'Ibn Khaldun and his Readers': Paradoxical Ideological Approaches

'Ibn Khaldun and his Readers': Paradoxical Ideological Approaches
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'Ibn Khaldun and his Readers': Paradoxical Ideological Approaches

'Ibn Khaldun and his Readers': Paradoxical Ideological Approaches

Some call him the first founder of sociology, and some say his thoughts belong to the 20th century despite that he lived in the 14th century. In his books, he focused on the rules of human settlement, and this is why he was called the founder of the Ekistics science. Ibn Khaldun deciphered the concepts of crowd psychology, tribalism, and the stages of state collapse. He was one of the greatest developers of political thinking, given his contributions to the philosophy of history and political systems.

This is Ibn Khaldun who still inspires people around the world and prompts many to write about him. The latest publication on the famous philosopher is a French book dubbed "Ibn Khaldun and his Readers" by Ahmed Abdul Salam, which has also been translated into Arabic by Al-Sadek al-Misawi, and recently published by The Tunisian Academy of Sciences, Letters and Arts "Beït al-Hikma".

In the abstract, Abdul Salam said his book includes a number of lectures he delivered at the Collège de France, which he believes they contribute to the revival of the diverse Kaldunian studies and their content of philosophic expressions, sociology terms, and historic vocabulary. Hence, the study of Ibn Khaldun's works required different scientific readings, and various ideological approaches adopted in the advanced orientalist studies that link his works to sociology or to the philosophy of history.

The Khaldunian thinking has contributed to the emergence of many schools like the Khaldunian Madhab led by Hajji Khalifa in Turkey. European orientalists have also looked at Ibn Khaldun's "Muqaddimah" after "they noticed similarity between its content and the thoughts of leading figures from the Age of Enlightment like Montesquieu."

This is why Joseph von Hammer-Purgstall referred to Ibn Khaldun as "Montesquieu of the Arabs", and others called him "Montesquieu of the East."

Ahmed Abdul Salam explains that the interest in Ibn Khaldun was not limited to historians studying the Ekistics causes, but he was also studied in many papers and dissertations, such as the publications of the Austrian Philosopher Friedrich August von Hayek who was astonished by the thoroughness of Ibn Khaldun's theses in the political and social fields.

According to Abdul Salam, the comparative criticism between Ibn Khaldun and the greatest western philosophers was the main reason behind the interest of European orientalists in the Muqaddimah writer.

For instance, the Sweden orientalist Jacob Graber compared Ibn Khaldun to Machiavelli, confirming the influence of the Khaldunian thinking on the prince's companion. he European orientalists' interest in Ibn Khaldun also appears in the translation of the Muqaddimah into several international languages including French by Baron de Slane.

Those are the different readings and readers of Ibn Khaldun on various ideological, epistemological, and contextual levels; no one can doubt the eligibility of each reading, even Ibn Khaldun himself, because the text belongs to the reader as long as he has the required knowledge tools.

The Muqaddimah includes some philosophic reflections, even if some readers denied them. Some sees Ibn Khaldum's understanding of Ekistics as a field of sociological research, while others classifies it under other knowledge contexts.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.