Israel City's Bid to Honor Egypt’s Iconic Umm Kulthum Stirs Debate

Undated photo of singer Oum Kalthoum in concert in Cairo. (AFP)
Undated photo of singer Oum Kalthoum in concert in Cairo. (AFP)
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Israel City's Bid to Honor Egypt’s Iconic Umm Kulthum Stirs Debate

Undated photo of singer Oum Kalthoum in concert in Cairo. (AFP)
Undated photo of singer Oum Kalthoum in concert in Cairo. (AFP)

She was one of the Arab world's most revered singers, praised by Bob Dylan and sampled by Beyonce: the late Egyptian legend Umm Kulthum seems worthy of having a street named in her honor.

But when that street is in Israel, a country she condemned while championing the Palestinian cause, a decision to honor the vocalist branded "the Star of the East," has triggered controversy.

Haifa -- Israel's third largest city, where roughly 10 percent of its 300,000 residents are Arab -- decided earlier this month to honor the woman whose deep, resonant voice was also adored by many Jews.

The decision highlights the diversity of the city, "which represents a model of co-existence between Arabs and Jews," Haifa town council head Einat Kalisch-Rotem said.

Umm Kulthum, who died aged 76 in 1975, performed in Haifa in the 1930s when the city was in British-mandated Palestine before Israel's creation in 1948.

Haifa councilor Raja Zaatreh said honoring Umm Kulthum is an appropriate way of recognizing the "presence and roots" of Israel's Arab community, which regularly faces discrimination.

'Shameful'?

After the Umm Kulthum honor was announced, Haifa newspaper Kol Po published a front page black-and-white picture of the singer with some of her lyrics scrawled across the image.

"Now I have a gun, take me in, Palestine, with you," were the printed lines from one of her songs dedicated to the Palestinians.

During the 1967 Six Day War, the artist sometimes dubbed Egypt's "Fourth Pyramid", also performed a song that willed her nation to victory against Israel.

Writing in Kol Po, a lawmaker from the right-wing Likud party, Ariel Kallner, said he was "saddened" by Haifa's decision to honor a woman "who called for the destruction of the Jewish state".

He vowed to find ways to block the street-naming.

And Prime Minister Benjamin's Netanyahu son Yair, a vocal and often bombastic social media commentator, tweeted that the honor was "shameful and crazy".

Despite Netanyahu's outrage, his father's government supported a festival in 2013 that included a night devoted to Umm Kulthum's work.

And Haifa is not the first Israeli city to honor "the Lady of Cairo".

In 2011, the mainly Arab Beit Hanina neighborhood in east Jerusalem named a street after her and a similar move is planned in the central city of Ramla.

But as the trend has spread, Jewish outrage appears to have grown.

Writing in the Israel Hayom newspaper, commentator Eldad Beck sounded an alarm about the string of Umm Kulthum honours.

"It started with Jerusalem, then Ramla and has ended up in Haifa," Beck wrote, blasting the push "to commemorate one of the biggest and most influential enemies of Israel, who wanted to annihilate the state".

Jewish fans

Reducing the controversy surrounding Umm Kulthum to tensions between Arabs and Jews underestimates her wide array of devotees, said Jonathan Mandel, an Arabic language and culture researcher at Ben-Gurion University of the Negev.

He stressed that Mizrahi Jews, meaning those from North Africa and the Middle East, are equally attached to her music.

Israeli musician Ariel Cohen said that some Jews with Arab roots "grew up with Umm Kulthum," and noted that one of her most famous songs, "Enta Omri" -- the tune sampled by Beyonce -- was translated into Hebrew.

"Umm Kulthum is not an enemy," Cohen said.

Even if she sang patriotic songs during conflict between Egypt and Israel before the neighbors signed a 1979 peace deal, "it is natural for singers to sing patriotic songs in times of war," Cohen added.

Cohen told AFP that the former chief Sephardic rabbi, Iraqi-born Ovadia Yosef, used to play Umm Kulthum's music during parties and would sing along to her Arabic lyrics.



Saudi Film Forum: Cinema Beyond the Screen

The forum’s first session hosted Prince Turki Al-Faisal.
The forum’s first session hosted Prince Turki Al-Faisal.
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Saudi Film Forum: Cinema Beyond the Screen

The forum’s first session hosted Prince Turki Al-Faisal.
The forum’s first session hosted Prince Turki Al-Faisal.

“Where cinema transcends the screen,” marked the opening of the Saudi Film Forum, which began on Wednesday evening in Riyadh.
The event attracted a large audience of filmmakers from around the globe, including American actor and producer Will Smith, this year’s special guest.
During the opening, Minister of Culture Prince Badr bin Abdullah bin Farhan said : “Through the Saudi Film Forum, we are starting a new era that goes beyond creativity... toward a fully integrated film industry that connects us culturally and economically with the world.”
The first session featured Prince Turki Al-Faisal, Chairman of the King Faisal Center for Research and Islamic Studies, who spoke about the important role of films in bridging cultures.
He recalled how, nearly 50 years ago, the introduction of film on television helped Saudi society connect with the world and allowed others to understand Saudi culture.
Prince Turki Al-Faisal’s Experience
During the session, moderator Faisal Abbas, Editor-in-Chief of Arab News, asked Prince Turki, “If you had a magic wand to choose a film about the Kingdom to produce, what would it be?”
The prince replied : “That’s a tough question. From my experience in producing films, some have had a significant impact on how people view the Kingdom and Islam, as well as what Saudi Arabia represents.”
He recalled the first Saudi-funded film, made nearly 20 years ago about the Arab historian Ibn Battuta, which was similar to a documentary. He noted that another film about the Hajj was produced that same year, and both were shown worldwide.
“My favorite film is ‘Born a King,’ which I co-produced,” Prince Turki shared.
“It tells the story of King Faisal's first journey abroad at age 13, commissioned by King Abdulaziz. I believe it was one of the first narrative films shot in the Kingdom with Saudi actors,” he added.
On Arab cinema, he said : “Many Arab films I've seen tend to be quite gloomy in terms of visuals and storytelling, which makes me reluctant to watch them.”
He stressed that films should aim to bring joy to viewers rather than leave them feeling sad or distressed.