'Maybe Happy Ending' Tops Broadway's Tony Awards

Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP
Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP
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'Maybe Happy Ending' Tops Broadway's Tony Awards

Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP
Cole Escola scooped their first Tony Award for best actor in a play for 'Oh, Mary!'. kena betancur / AFP

"Maybe Happy Ending," a South Korean musical adapted for Broadway about two robots who find connection, won big at Sunday's Tony Awards, scooping up six prizes at the gala celebrating the best in American theater.

Stars of the season Cole Escola and Nicole Scherzinger also won their first Tonys, on a night that celebrated Broadway's revival after a years-long pandemic slump, AFP said.

Cynthia Erivo -- the Oscar-nominated "Wicked" star who herself boasts a Tony -- hosted the ceremony at Manhattan's Radio City Music Hall honoring this year's buzzy, diverse competitive slate .

It was Broadway's most financially lucrative year ever, she told the crowd.

"Broadway is officially back -- provided we don't run out of cast members from 'Succession,'" she joked, referring to the decorated TV dramedy about a family's media empire.

Sarah Snook -- who scored an Emmy for her role in "Succession" -- won the Tony for best leading actress in a play, taking on all 26 roles in the stage adaptation of Oscar Wilde's novel "The Picture of Dorian Gray."

A host of new shows and stars drew 14.7 million people to the Broadway performances this season, grossing $1.89 billion at the box office.

Some of showbiz's biggest names graced New York's stages, including George Clooney, Denzel Washington, Jake Gyllenhaal -- and Snook's "Succession" co-stars Kieran Culkin and Jeremy Strong.

"Please go to the theater, whether it's a Broadway show or a school play," said Michael Arden, who won a Tony for best direction of a musical for "Maybe Happy Ending."

Darren Criss of "Glee" fame -- already an Emmy winner for portraying killer Andrew Cunanan in "The Assassination of Gianni Versace: American Crime Story" -- won the Tony for lead actor in that musical.

"I have such immense pride to get to be part of this notably diverse exquisite Broadway season this year," he told the audience as he accepted his award.

Scherzinger bested a packed field including the legendary Audra McDonald -- the performer with the most Tonys in history -- for best actress in a musical for her role as faded star Norma Desmond in "Sunset Boulevard," which also won for best revival of a musical.

"If there's anyone out there who feels like they don't belong or your time hasn't come, don't give up," said an emotional Scherzinger, who once fronted the pop girl group The Pussycat Dolls.

"Just keep on giving and giving because the world needs your love and your light now more than ever. This is a testament that love always wins."

'Oh, Mary!'

Even though Escola's hit dark comedy "Oh, Mary!" was the favorite for best new play, the award went to intense family portrait "Purpose" by Branden Jacobs-Jenkins, which also won the 2025 Pulitzer Prize for Drama.

But Escola still won big for their unhinged performance in the one-act reimagining of Abraham Lincoln's assassination through the eyes of his wife -- a raging alcoholic who dreams of life as a cabaret star.

Escola bested a stacked field that included Clooney.

"Oh, Mary!" also snagged the prize for best direction, won by Sam Pinkleton.

"You have taught me to make what you love and not what you think people want to see," Pinkleton said in his speech, speaking directly to a tearful Escola.

"We can bring joy to people at the end of a crappy day and that feels like a big deal to me," Pinkleton added to ardent applause.

The night's rollicking performances included a gripping rendition of "Rose's Turn" from McDonald, and a captivating performance of "As If We Never Said Goodbye" from Scherzinger.

The gala also featured a much-touted reunion of the original cast of "Hamilton," as that groundbreaking smash musical by Lin-Manuel Miranda celebrates its 10th anniversary.

A heartfelt segment honored those the theater community lost over the past year, with Erivo and Sara Bareilles delivering the classic "Tomorrow" from "Annie."

The night's rollicking performances included a gripping rendition of "Rose's Turn" from McDonald, and a captivating performance of "As If We Never Said Goodbye" from Scherzinger.

The gala also featured a much-touted reunion of the original cast of "Hamilton," as that groundbreaking smash musical by Lin-Manuel Miranda celebrates its 10th anniversary.

A heartfelt segment honored those the theater community lost over the past year, with Erivo and Sara Bareilles delivering the classic "Tomorrow" from "Annie."



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.