Netflix Tools Up in SE Asia

FILE PHOTO: A smartphone with the Netflix logo is seen on a keyboard in front of displayed "Streaming service" words in this illustration taken March 24, 2020. REUTERS/Dado Ruvic/File photo
FILE PHOTO: A smartphone with the Netflix logo is seen on a keyboard in front of displayed "Streaming service" words in this illustration taken March 24, 2020. REUTERS/Dado Ruvic/File photo
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Netflix Tools Up in SE Asia

FILE PHOTO: A smartphone with the Netflix logo is seen on a keyboard in front of displayed "Streaming service" words in this illustration taken March 24, 2020. REUTERS/Dado Ruvic/File photo
FILE PHOTO: A smartphone with the Netflix logo is seen on a keyboard in front of displayed "Streaming service" words in this illustration taken March 24, 2020. REUTERS/Dado Ruvic/File photo

US streaming giant Netflix is ramping up its mobile-only subscription plans in Southeast Asia and expanding local content, senior executives told Reuters, just as arch-rival Disney arrives in the fast-growing market.

The world's biggest video streaming platform by paid customers, Netflix told Reuters more than a million of its nearly 200 million subscribers around the world are in Southeast Asia, home to around 655 million people. But the market is ripe for rapid growth, analysts say, with the Disney+ Hotstar launch in Indonesia next month set to become a key battleground.

"What we see in Southeast Asia is that it's a very mobile-centric market", Netflix director for product innovation Ajay Arora told Reuters in a recent interview. That's led the company to push cheaper mobile plans and adapt its product to fit lower-end smartphones, Arora said.

Southeast Asia is estimated to have generated $600 million in overall subscription music and video revenue in 2019, according to a study by Google, Temasek Holdings and Bain & Co - but that's set to explode to an annual $3 billion by 2025, the study said.

Starting with India in August 2019, Netflix has now launched mobile-only plans in Malaysia, Thailand, the Philippines, and Indonesia - all priced at below $5 a month. That's a departure for Netflix, which has held firm on pricing in Western markets.

Repeated coronavirus lockdowns across Southeast Asia have also increased the appetite for content streaming at home across the region.

A Netflix spokeswoman told Reuters that the firm "has well over 1 million subscribers in multiple Southeast Asian countries", but declined to provide details.

Consultancy Media Partners Asia estimates that Southeast Asia video streaming service subscribers will reach 14.7 million in all by the end of 2020.

Netflix executive Arora said his firm is also working to expand its payment options in countries with low credit and debit card penetration. In markets like the Philippines, subscribers can pay for Netflix through their mobile telephone plans, or by purchasing prepaid Netflix cards at convenience stores.

The company faces competition in the region not just from Disney+, a distant, but ambitious, global no. 2 in the industry.

Other regional rivals include Hong Kong video service Viu, popular for its Korean dramas, as well as Chinese tech giant Tencent's WeTV, which in June bought the assets of Malaysian streaming platform Iflix.

Disney+ is currently in the middle of a hiring spree across the region and is expected to launch broadly in the coming months jointly with its Indian streaming platform Hotstar.

Disney's family and superhero movies have proven consistent hits in Southeast Asia.



'Maybe Happy Ending' Tops Broadway's Tony Awards

Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP
Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP
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'Maybe Happy Ending' Tops Broadway's Tony Awards

Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP
Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP

"Maybe Happy Ending," a South Korean musical adapted for Broadway about two robots who find connection, won big at Sunday's Tony Awards, scooping up six prizes at the gala celebrating the best in American theater.

Stars of the season Cole Escola and Nicole Scherzinger also won their first Tonys, on a night that celebrated Broadway's revival after a years-long pandemic slump, AFP said.

Cynthia Erivo -- the Oscar-nominated "Wicked" star who herself boasts a Tony -- hosted the ceremony at Manhattan's Radio City Music Hall honoring this year's buzzy, diverse competitive slate .

It was Broadway's most financially lucrative year ever, she told the crowd.

"Broadway is officially back -- provided we don't run out of cast members from 'Succession,'" she joked, referring to the decorated TV dramedy about a family's media empire.

Sarah Snook -- who scored an Emmy for her role in "Succession" -- won the Tony for best leading actress in a play, taking on all 26 roles in the stage adaptation of Oscar Wilde's novel "The Picture of Dorian Gray."

A host of new shows and stars drew 14.7 million people to the Broadway performances this season, grossing $1.89 billion at the box office.

Some of showbiz's biggest names graced New York's stages, including George Clooney, Denzel Washington, Jake Gyllenhaal -- and Snook's "Succession" co-stars Kieran Culkin and Jeremy Strong.

"Please go to the theater, whether it's a Broadway show or a school play," said Michael Arden, who won a Tony for best direction of a musical for "Maybe Happy Ending."

Darren Criss of "Glee" fame -- already an Emmy winner for portraying killer Andrew Cunanan in "The Assassination of Gianni Versace: American Crime Story" -- won the Tony for lead actor in that musical.

"I have such immense pride to get to be part of this notably diverse exquisite Broadway season this year," he told the audience as he accepted his award.

Scherzinger bested a packed field including the legendary Audra McDonald -- the performer with the most Tonys in history -- for best actress in a musical for her role as faded star Norma Desmond in "Sunset Boulevard," which also won for best revival of a musical.

"If there's anyone out there who feels like they don't belong or your time hasn't come, don't give up," said an emotional Scherzinger, who once fronted the pop girl group The Pussycat Dolls.

"Just keep on giving and giving because the world needs your love and your light now more than ever. This is a testament that love always wins."

'Oh, Mary!'

Even though Escola's hit dark comedy "Oh, Mary!" was the favorite for best new play, the award went to intense family portrait "Purpose" by Branden Jacobs-Jenkins, which also won the 2025 Pulitzer Prize for Drama.

But Escola still won big for their unhinged performance in the one-act reimagining of Abraham Lincoln's assassination through the eyes of his wife -- a raging alcoholic who dreams of life as a cabaret star.

Escola bested a stacked field that included Clooney.

"Oh, Mary!" also snagged the prize for best direction, won by Sam Pinkleton.

"You have taught me to make what you love and not what you think people want to see," Pinkleton said in his speech, speaking directly to a tearful Escola.

"We can bring joy to people at the end of a crappy day and that feels like a big deal to me," Pinkleton added to ardent applause.

The night's rollicking performances included a gripping rendition of "Rose's Turn" from McDonald, and a captivating performance of "As If We Never Said Goodbye" from Scherzinger.

The gala also featured a much-touted reunion of the original cast of "Hamilton," as that groundbreaking smash musical by Lin-Manuel Miranda celebrates its 10th anniversary.

A heartfelt segment honored those the theater community lost over the past year, with Erivo and Sara Bareilles delivering the classic "Tomorrow" from "Annie."

The night's rollicking performances included a gripping rendition of "Rose's Turn" from McDonald, and a captivating performance of "As If We Never Said Goodbye" from Scherzinger.

The gala also featured a much-touted reunion of the original cast of "Hamilton," as that groundbreaking smash musical by Lin-Manuel Miranda celebrates its 10th anniversary.

A heartfelt segment honored those the theater community lost over the past year, with Erivo and Sara Bareilles delivering the classic "Tomorrow" from "Annie."