The Night West Ham Played Behind Closed Doors

 West Ham play Castilla behind closed doors in the Cup Winners’ Cup in October 1980 after crowd trouble at the first leg in Madrid. Photograph: David Ashdown/Getty Images
West Ham play Castilla behind closed doors in the Cup Winners’ Cup in October 1980 after crowd trouble at the first leg in Madrid. Photograph: David Ashdown/Getty Images
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The Night West Ham Played Behind Closed Doors

 West Ham play Castilla behind closed doors in the Cup Winners’ Cup in October 1980 after crowd trouble at the first leg in Madrid. Photograph: David Ashdown/Getty Images
West Ham play Castilla behind closed doors in the Cup Winners’ Cup in October 1980 after crowd trouble at the first leg in Madrid. Photograph: David Ashdown/Getty Images

At half-time West Ham’s former chairman Len Cearns was sent on a futile mission by his fellow directors. They wanted him to go down to the home dressing room to ask John Lyall if there was any way his team could possibly remember that the foul language being used in the heat of battle was floating away from the pitch, rattling around the empty terraces and causing some discomfort for the people sitting in the posh seats.

“There was a lot of swearing going on in the game,” Alvin Martin says as he recalls West Ham hosting a European tie behind closed doors in the autumn of 1980. “You don’t realise it. You’re communicating in a factory way.”

It is nearly 40 years since Upton Park’s ghost game and Martin, who played in central defence as West Ham reached the second round of the Cup Winners’ Cup by winning the second leg of their tie against Castilla, chuckles when he is asked if his teammates paid any attention to the chairman’s request. “No. In all the years I played with Trevor Brooking he never used a foul word. That was exceptional. But that’s the way we communicated. You can’t just switch that off.”

Broadcasters might want to keep that in mind as English football grapples with the damage caused by the coronavirus pandemic. It is almost inevitable games will be played behind closed doors if the season resumes and it will be challenging for players to adjust. Martin’s teammate David Cross describes it as an eerie experience and remembers finding it hard to summon the usual intensity against Castilla, Real Madrid’s B team.

“You were conscious of your voice echoing around the stadium,” Cross says. “Voices would bounce off the stands and back to you. You didn’t get that bounce back off the crowd. You had to shout very loud on a Saturday afternoon to make sure one of your teammates 15 yards away could hear you. We were used to talking very loudly on the pitch.

“In training sometimes we’d play 11 v 11. Sometimes in our own stadium. We were used to playing football every day with no fans there. It’s just on matchday your fans gave you that atmosphere. I think it took us 15 to 20 minutes to realise we were in a proper match.”

In West Ham’s case it was a one-off, a punishment by Uefa after crowd trouble marred the first leg at the Bernabéu. For Castilla, who had qualified after losing the Copa del Rey final against Real, the Spanish champions, playing at such a famous ground was meant to be the stuff of dreams. In the stands it was anything but. There were ugly scenes in the away end and there was tragedy after the game when a West Ham fan died after being hit by a bus in the chaos outside the ground.

Uefa responded by fining West Ham £7,750 and ordering them to play their next two European home games at least 187 miles away from Upton Park. Sunderland’s Roker Park was one possibility for the second leg, while Martin remembers talk of the second leg taking place in Middlesbrough. Cross says the players were told they may have to play in France.

After an appeal by West Ham, Uefa decided to stage the game at Upton Park with no supporters present. There was also no live coverage on television and the official attendance was 262. “We would have relied on the fans at Upton Park, especially on a midweek game under the floodlights,” Martin says. Cross was more upbeat. “Playing at Upton Park was still an advantage for us, even if we didn’t have our fans, which is usually worth a goal,” the former striker says. “We were on familiar territory.”

Steve Bacon, West Ham’s former club photographer, was one of the 262. “There were lots of fans milling outside,” he says. “I was in the stadium and because there was no crowd we were able to wander round as we wanted. I went up the back of the North Bank and did the pictures from there. You could hear the players shouting to each other.

“Eddie Baily, one of John Lyall’s backroom staff, was a bit foul-mouthed. I can remember him effing and blinding above anything else in the ground. I could also hear Bryan Butler doing the commentary on BBC radio.”

West Ham had lost the first leg 3-1, but while they were in Division Two, they were dangerous on their day. They had beaten Arsenal in the FA Cup final that year and they saw off Castilla. Geoff Pike pulled an early goal back and although a stunning goal from Bernal, Castilla’s captain, took the game into extra time, a Cross hat-trick sealed a 5-1 win.

“I wonder if it will slow the pace down,” Martin says. “The atmosphere generates adrenaline in a player and everything becomes quicker. Players go that little bit harder into a tackle or run that little bit further and are absolutely aware that every little challenge in the game can determine the result.

“Will we see referees having an easier time? The language between the players and the referee will be much more noticeable. I think you’ll see an improvement in behaviour towards officials.

“For us it was a novelty. But playing behind closed doors will be more difficult over time. These players have been used to playing in front of 60,000 people. It will be something totally unknown to them. But the main thing is everybody will be geared up to getting results. The competitive edge will take over.”

The Guardian Sport



Eminem, Alanis Morissette, Sheryl Crow, N.W.A. and Janet Jackson Get Songwriters Hall of Fame Nods

Eminem performs during "Live From Detroit: The Concert at Michigan Central," on June 6, 2024, in Detroit. (AP)
Eminem performs during "Live From Detroit: The Concert at Michigan Central," on June 6, 2024, in Detroit. (AP)
TT

Eminem, Alanis Morissette, Sheryl Crow, N.W.A. and Janet Jackson Get Songwriters Hall of Fame Nods

Eminem performs during "Live From Detroit: The Concert at Michigan Central," on June 6, 2024, in Detroit. (AP)
Eminem performs during "Live From Detroit: The Concert at Michigan Central," on June 6, 2024, in Detroit. (AP)

Eminem, Boy George, George Clinton, Sheryl Crow, Janet Jackson, the Doobie Brothers, N.W.A. and Alanis Morissette are among the nominees for the 2025 class at the Songwriters Hall of Fame, an eclectic group of rap, rock, hip-hop and pop pioneers.

Joining them on the ballot are Bryan Adams, with radio staples like “Summer of ’69” and “Have You Ever Really Loved a Woman?,” and Mike Love of the Beach Boys, hoping to get in 25 years after band founder Brian Wilson. David Gates, co-lead singer of the pop-music group Bread, is also looking for entry.

The Hall annually inducts performers and non-performers alike, and the latter category this year includes Walter Afanasieff, who helped Mariah Carey with her smash “All I Want for Christmas Is You;” Mike Chapman, who co-wrote Pat Benatar’s “Love Is a Battlefield;” and Narada Michael Walden, the architect of Whitney Houston's “How Will I Know″ and Aretha Franklin's "Freeway of Love.”

Eligible voting members have until Dec. 22 to turn in ballots with their choices of three nominees from the songwriter category and three from the performing-songwriter category. The Associated Press got an early copy of the list.

Several performers are getting another shot at entry, including Clinton, whose Parliament-Funkadelic collective was hugely influential with hits like “Atomic Dog” and “Give Up the Funk,” and The Doobie Brothers — Tom Johnston, Patrick Simmons and Michael McDonald — with such classics as “Listen to the Music” and "Long Train Runnin.’” Steve Winwood, whose hits include “Higher Love” and “Roll With It,” has also been on the ballot before.

Hip-hop this year is represented by Eminem — whose hits include “Lose Yourself" and “Stan” — and N.W.A. members Dr. Dre, Eazy E, Ice Cube, MC Ren and DJ Yella. Already in the Hall are hip-hop stars like Jay-Z, Snoop Dogg and Missy Elliot. Tommy James, with hits including ”Mony Mony,″ ”Crimson and Clover″ and ”I Think We’re Alone Now,″ has also earned a nod.

If Jackson, whose 1989 album “Rhythm Nation” was a landmark, gets into the Hall, it will be more than two decades after her late brother Michael. The Canadian songwriter Morissette, whose influential “Jagged Little Pill” has won Grammys, Tonys, Junos and MTV awards would also add to the Hall's rocking women. (Glen Ballard, who helped produce and write the album, is already in.)

As would Crow, the “All I Wanna Do” and “Everyday Is a Winding Road” singer-songwriter, is having a critical resurgence after being inducted into the Rock & Roll Hall of Fame in 2023. Boy George lifts the flag for '80s New Wave with the Culture Club hits “Karma Chameleon” and “Do You Really Want to Hurt Me.”

Other nominees for the non-performing category include Franne Golde, who co-wrote Selena’s ”Dreaming of You;″ Tom Douglas, who wrote country hits for Tim McGraw, Lady Antebellum and Miranda Lambert; Ashley Gorley, fresh off his co-writing smash “I Had Some Help” by Post Malone and Morgan Wallen; and Roger Nichols, who co-wrote The Carpenters’ ″We’ve Only Just Begun.″

They join Rodney “Darkchild” Jerkins, who contributed to the hit ″The Boy Is Mine″ by Brandy and Monica; Sonny Curtis, former member of the Crickets who wrote and performed the theme song for “The Mary Tyler Moore Show," ”Love is All Around,” and British composer Tony Macaulay, who wrote “Build Me Up Buttercup.”

The Hall also put forward three songwriting teams: Steve Barri and P.F. Sloan, who wrote “Secret Agent Man;” and Dennis Lambert and Brian Potter, who penned the Four Tops hit “Ain’t No Woman (Like the One I’ve Got);” and Dan Penn and Spooner Oldham, who wrote the Percy Sledge tune “Out of Left Field.”

The Songwriters Hall of Fame was established in 1969 to honor those creating popular music. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

Some already in the hall include Carole King, Paul Simon, Billy Joel, Jon Bon Jovi and Richie Sambora, Elton John and Bernie Taupin, Brian Wilson, James Taylor, Bruce Springsteen, Tom Petty, Lionel Richie, Bill Withers, Neil Diamond and Phil Collins. Last year saw R.E.M., Steely Dan, Dean Pitchford, Hillary Lindsey and Timbaland inducted.