadelphia, the artist King Saladeen grew up as a “super inner-city, super low-income kid,” and became the first artist-in-residence at the new Fitler Club, a “work/stay/play” destination. His gym mural is hard to miss; he used house paint, acrylics and spray paint to create “a burst of energy to stay motivated,” he said.

Rates at the Fitler Club start at $450 for a King-size room; there is a monthly membership to use the club and workspaces from $225.

Philanthropic Efforts
As funding for the arts is always a struggle, some properties have taken to raising contributions in more creative ways.

Saint Kate, the Arts Hotel that opened in Milwaukee, Wis., in July, invited local artists to each design and decorate its “Canvas” rooms. Each Canvas room stay has a percentage of proceeds donated to organizations including The Milwaukee Repertory Theater, Artists Working in Education and even a local radio station.

Large-Scale Installations
Suzi Cordish, who runs more than 70 properties under the Live! Casino & Hotel brand, proudly displays her personal art collection in her hotels. Of late, she’s put her energies into more large-scale installations and supporting emerging and mid-career artists.

She commissioned the Brooklyn-based Chris Doyle to create an animated moving image called “Games of Skill and Chance” on a 9-foot-tall, 40 feet-wide screen at the Maryland Live! property.

Mr. Doyle said that rather than focusing his energies on trying to raise capital, he had peace of mind and free rein working with the hotel. In this instance “the cost of making the video wall was far more expensive than the artist fee,” he said.

The Mexican artist Bosco Sodi created a 16-foot-tall, eight-feet-wide “Blue Pangaea” painting that hangs in the library of Hotel Matilda in San Miguel del Allende.

“If the hotel is a good hotel and you (as an artist) are in a position of putting your conditions with this kind of installation, that helps because a lot of people will see the work,” Mr. Sodi said.

Room rates for Hotel Matilda from $340 per night based on double occupancy, including taxes and fees.

(The New York Times)



17th Century Wreck Reappears from Stockholm Deep

The remains of a 17th century shipwreck is pictured after resurfacing in Stockholm, Sweden, on February 17, 2026. (Photo by Jonathan NACKSTRAND / AFP)
The remains of a 17th century shipwreck is pictured after resurfacing in Stockholm, Sweden, on February 17, 2026. (Photo by Jonathan NACKSTRAND / AFP)
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17th Century Wreck Reappears from Stockholm Deep

The remains of a 17th century shipwreck is pictured after resurfacing in Stockholm, Sweden, on February 17, 2026. (Photo by Jonathan NACKSTRAND / AFP)
The remains of a 17th century shipwreck is pictured after resurfacing in Stockholm, Sweden, on February 17, 2026. (Photo by Jonathan NACKSTRAND / AFP)

A 17th century Swedish Navy shipwreck buried underwater in central Stockholm for 400 years has suddenly become visible due to unusually low Baltic Sea levels.

The wooden planks of the ship's well-preserved hull have since early February been peeking out above the surface of the water off the island of Kastellholmen, providing a clear picture of its skeleton.

"We have a shipwreck here, which was sunk on purpose by the Swedish Navy," Jim Hansson, a marine archeologist at Stockholm's Vrak - Museum of Wrecks, told AFP.

Hansson said experts believe that after serving in the navy, the ship was sunk around 1640 to use as a foundation for a new bridge to the island of Kastellholmen.

Archeologists have yet to identify the exact ship, as it is one of five similar wrecks lined up in the same area to form the bridge, all dating from the late 16th and early 17th centuries.

"This is a solution, instead of using new wood you can use the hull itself, which is oak" to build the bridge, Hansson said.

"We don't have shipworm here in the Baltic that eats the wood, so it lasts, as you see, for 400 years," he said, standing in front of the wreck.

Parts of the ship had already broken the surface in 2013, but never before has it been as visible as it is now, as the waters of the Baltic Sea reach their lowest level in about 100 years, according to the archaeologist.

"There has been a really long period of high pressure here around our area in the Nordics. So the water from the Baltic has been pushed out to the North Sea and the Atlantic," Hansson explained.

A research program dubbed "the Lost Navy" is underway to identify and precisely date the large number of Swedish naval shipwrecks lying on the bottom of the Baltic.


China Has Slashed Air Pollution, but the ‘War’ Isn’t Over 

This picture taken on February 11, 2026 shows pedestrians walking along an overpass as traffic snarls in Beijing. (AFP)
This picture taken on February 11, 2026 shows pedestrians walking along an overpass as traffic snarls in Beijing. (AFP)
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China Has Slashed Air Pollution, but the ‘War’ Isn’t Over 

This picture taken on February 11, 2026 shows pedestrians walking along an overpass as traffic snarls in Beijing. (AFP)
This picture taken on February 11, 2026 shows pedestrians walking along an overpass as traffic snarls in Beijing. (AFP)

Fifteen years ago, Beijing's Liangma riverbanks would have been smog-choked and deserted in winter, but these days they are dotted with families and exercising pensioners most mornings.

The turnaround is the result of a years-long campaign that threw China's state power behind policies like moving factories and electrifying vehicles, to improve some of the world's worst air quality.

Pollution levels in many Chinese cities still top the World Health Organization's (WHO) limits, but they have fallen dramatically since the "airpocalypse" days of the past.

"It used to be really bad," said Zhao, 83, soaking up the sun by the river with friends.

"Back then when there was smog, I wouldn't come out," she told AFP, declining to give her full name.

These days though, the air is "very fresh".

Since 2013, levels of PM2.5 -- small particulate that can enter the lungs and bloodstream -- have fallen 69.8 percent, Beijing municipality said in January.

Particulate pollution fell 41 percent nationwide in the decade from 2014, and average life expectancy has increased 1.8 years, according to the University of Chicago's Air Quality Life Index (AQLI).

China's rapid development and heavy coal use saw air quality decline dramatically by the 2000s, especially when cold winter weather trapped pollutants close to the ground.

There were early attempts to tackle the issue, including installing desulphurization technology at coal power plants, while factory shutdowns and traffic control improved the air quality for events like the 2008 Olympics.

But the impact was short-lived, and the problem worsened.

- Action plan -

Public awareness grew, heightened by factors like the US embassy in Beijing making monitoring data public.

By 2013, several international schools had installed giant inflatable domes around sport facilities to protect students.

That year, multiple episodes of prolonged haze shrouded Chinese cities, with one in October bringing northeastern Harbin to a standstill for days as PM2.5 levels hit 40 times the WHO's then-recommended standard.

The phrase "I'm holding your hand, but I can't see your face" took off online.

Later that year, an eight-year-old became the country's youngest lung cancer patient, with doctors directly blaming pollution.

As concerns mounted, China's ruling Communist Party released a ten-point action plan, declaring "a war against pollution".

It led to expanded monitoring, improved factory technology and the closure or relocation of coal plants and mines.

In big cities, vehicles were restricted and the groundwork was laid for widespread electrification.

For the first time, "quantitative air quality improvement goals for key regions within a clear time limit" were set, a 2016 study noted.

These targets were "the most important measure", said Bluetech Clean Air Alliance director Tonny Xie, whose non-profit worked with the government on the plan.

"At that time, there were a lot of debates about whether we can achieve it, because (they were) very ambitious," he told AFP.

The policy targeted several key regions, where PM2.5 levels fell rapidly between 2013 and 2017, and the approach was expanded nationwide afterwards.

"Everybody, I think, would agree that this is a miracle that was achieved in China," Xie said.

China's success is "entirely" responsible for a decline in global pollution since 2014, AQLI said last summer.

- 'Low-hanging fruits' gone -

Still, in much of China the air remains dangerous to breathe by WHO standards.

This winter, Chinese cities, including financial hub Shanghai, were regularly among the world's twenty most polluted on monitoring site IQAir.

Linda Li, a running coach who has lived in both Beijing and Shanghai, said air quality has improved, but she still loses up to seven running days to pollution in a good month.

A top environment official last year said China aimed to "basically eliminate severe air pollution by 2025", but the government did not respond when AFP asked if that goal had been met.

Official 2025 data found nationwide average PM2.5 concentrations decreased 4.4 percent on-year.

Eighty-eight percent of days featured "good" air quality.

However, China's current definition of "good" is PM2.5 levels of under 35 micrograms per cubic meter, significantly higher than the WHO's recommended five micrograms.

China wants to tighten the standard to 25 by 2035.

The last five years have also seen pollution reduction slow.

The "low-hanging fruits" are gone, said Chengcheng Qiu from the Center for Research on Energy and Clean Air (CREA).

Qiu's research suggests pollution is shifting west as heavy industry relocates to regions like Xinjiang, and that some cities in China have seen double-digit percentage increases in PM2.5 in the last five years.

"They can't just stop all industrial production. They need to find cleaner ways to produce the output," Qiu said.

There is hope for that, given China's status as a renewable energy powerhouse, with coal generation falling in 2025.

"Cleaner air ultimately rests on one clear direction," said Qiu.

"Move beyond fossil fuels and let clean energy power the next stage of development."


Sydney Man Jailed for Mailing Reptiles in Popcorn Bags 

Investigators recovered 101 Australian reptiles from parcels destined for Hong Kong, South Korea, Sri Lanka and Romania. (AFP file)
Investigators recovered 101 Australian reptiles from parcels destined for Hong Kong, South Korea, Sri Lanka and Romania. (AFP file)
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Sydney Man Jailed for Mailing Reptiles in Popcorn Bags 

Investigators recovered 101 Australian reptiles from parcels destined for Hong Kong, South Korea, Sri Lanka and Romania. (AFP file)
Investigators recovered 101 Australian reptiles from parcels destined for Hong Kong, South Korea, Sri Lanka and Romania. (AFP file)

A Sydney man who tried to post native lizards, dragons and other reptiles out of Australia in bags of popcorn and biscuit tins has been sentenced to eight years in jail, authorities said Tuesday.

The eight-year term handed down on Friday was a record for wildlife smuggling, federal environment officials said.

A district court in Sydney gave the man, 61-year-old Neil Simpson, a non-parole period of five years and four months.

Investigators recovered 101 Australian reptiles from seized parcels destined for Hong Kong, South Korea, Sri Lanka and Romania, the officials said in a statement.

The animals -- including shingleback lizards, western blue-tongue lizards, bearded dragons and southern pygmy spiny-tailed skinks -- were posted in 15 packages between 2018 and 2023.

"Lizards, skinks and dragons were secured in calico bags. These bags were concealed in bags of popcorn, biscuit tins and a women's handbag and placed inside cardboard boxes," the statement said.

The smuggler had attempted to get others to post the animals on his behalf but was identified by government investigators and the New South Wales police, it added.

Three other people were convicted for taking part in the crime.

The New South Wales government's environment department said that "the illegal wildlife trade is not a victimless crime", harming conservation and stripping the state "and Australia of its unique biodiversity".