Netflix Tools Up in SE Asia

FILE PHOTO: A smartphone with the Netflix logo is seen on a keyboard in front of displayed "Streaming service" words in this illustration taken March 24, 2020. REUTERS/Dado Ruvic/File photo
FILE PHOTO: A smartphone with the Netflix logo is seen on a keyboard in front of displayed "Streaming service" words in this illustration taken March 24, 2020. REUTERS/Dado Ruvic/File photo
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Netflix Tools Up in SE Asia

FILE PHOTO: A smartphone with the Netflix logo is seen on a keyboard in front of displayed "Streaming service" words in this illustration taken March 24, 2020. REUTERS/Dado Ruvic/File photo
FILE PHOTO: A smartphone with the Netflix logo is seen on a keyboard in front of displayed "Streaming service" words in this illustration taken March 24, 2020. REUTERS/Dado Ruvic/File photo

US streaming giant Netflix is ramping up its mobile-only subscription plans in Southeast Asia and expanding local content, senior executives told Reuters, just as arch-rival Disney arrives in the fast-growing market.

The world's biggest video streaming platform by paid customers, Netflix told Reuters more than a million of its nearly 200 million subscribers around the world are in Southeast Asia, home to around 655 million people. But the market is ripe for rapid growth, analysts say, with the Disney+ Hotstar launch in Indonesia next month set to become a key battleground.

"What we see in Southeast Asia is that it's a very mobile-centric market", Netflix director for product innovation Ajay Arora told Reuters in a recent interview. That's led the company to push cheaper mobile plans and adapt its product to fit lower-end smartphones, Arora said.

Southeast Asia is estimated to have generated $600 million in overall subscription music and video revenue in 2019, according to a study by Google, Temasek Holdings and Bain & Co - but that's set to explode to an annual $3 billion by 2025, the study said.

Starting with India in August 2019, Netflix has now launched mobile-only plans in Malaysia, Thailand, the Philippines, and Indonesia - all priced at below $5 a month. That's a departure for Netflix, which has held firm on pricing in Western markets.

Repeated coronavirus lockdowns across Southeast Asia have also increased the appetite for content streaming at home across the region.

A Netflix spokeswoman told Reuters that the firm "has well over 1 million subscribers in multiple Southeast Asian countries", but declined to provide details.

Consultancy Media Partners Asia estimates that Southeast Asia video streaming service subscribers will reach 14.7 million in all by the end of 2020.

Netflix executive Arora said his firm is also working to expand its payment options in countries with low credit and debit card penetration. In markets like the Philippines, subscribers can pay for Netflix through their mobile telephone plans, or by purchasing prepaid Netflix cards at convenience stores.

The company faces competition in the region not just from Disney+, a distant, but ambitious, global no. 2 in the industry.

Other regional rivals include Hong Kong video service Viu, popular for its Korean dramas, as well as Chinese tech giant Tencent's WeTV, which in June bought the assets of Malaysian streaming platform Iflix.

Disney+ is currently in the middle of a hiring spree across the region and is expected to launch broadly in the coming months jointly with its Indian streaming platform Hotstar.

Disney's family and superhero movies have proven consistent hits in Southeast Asia.



'Superman' Director James Gunn Remakes the Hero for the Big Screen

FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
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'Superman' Director James Gunn Remakes the Hero for the Big Screen

FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo

James Gunn, writer and director of the off-kilter "Guardians of the Galaxy" films, tussled with various ideas on how to deliver a new take on Superman to the big screen.

Gunn said he was aware of the many ways the noble hero had been approached since his 1938 debut, initially in comic books and then radio serials, television shows and movies.

The challenge was to deliver something fresh that would appeal to a new generation of moviegoers and reinvigorate Warner Bros Discovery's DC Studios.

His vision, in the movie titled simply "Superman," starts rolling out in international theaters on Wednesday and in the United States and Canada on Friday, Reuters reported.

In the opening scene, Superman, played for the first time by David Corenswet, is seen bloodied after a fight, an unusual portrayal for the Man of Steel.

"I wanted to take the character of Superman and just focus on a piece of him that we haven't necessarily seen before," Gunn said.

Gunn surrounded Superman with elements that enthralled him from the comics as a child. Superman lives in a world, Gunn said, with "superhero friends and giant monsters and flying dogs, robots and all this magical stuff."

The new film includes Superman's four-legged sidekick, a superpowered dog named Krypto first introduced in a 1955 comic. The latest version is based on Gunn's real-life, misbehaving rescue mutt.

Warner Bros is counting on "Superman" to start a new era at DC Studios, which has failed to match the superhero success of Walt Disney-owned Marvel. Gunn, who made the "Guardians" movies for Marvel, was named co-CEO of DC Studios, alongside producer Peter Safran, in 2022.

The pair have plotted a long-term slate that features a Supergirl movie for June 2026, a film based on Swamp Thing and TV shows for HBO Max. Wonder Woman and Batman also are expected to return to cinemas.

Gunn said the aesthetic that audiences see in "Superman" will not necessarily foreshadow future DC Studios endeavors. "I want to be really certain that every project has its own unique flavor," Gunn said.

"We're doing Clayface, and that doesn't feel like this movie. It's an R-rated horror movie. We're doing 'Lanterns,' which is an HBO show, which feels very much like an HBO show, very grounded, very kind of brutal. We have 'Peacemaker,' which is an adult show with a lot of emotion and a lot of comedy."

Gunn admitted he has felt the weight of responsibility to produce a hit.
"I've felt pressure all along," Gunn said. "That's been difficult."

But as he started to see initial reaction to the film, "I'm feeling pretty good," he said. "It's pretty fun. I'm seeing the effect the movie has on people."