Lebanese Film Director: You Just Gotta Keep Working

A view shows Lebanese film maker Jimmy Keyrouz on the set of the movie "Broken Keys" in Biakout, Lebanon in this undated handout. Ezekiel Film Production/Handout via Reuters
A view shows Lebanese film maker Jimmy Keyrouz on the set of the movie "Broken Keys" in Biakout, Lebanon in this undated handout. Ezekiel Film Production/Handout via Reuters
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Lebanese Film Director: You Just Gotta Keep Working

A view shows Lebanese film maker Jimmy Keyrouz on the set of the movie "Broken Keys" in Biakout, Lebanon in this undated handout. Ezekiel Film Production/Handout via Reuters
A view shows Lebanese film maker Jimmy Keyrouz on the set of the movie "Broken Keys" in Biakout, Lebanon in this undated handout. Ezekiel Film Production/Handout via Reuters

Many directors would have been devastated when their plans to show their first feature at the Cannes Film Festival were wrecked by the spread of COVID-19.

But Lebanon's Jimmy Keyrouz said he took heart from the themes of his movie "Broken Keys", which tells its own story of finding hope in the midst of disaster.

The film follows a young man called Karim living somewhere in Iraqi and Syrian territory occupied by ISIS militants and dreaming of escaping to Europe to become a musician.

At the start of the film, the militants smash up his piano. He then tries to rebuild the instrument to sell it to fund his journey.

"If I was to summarize the spirit of the film in one sentence or saying I would say: 'Life is not about waiting for the storm to pass - it's about learning to dance in the rain'," Keyrouz told Reuters TV, quoting artist and author Vivian Greene.

"I guess it sums up the film pretty well and sums up our situation. You just gotta keep working, keep moving forward."

Keyrouz said he filmed part of "Broken Keys" in the Iraqi city of Mosul. "We filmed at the last area that ISIS fought, and even there in some places we smelled ... dead bodies under the rubble."

Cannes chose the film for its 2020 lineup, alongside works by Wes Anderson and other star directors.

But the world's biggest cinema showcase, usually held in May on the French Riviera, called off its events during the lockdown.

Organizers this month published the list of their 56-film line-up, saying they still wanted to use the festival's cachet to help promote the movies.

"I can only be very happy and grateful for Cannes to have supported and selected the film, despite not having the festival," Keyrouz said, adding that he was still hoping to start releasing the film later this year.



Red Sea Film Festival Unveils ‘New Saudi, New Cinema’ Program for Filmmakers

The Red Sea International Film Festival
The Red Sea International Film Festival
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Red Sea Film Festival Unveils ‘New Saudi, New Cinema’ Program for Filmmakers

The Red Sea International Film Festival
The Red Sea International Film Festival

The Red Sea International Film Festival revealed Thursday the highlights of its fourth edition in December, introducing the "New Saudi, New Cinema" program dedicated for filmmakers.

The initiative is set to embody diversity and innovation in the vibrant Saudi cinematic landscape, illuminating authentic local narratives that delve deep into the rich tapestry of Saudi cultural identity and heritage.

This year’s program features a selection of 20 films, varying from fantasy to reality and showcasing the talents of Saudi creators. The movies exhibit compelling themes such as ambition, identity, music, and inherited narratives, while exploring the intricate dynamics of human relationships.

The program reflects the talented individuals’ potential in narrating unique stories in an innovative fashion, propelling the development and global resonance of Saudi cinema.

The films herald a fresh vision for the Saudi film industry, underscoring the unwavering support of the festival for Saudi filmmakers who have triumphed on the global stage. The festival stands as a premier platform for these visionaries to unveil their talents and creations to a worldwide audience.

Red Sea International Film Festival director of Arab programs and film classics Antoine Khalife highlighted the festival's steadfast dedication to presenting a program that mirrors the ever-evolving landscape of Saudi cinema. He expressed his enthusiasm in showcasing a diverse array of films this year, spanning animated features, narratives, and documentaries.