Mobile Cinema Brings Movie Magic to Syria Kurd Children

Children attend a film screening as part of the mobile cinema initiative organized by Syrian-Kurdish filmmaker Shero Hinde. (AFP)
Children attend a film screening as part of the mobile cinema initiative organized by Syrian-Kurdish filmmaker Shero Hinde. (AFP)
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Mobile Cinema Brings Movie Magic to Syria Kurd Children

Children attend a film screening as part of the mobile cinema initiative organized by Syrian-Kurdish filmmaker Shero Hinde. (AFP)
Children attend a film screening as part of the mobile cinema initiative organized by Syrian-Kurdish filmmaker Shero Hinde. (AFP)

In a schoolyard of rural northeastern Syria, boys and girls break out into giggles watching Charlie Chaplin's pranks, a rare treat thanks to a mobile cinema roving through the countryside.

In Kurdish-held areas of the northeast, filmmaker Shero Hinde is screening films in remote villages using just a laptop, projector and a canvas screen.

"We've already shown films in towns but we wanted children in the villages to enjoy them too," said the bespectacled 39-year-old with thick greying curly hair.

With some films dubbed into Kurdish and others subtitled, he and a team of volunteers want to spread their love of cinema across Rojava, the Kurdish name of the semi-autonomous northeast of war-torn Syria, reported AFP.

"Our goal is that in a year's time, there won't be a kid in Rojava who hasn't been to the cinema," the Kurdish filmmaker said.

Sitting on colored plastic chairs in the village of Sanjaq Saadun just before dusk, the boys and girls watch wide-eyed as the first black-and-white images of "The Kid" appear on screen.

Lively piano music rings out across the school basketball court, as Chaplin plays a tramp who rescues an orphaned baby in the 1921 silent movie.

Laughter rises above the darkened playground as he tries to clean the baby's nose or to feed him from a kettle strung from the ceiling.

'Something beautiful'

Across the Kurdish-held region, old cinemas once showed American B movies and Bollywood fare, but they have lost their audiences and closed.

In local minds, cinema is also tied to tragedy, after a fire ripped through a theater in the nearby town of Amuda in 1960, killing more than 280 children.

The mobile cinema, says Hinde, aims to introduce young children to the magic of the silver screen from the early days of moving pictures -- something he missed out on as a schoolboy.

"When we were kids, the cinema was that dark place," said the filmmaker, wearing black-rimmed glasses and a green t-shirt.

In primary school, he and others were taken to see films inappropriate for their age and in substandard conditions, he recalled.

It was only later that he discovered "the truth and beauty of cinema".

To give today's children a different experience, "we're now trying to substitute that darkness for something beautiful and colorful", he said, according to AFP.

Excited children

The mobile cinema's objective is also to screen "films linked to protecting the environment and personal freedoms", Hinde said.

On another evening in the village of Shaghir Bazar, children rushed in before the film started to grab front-row seats.

On show that day was "Spirit", an American animated adventure film about a wild stallion captured by humans who dreams of breaking free and returning to his herd.

Among the audience, Amal Ibrahim said her son Kaddar, seven, and daughter Ayleen, six, were brimming with excitement.

"They could hardly wait to come. They've never been to the cinema before," she said in Kurdish.

Even some of the village's older men had turned up to see the cartoon adventure, after not having been to the cinema in decades.

Standing to one side, they reminisced about the films of their youth.

Adnan Jawli, 56, came along with his two children.

"Today, I brought my kids to the cinema and all my memories are flooding back," he said.

"Forty years ago, I would go to the cinema and watch the film from outside through the window," said Jawli.

"It was such a great feeling when the lights dimmed and the film started."

Hinde's own credits include "Stories of Destroyed Cities", a feature-length film about three towns in Syria and Iraq on the road to recovery after Kurdish forces expelled the ISIS group.

Apart from spearheading the defeat of the extremists, Syria's Kurds have largely stayed out of the country's eight-year war, instead working towards autonomy after decades of marginalization.

Though Kurdish-led fighters are still battling sleeper cells, Hinde and his team are already looking to the future.

Beyond their roving cinema, they dream of opening a movie theater at a fixed location.

"But that will depend on the war ending and stability returning to the country," he said.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”