Lebanese Hope for Internal Tourism this Summer

People sit at a restaurant on Beirut's Corniche. File photo
People sit at a restaurant on Beirut's Corniche. File photo
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Lebanese Hope for Internal Tourism this Summer

People sit at a restaurant on Beirut's Corniche. File photo
People sit at a restaurant on Beirut's Corniche. File photo

The Lebanese are not planning for a normal summer vacation like past years, but as temperatures rise, they do not plan on living the same way they have during the quarantine, staying at home.

While some are planning to move to their summer houses in the mountains, others think that going to beaches that are not crowded is not dangerous, as long as there is no social mixing.

Former Minister of Tourism Avedis Guidanian expressed optimism that the grounds for successful tourism would be present in Lebanon if coronavirus cases decline sufficiently.

All that is needed is a "dose of hope" for tourism enterprise owners to revitalize the industry, he said.

Considering that under the current official plan, the academic year will be extended until the end of July with some exams being held in August, then a vacation as we know, will not take place this year.

Guidanian's advice is to "focus more on internal tourism", lamenting that during his term his main attention went to attracting Arab and tourists from abroad.

Today, however, the main concern should be to encourage internal tourism considering how difficult it is to move from one country to another.

Guidanian confirmed that the tourism sector is capable of contributing a large part of the Lebanese economy's revenues.

However, while restaurants and cafes are planned to reopen this summer, so far, beach resorts are still set to remain entirely closed. This has pushed the Secretary-General of the Syndicate of Seaside Resort Operators, Jean Beiruti, to demand that they be opened considering that they are in the open air and can be kept safe by using chlorine to disinfect the pools to eliminate any risk of transmission.

Despite difficult economic circumstances, restaurants are trying to provide their services while abiding by the recommended safety precautions and social distancing.

This summer will not be promising, but the hope is that it will not be entirely paralyzed.



World’s Largest Light Art Festival in Riyadh Sees Over 3 Million Spectators

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
TT

World’s Largest Light Art Festival in Riyadh Sees Over 3 Million Spectators

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA
Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District. SPA

Noor Riyadh, the world’s largest light art festival and a flagship program of Riyadh Art, concluded its successful fourth edition, welcoming over 3 million spectators and bringing together over 60 artworks by more than 60 artists from 18 countries, the Saudi Press Agency (SPA) reported.

Under the theme Light Years Apart, audiences experienced the festival across three iconic hubs: King Abdulaziz Historical Center, Wadi Hanifah, and JAX District.

The festival also featured a striking city-scale light installation at Al Faisaliah Tower, transforming Riyadh into a luminous celebration of art and innovation. This year’s festival brought together 18 Saudi and 43 international artists with site-specific and newly commissioned artworks.

Exceptional installations included Chris Levine’s Higher Power, a city-scale laser projection atop Al Faisaliah Tower; Maryam Tariq’s Shifting Perspectives, which explored perceptual ambiguity at Digital City; and Aether by United Visual Artists, a dazzling drone show at King Abdulaziz Historical Center. Another standout work, Rashed AlShashai’s The Fifth Pyramid, symbolized Riyadh’s cultural transformation.

Architect Khalid Al-Hazani, the executive director of Riyadh Art, bid farewell to the festival, saying: “Noor Riyadh 2024 celebrated humanity’s connection to the stars, sparking inspiration and dialogue through the universal language of art. We look forward to continuing Riyadh’s journey of cultural transformation.”
As for Noor Riyadh festival director Nouf Almoneef, he said: “Once again, this year’s festival united local and international artists for a truly world-class festival.”

“I extend my deepest gratitude to the incredible team -- our staff, volunteers, and partners for their exceptional efforts and collaboration, as well as to the millions of spectators whose engagement made this festival unforgettable,” SPA quoted him as saying.

As part of the community engagement program, which attracted over 52,000 participants, Noor Riyadh organized a variety of activities designed to inspire and connect with the community. These included engaging talks, insightful discussions, interactive workshops, creative experiences, family-friendly activities, and guided tours that enriched the festival experience for visitors.

The seamless execution of these activities was made possible by a dedicated team comprising curators, artists, art explainers, tour guides, and installation crews, ensuring every participant enjoyed a memorable experience.