Jordanians Showcase 'Talent from Home' for Hit Contest

Ebaa Akroush, a 24-year-old Jordanian music graduate from the University of Jordan and first-prize winner of a culture ministry talent contest, plays the flute on his balcony in Fuheis town, around 20 kilometres northwest of the capital Amman, on April 27, 2020. (Photo by Khalil MAZRAAWI / AFP)
Ebaa Akroush, a 24-year-old Jordanian music graduate from the University of Jordan and first-prize winner of a culture ministry talent contest, plays the flute on his balcony in Fuheis town, around 20 kilometres northwest of the capital Amman, on April 27, 2020. (Photo by Khalil MAZRAAWI / AFP)
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Jordanians Showcase 'Talent from Home' for Hit Contest

Ebaa Akroush, a 24-year-old Jordanian music graduate from the University of Jordan and first-prize winner of a culture ministry talent contest, plays the flute on his balcony in Fuheis town, around 20 kilometres northwest of the capital Amman, on April 27, 2020. (Photo by Khalil MAZRAAWI / AFP)
Ebaa Akroush, a 24-year-old Jordanian music graduate from the University of Jordan and first-prize winner of a culture ministry talent contest, plays the flute on his balcony in Fuheis town, around 20 kilometres northwest of the capital Amman, on April 27, 2020. (Photo by Khalil MAZRAAWI / AFP)

An online talent contest created to keep young Jordanians busy as they sit out their country's coronavirus lockdown has proved a hit, with thousands participating and millions watching.

Mahmoud Azzazi, 22, lives in a working-class neighborhood of the capital Amman and is studying culinary arts, but has been turning his mind to music during the lockdown.

He was among the prize winners for his rendition of the song "Sway", made famous by the likes of Dean Martin, Agence France Presse reported.

Jordan's culture ministry launched the "My talent from my home" contest in late March, and says it has since attracted more than 67,000 participants and 18 million views on social networks.

With children under 16 prohibited from leaving their homes except in case of emergency, and with schools and universities still closed, the contest has provided a creative outlet for many young people.

Azzazi said the win had encouraged him to work on his voice.

"I hope to become a professional singer in the future," he said.

Jordanian authorities imposed a strict round-the-clock curfew on March 21. Daytime movement restrictions have since been eased, but the curfew remains in force at night.

"I want to fly, nobody can clip my wings," Taleen Hindeleh belted out from her bedroom in Amman, in a prize-winning rendition of a song by Lebanese artist Hiba Tawaji.

Contestants are divided into two groups -- those aged 10 to 14 and 15 to 25. Categories include music, poetry, drawing and storytelling.

Participants must post a short video on social media with the Arabic hashtag "my talent from my home", which is picked up by the culture ministry's Facebook and YouTube accounts.

Five artists judge the videos -- the number of views and likes on social media are considered -- and Jordanian television broadcasts a selection of award-winning entries each week.

Hindeleh said being in lockdown at home in Amman with her father, a professional singer, had its advantages.

"He guides me and coaches me", said the 20-year-old student, who also plays piano.

Jordan has officially declared 461 cases of novel coronavirus, including nine deaths.

A hundred prizes are awarded weekly, with the winners announced on television and on the culture ministry's website.

Prizes range from 100 to 1,000 dinars ($140-$1,400).

Ebaa Akroush, a 24-year-old music graduate, was one of the first-prize winners in the contest's opening week for his performance on the flute.

"I didn't expect to win because the video was poor quality", he said.

Akroush said he had initially made a short video to share with his friends, but added the hashtag after hearing about the competition.

"Now people are contacting me with questions about the flute", he said from his balcony in Al-Fuhais, near Amman.

Locked down in Ajloun, north of the capital, 25-year-old Nabil al-Rabadhi won a prize for his performance of "Enta omri" ("You are my life"), by legendary Egyptian singer Umm Kalthoum, played on the qanun -- a stringed instrument similar to a zither.

He said he felt it was important to showcase a traditional Middle Eastern instrument, while many other contestants were using Western ones.

"Thanks to the curfew, I'm spending more time playing each day", Rabadhi said.

The contest is scheduled to run until Eid al-Fitr, which marks the end of the Muslim holy month of Ramadan and this year falls later in May.

And while some seek the limelight, others, young and older, are happy just to be part of the audience.

Roula al-Jmaili, a 45-year-old housewife from Amman, said the contest provided a welcome distraction from "the curfew and boredom".

Issa Qaysar, a 24-year-old music arranger from Al-Fuhais, said he hoped the competition would continue.

"There is great artistic talent that deserves to win and be supported", he said.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”