Annie Ross, Jazz Singer Turned Actor, Dies in New York

Portrait of Jazz singer Annie Ross as she poses in her Manhattan apartment, New York, New York, September 27, 2005. The picture was taken as part of a portrait session for Downbeat Magazine. (Photo by Jack Vartoogian/Getty Images)
Portrait of Jazz singer Annie Ross as she poses in her Manhattan apartment, New York, New York, September 27, 2005. The picture was taken as part of a portrait session for Downbeat Magazine. (Photo by Jack Vartoogian/Getty Images)
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Annie Ross, Jazz Singer Turned Actor, Dies in New York

Portrait of Jazz singer Annie Ross as she poses in her Manhattan apartment, New York, New York, September 27, 2005. The picture was taken as part of a portrait session for Downbeat Magazine. (Photo by Jack Vartoogian/Getty Images)
Portrait of Jazz singer Annie Ross as she poses in her Manhattan apartment, New York, New York, September 27, 2005. The picture was taken as part of a portrait session for Downbeat Magazine. (Photo by Jack Vartoogian/Getty Images)

Annie Ross, a popular jazz singer in the 1950s before crossing over into a successful film career, has died. She was 89.

Ross’ manager, Jim Coleman, said that the entertainer died Tuesday at her home in New York, four days before her 90th birthday. She had battled emphysema and heart disease.

Ross rose to fame as the lead vocalist of one of jazz’s most well-respected groups, Lambert, Hendricks and Ross. The trio became known for the 1952 hit “Twisted,” a tune by saxophonist Wardell Gray and written by Ross.

A decade later, Lambert, Hendricks and Ross went on to win a Grammy Award for the album “High Flying.”

Despite the success, Ross decided to leave the group while feuding with group member Jon Hendricks while she battled heroin addiction.

Ross eventually cleaned up her life, married English actor Sean Lynch and ran a nightclub for a short stint in London. But around 1975, she declared bankruptcy, lost her home and divorced Lynch, who soon died in a car crash.

While Ross struggled to find work as a singer, she turned her attention to acting. She appeared in plays such as “A View From the Bridge” along with the musical production “The Pirates of Penzance.”

Ross broke through as a familiar face in the 1979 film “Yanks,” which led to other roles. She appeared as a villain in “Superman III,” a writing student in “Throw Momma From the Train” and an aging jazz singer in Robert Altman’s “Short Cuts,” which helped revive her career.

Ross ultimately reinvented herself as a witty cabaret singer. Despite her transition, she received the Jazz Master honor from the National Endowment for the Arts in 2010, The Associated Press reported.

In 2014, Ross released the album “To Lady With Love,” a tribute to Billie Holiday. She often performed at the Metropolitan Room until the venue closed in 2017.



Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."