'A House of Pomegranates'… Broken Hearts Cured With Myth

 Irish poet and novelist Oscar Wilde
Irish poet and novelist Oscar Wilde
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'A House of Pomegranates'… Broken Hearts Cured With Myth

 Irish poet and novelist Oscar Wilde
Irish poet and novelist Oscar Wilde

The Irish Novelist Oscar Wilde uses the story collection "A House of Pomegranates" to express his philosophy through different characters like mermaids, tulips, forest animals, and even mythical creatures inspired by the Greek mythology. With a wild imagination, he weaved stories and lessons about how beauty can be a "painkiller", said a main character in one of his stories. The "A House of Pomegranates" collection has been recently released by "Afaq" publishing house in Cairo, and translated by Inas al-Turki. Turki said that was the first Arabic translation of the story collection described as one of Oscar Wilde's greatest works.

In the "Fisherman and his soul", the hero is a fisherman who took an unfamiliar fateful decision. He separated from his soul because it was preventing him from marrying the mermaid that charmed him with her beauty and pure voice during his fishing trips. To marry her, the fisherman had to do one thing: get rid of his human soul that, according to the rules of sea creatures, was a burden.

"What is the value of my soul? I don't see it, or touch it, and I don't know it," said the fisherman while telling his story to the monk, who tried to change his mind, saying: "The soul is more valuable than the world's gold and kings' jewels." However, the lover wasn't convinced and went to offer his soul for sale. The vendors told him: "A human soul is valueless. It won't bring us a small silver coin," proposing to buy his body, and turning him into a slave, so they can sell him to a queen.

Then, the fisherman went to a malicious witch who lived in a cave. She recommended him to stand with his back to the moon until he sees his shadow and cut it with a knife, because "a human's shadow is his soul." But before he cuts his shadow, the soul pleased him to let it alive, and asked him to keep his heart for it so it doesn't feel alone in this cruel world. However, the fisherman refused and told the soul: "How can I love my mermaid if I gave you my heart?" Then, the soul asked him to meet it once a year on the beach where they split and he accepted.

The soul called him every year, and he went to meet it. In the first year, it told him about its tours in the East, and proposed to give him the "mirror of wisdom", which can show him the truth wherever he is, if he accepts to reunite with the soul. However, he refused because "love is better than wisdom," and went back to his mermaid. The second year, the soul called him again and spoke about its tours in the South, then proposed to give him a ring that would make him the richest man on earth, but he refused because "love is more important." In the third year, the soul proposed to accompany him to a nearby city where he can watch a barefoot woman dancing. The mermaid has no legs and cannot dance, so he agreed to go with his soul but only on a one-day trip so he can return quickly to his mermaid.

Here, the soul started to incite him to bad actions like stealing a silver cup, slapping a child, and killing a kind man. The fisherman noticed that his soul has become pure evil, and when he denounced its action, the soul told him: "Did you forget that you left me without a heart?" The fisherman tried to separate from his soul again by cutting his shadow as taught by the witch, but he discovered that his soul and shadow can be cut one time, and that his evil soul will stay with him forever. As "his love reached great levels", the fisherman looked for his mermaids in the seas, neglecting the words of his soul calling him to forget her. Eventually, when his heart broke, the soul found its way again to him, and they reunited.

The story collection includes four stories in 217 pages. Wilde used pomegranates as an expressive symbol in his four stories, and created tens of imaginary pictures aimed at making an equal dialogue between the worlds of kings and poor people. In the "Young King" story, a poor man stands in a crowd and addresses to the king, saying: "Sir, don't you know that the life of poor people exists because of rich people? We live from your extravagances. We gain our bread from your vices. Working hard for a cruel master is bitter, but not having a master to work hard for is even bitterer." In this story, a sixteen-year-old shepherd surprisingly found himself in a fancy palace, and knew he is the only legitimate heir of a king, whose daughter was killed for loving a lower man. The young shepherd's life starts to change with an excessive passion for beauty. His greatest dream centered on his appearance during the crowning ceremony and "the golden cape, the sapphire-studded crown, and the pearl-adorned scepter" he is going to wear.

However, that night, the young heir saw three dreams that described the heavy price he is going to pay to wear these three things. The first dream featured weak hands shaking in a heavy air while weaving his cape; in the second, he saw himself on a boat during a fishing trip that ended with the bloody death of the diver who found the prettiest pearl for his crown; in the third, he saw death and greediness fighting and messing with the fate of men looking for the sapphires that would adorn his crown. The young shepherd woke up the next morning and ordered his escorts who brought the cape, crown, and scepter to "take these things away, and hide them. The white hands of pain weaved the cape with the loom of sadness; the sapphires are covered with blood, and the pearl is hunted by death".

Finally, the heir chose to attend the crowning ceremony accompanied by his sheep, wearing his cape made of sheep fur, and putting a crown of thorns on his head, with the primitive shepherd stick in his hand. When he walked among the crowds in this modest appearance, the rich and poor called him "the beggar and the king's clown", while he insisted on modesty and told them about his dreams.



Dutch Art Sleuth Recovers Stolen Trove of UNESCO-listed Documents

This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)
This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)
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Dutch Art Sleuth Recovers Stolen Trove of UNESCO-listed Documents

This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)
This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)

A Dutch art sleuth has recovered a priceless trove of stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation.

Arthur Brand, nicknamed the "Indiana Jones of the Art World" for his high-profile recovery of stolen masterpieces, said the latest discovery was among his most significant.

"In my career, I have been able to return fantastic stolen art, from Picassos to a Van Gogh... yet this find is one of the highlights of my career," Brand told AFP.

Many of the documents recount the early days of the Dutch East India Company (VOC), whose globetrotting trading and military operations contributed to the Dutch "Golden Age", when the Netherlands was a global superpower.

The 17th century VOC documents contain a "fascinating glimpse into the events of that time in places like Europe, India, Indonesia, South Africa and Latin America," said Brand.

One document from 1602 recounts the first meeting of the VOC, during which its famous logo -- considered the world's first corporate logo -- was designed.

VOC merchants criss-crossed the globe, catapulting the Netherlands to a world trading power but also exploiting and oppressing the colonies it conquered.

The company was also a leading diplomatic power and one document relates a visit in 1700 by top VOC officials to the court of the Mughal emperor in India.

"Since the Netherlands was one of the most powerful players in the world at that time in terms of military, trade, shipping, and colonies, these documents are part of world history," said Brand.

UNESCO agrees, designating the VOC archives as part of its "Memory of the World" documentary heritage collection.

"The VOC archives make up the most complete and extensive source on early modern world history anywhere," says UNESCO on its website.

The trove also featured early ships logs from one of the world's most famous admirals, Michiel de Ruyter, whose exploits are studied in naval academies even today.

De Ruyter gained fame for his daring 1667 raid to attack the English fleet in the River Medway, one of the greatest humiliations in world naval history.

The ship's logs, written in his own hand, relate the admiral's first experience of naval warfare, the 1641 Battle of St Vincent against the Spanish fleet.

No less enthralling is the "who-dunnit" of how Brand came by the documents.

Brand received an email from someone who had stumbled across a box of seemingly ancient manuscripts while clearing out the attic of an incapacitated family member.

This family member occasionally lent money to a friend, who would leave something as collateral -- in this case the box of documents.

"I received some photos and couldn't believe my eyes. This was indeed an extraordinary treasure," Brand told AFP.

Brand investigated with Dutch police and concluded the documents had been stolen in 2015 from the vast National Archives in The Hague.

The main suspect -- an employee at the archives who had indeed left the box as collateral but never picked it up -- has since died.

Brand compared the theft to a daring heist by a curator at the British Museum, who spirited away some 1,800 objects, selling some of them on eBay.

The art detective said he spent many an evening sifting through the documents, transported back in time.

"Wars at sea, negotiations at imperial courts, distant journeys to barely explored regions, and knights," he told AFP.

"I felt like I had stepped into Robert Louis Stevenson's 'Treasure Island."