Lebanon's Fairouz: The Arab World's Most Celebrated Living Voice

Lebanese icon Fairouz. (AFP)
Lebanese icon Fairouz. (AFP)
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Lebanon's Fairouz: The Arab World's Most Celebrated Living Voice

Lebanese icon Fairouz. (AFP)
Lebanese icon Fairouz. (AFP)

The Arab world's last living music legend Fairouz, who French president Emmanuel Macron is to visit Monday in Beirut, is a rare symbol of national unity in crisis-hit Lebanon.

Since the death of Egyptian diva Umm Kulthum in 1975, no Arab singer has been so profoundly venerated as 85-year-old Fairouz -- a stage name that means "turquoise" in Arabic.

For decades, she captivated audiences everywhere from her native Beirut to Las Vegas, including the grand Olympia in Paris and the Royal Albert Hall in London.

She has sung of love, Lebanon and the Palestinian cause, in ballads that have revolutionized Middle Eastern music.

Fairouz is "certainly one of the greatest Arab singers of the 20th century," expert in Middle Eastern music Virginia Danielson told the New York Times in 1999.

When she sang, she appeared as if in a trance: eyes glazed over, expression stoic, small smiles flashing quickly across her face.

"If you look at my face while I am singing, you will see that I am not there, I am not in the place," she told the New York Times in a rare interview.

"I feel art is like prayer."

Fairouz has been dubbed "our ambassador to the stars" by her compatriots -- not just for her celestial voice, but because she is a rare symbol of unity for a country bitterly divided by a 15-year civil war.

‘I love you, oh Lebanon’
Born Nouhad Haddad in 1934 to a working class family, she studied at the national music conservatory as a teenager.

During her time with the Lebanese state radio choir, composer Halim al-Roumi nicknamed her Fairouz and introduced her to composer Assi Rahbani, whom she married in 1955.

Fairouz, Assi, and his brother Mansour revolutionized traditional Arabic music by merging classical Western, Russian and Latin elements with eastern rhythms and a modern orchestra.

Fairouz shot to fame after her first performance at the Baalbek International Festival in 1957.

Her reign as the queen of Arabic music was partly thanks to her championing the Palestinian cause, including "Sanarjaou Yawman" or "We Shall Return One Day", an elegy to Palestinians exiled by the creation of Israel in 1948.

The star is an immortal icon in her native Lebanon.

Many of her most popular songs are nostalgic odes to pastoral times. Others are poems by the likes of Lebanese legends Gibran Khalil Gibran and Said Aql that are set to music.

She has largely disappeared from public life in recent years, but her soaring voice remains ubiquitous, blaring every morning from radios in street cafes and taxis.

"When you look at Lebanon now, you see that it bears no resemblance to the Lebanon I sing about, so when we miss it, we look for it through the songs," the diva told the New York Times.

Fairouz also won national acclaim for remaining in Lebanon throughout the country's civil war from 1975 to 1990, and for refusing to side with one faction over another.

Tens of thousands of people swarmed her first post-war concert, in 1994 in Beirut's downtown.

"I love you, oh Lebanon, my country, I love you. Your north, your south, your valley, I love you," she croons in one of her most well-known songs.

Political, family controversies
Fairouz is famously protective of her personal life.

"When she wants to, she can be really funny. She's also a distinguished chef. Very humble, she loves serving her guests herself," journalist Doha Chams, her press officer, told AFP.

But she hates "the invasion of her private life".

Fairouz had four children with husband Assi Rahbani, who died in 1986.

Their daughter Layal died at a young age of a brain hemorrhage, their son Hali is disabled, and Rima, the youngest, films and produces her mother's concerts.

Her eldest son, Ziad, followed in the footsteps of his father and uncle as a musician and composer.

Fairouz worked closely with Ziad – an iconic artist in Lebanon in his own right -- to compose songs with a jazz influence.

The Lebanese star's recent past has been marked by a string of family and political controversies.

In 2008, when Lebanese political factions were fiercely divided over support for the regime in neighboring Syria, Fairouz performed in Damascus.

Two years later, the Lebanese judiciary prevented her from singing tunes co-written by the Rahbani brothers without the authorization of the sons of her brother-in-law Mansour.

Fairouz spent several years without new material until 2017, when her daughter Rima produced her last album, "Bibali".



Why Does Israel Insist on Hezbollah to Withdraw North of Litani River?

Israeli tanks on the Lebanese-Israeli border (AP)
Israeli tanks on the Lebanese-Israeli border (AP)
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Why Does Israel Insist on Hezbollah to Withdraw North of Litani River?

Israeli tanks on the Lebanese-Israeli border (AP)
Israeli tanks on the Lebanese-Israeli border (AP)

Lebanese fears became reality early Tuesday when the Israeli military announced a “limited ground operation” in southern Lebanon against Hezbollah.

This move comes after 15 days of escalating violence, which began with the explosion of Hezbollah’s pagers and communication devices and the assassination of key leaders, culminating in the killing of Hezbollah’s Secretary-General, Hassan Nasrallah.

Israeli officials stated their intent to “do everything necessary to return northern residents” to their homes and to use “all means” to push Hezbollah “beyond the Litani River.”

These remarks are viewed as serious threats.

The issue of the Litani River gained attention again on August 11, 2006, when the UN Security Council unanimously adopted Resolution 1701.

This resolution called for a complete ceasefire between Lebanon and Israel, ending the July war pitting Hezbollah against the Israeli army.

Resolution 1701 established a zone between the Blue Line, the border between Lebanon and Israel, and the Litani River in southern Lebanon, banning all armed groups and military equipment except for the Lebanese Armed Forces and UN peacekeepers (UNIFIL).

Hezbollah initially accepted the resolution but later violated it by fully redeploying in southern Lebanon.

Israel has also repeatedly breached the resolution, failing to withdraw from the occupied Lebanese territories of Shebaa Farms and Kfar Shouba Hills.

It has conducted numerous air violations and recently bombarded southern villages, displacing over a million Lebanese residents.

Retired military analyst Brig. Gen. Saeed Kozah told Asharq Al-Awsat that

Israel aims to push Hezbollah fighters beyond the Litani River, believing this would reduce the threat by about 40 kilometers from its settlements.

Meanwhile, as Israel ramped up its military actions against Lebanon, air raid sirens continued to sound in Israeli settlements near the border.

This followed Hezbollah’s launch of dozens of rockets at military sites and settlements, including the city of Haifa.

The area of southern Lebanon around the Litani River covers about 850 square kilometers and is home to around 200,000 residents, 75% of whom are Shiite.

Observers believe this is a key reason why Hezbollah is unwilling to withdraw from the region.

Kozah noted that Hezbollah’s refusal to retreat is tied to its desire to “declare victory,” similar to its stance after the 2006 July war, as it does not want to admit defeat.

Kozah stated that while a Hezbollah withdrawal would reduce direct ground and rocket attacks, it would not eliminate the risk of missiles launched from the Bekaa Valley and other parts of Lebanon.

He emphasized that Hezbollah’s ballistic missiles could be fired from various locations, including Syria.