'A House of Pomegranates'… Broken Hearts Cured With Myth

 Irish poet and novelist Oscar Wilde
Irish poet and novelist Oscar Wilde
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'A House of Pomegranates'… Broken Hearts Cured With Myth

 Irish poet and novelist Oscar Wilde
Irish poet and novelist Oscar Wilde

The Irish Novelist Oscar Wilde uses the story collection "A House of Pomegranates" to express his philosophy through different characters like mermaids, tulips, forest animals, and even mythical creatures inspired by the Greek mythology. With a wild imagination, he weaved stories and lessons about how beauty can be a "painkiller", said a main character in one of his stories. The "A House of Pomegranates" collection has been recently released by "Afaq" publishing house in Cairo, and translated by Inas al-Turki. Turki said that was the first Arabic translation of the story collection described as one of Oscar Wilde's greatest works.

In the "Fisherman and his soul", the hero is a fisherman who took an unfamiliar fateful decision. He separated from his soul because it was preventing him from marrying the mermaid that charmed him with her beauty and pure voice during his fishing trips. To marry her, the fisherman had to do one thing: get rid of his human soul that, according to the rules of sea creatures, was a burden.

"What is the value of my soul? I don't see it, or touch it, and I don't know it," said the fisherman while telling his story to the monk, who tried to change his mind, saying: "The soul is more valuable than the world's gold and kings' jewels." However, the lover wasn't convinced and went to offer his soul for sale. The vendors told him: "A human soul is valueless. It won't bring us a small silver coin," proposing to buy his body, and turning him into a slave, so they can sell him to a queen.

Then, the fisherman went to a malicious witch who lived in a cave. She recommended him to stand with his back to the moon until he sees his shadow and cut it with a knife, because "a human's shadow is his soul." But before he cuts his shadow, the soul pleased him to let it alive, and asked him to keep his heart for it so it doesn't feel alone in this cruel world. However, the fisherman refused and told the soul: "How can I love my mermaid if I gave you my heart?" Then, the soul asked him to meet it once a year on the beach where they split and he accepted.

The soul called him every year, and he went to meet it. In the first year, it told him about its tours in the East, and proposed to give him the "mirror of wisdom", which can show him the truth wherever he is, if he accepts to reunite with the soul. However, he refused because "love is better than wisdom," and went back to his mermaid. The second year, the soul called him again and spoke about its tours in the South, then proposed to give him a ring that would make him the richest man on earth, but he refused because "love is more important." In the third year, the soul proposed to accompany him to a nearby city where he can watch a barefoot woman dancing. The mermaid has no legs and cannot dance, so he agreed to go with his soul but only on a one-day trip so he can return quickly to his mermaid.

Here, the soul started to incite him to bad actions like stealing a silver cup, slapping a child, and killing a kind man. The fisherman noticed that his soul has become pure evil, and when he denounced its action, the soul told him: "Did you forget that you left me without a heart?" The fisherman tried to separate from his soul again by cutting his shadow as taught by the witch, but he discovered that his soul and shadow can be cut one time, and that his evil soul will stay with him forever. As "his love reached great levels", the fisherman looked for his mermaids in the seas, neglecting the words of his soul calling him to forget her. Eventually, when his heart broke, the soul found its way again to him, and they reunited.

The story collection includes four stories in 217 pages. Wilde used pomegranates as an expressive symbol in his four stories, and created tens of imaginary pictures aimed at making an equal dialogue between the worlds of kings and poor people. In the "Young King" story, a poor man stands in a crowd and addresses to the king, saying: "Sir, don't you know that the life of poor people exists because of rich people? We live from your extravagances. We gain our bread from your vices. Working hard for a cruel master is bitter, but not having a master to work hard for is even bitterer." In this story, a sixteen-year-old shepherd surprisingly found himself in a fancy palace, and knew he is the only legitimate heir of a king, whose daughter was killed for loving a lower man. The young shepherd's life starts to change with an excessive passion for beauty. His greatest dream centered on his appearance during the crowning ceremony and "the golden cape, the sapphire-studded crown, and the pearl-adorned scepter" he is going to wear.

However, that night, the young heir saw three dreams that described the heavy price he is going to pay to wear these three things. The first dream featured weak hands shaking in a heavy air while weaving his cape; in the second, he saw himself on a boat during a fishing trip that ended with the bloody death of the diver who found the prettiest pearl for his crown; in the third, he saw death and greediness fighting and messing with the fate of men looking for the sapphires that would adorn his crown. The young shepherd woke up the next morning and ordered his escorts who brought the cape, crown, and scepter to "take these things away, and hide them. The white hands of pain weaved the cape with the loom of sadness; the sapphires are covered with blood, and the pearl is hunted by death".

Finally, the heir chose to attend the crowning ceremony accompanied by his sheep, wearing his cape made of sheep fur, and putting a crown of thorns on his head, with the primitive shepherd stick in his hand. When he walked among the crowds in this modest appearance, the rich and poor called him "the beggar and the king's clown", while he insisted on modesty and told them about his dreams.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.