Lebanese Recycle Glass from Beirut Blast

A glassblower forms glass at factory, which is recycling the broken glass as a result of the Beirut explosion, in the northern Lebanese port city of Tripoli on August 25, 2020. (Photo by JOSEPH EID / AFP)
A glassblower forms glass at factory, which is recycling the broken glass as a result of the Beirut explosion, in the northern Lebanese port city of Tripoli on August 25, 2020. (Photo by JOSEPH EID / AFP)
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Lebanese Recycle Glass from Beirut Blast

A glassblower forms glass at factory, which is recycling the broken glass as a result of the Beirut explosion, in the northern Lebanese port city of Tripoli on August 25, 2020. (Photo by JOSEPH EID / AFP)
A glassblower forms glass at factory, which is recycling the broken glass as a result of the Beirut explosion, in the northern Lebanese port city of Tripoli on August 25, 2020. (Photo by JOSEPH EID / AFP)

Standing in a pile of broken glass in northern Lebanon, a man heaved shovel-loads of shards -- retrieved from Beirut after the massive explosion at its port -- into a red-hot furnace.

Melted down at a factory in the second city Tripoli, they re-emerged as molten glass ready to be recycled into traditional slim-necked water jugs.

The August 4 port explosion ripped through countless glass doors and windows when it laid waste to whole Beirut neighborhoods, killing at least 190 people and wounding thousands more.

Volunteers, non-governmental groups and entrepreneurs have tried to salvage at least part of the tons of glass that littered the streets, some of it through recycling at Wissam Hammoud's family's glass factory.

"Here we have glass from the Beirut explosion," said Hammoud, deputy head at the United Glass Production Company (Uniglass), as several men sorted through a mound of shards outside the building.
"Organizations are bringing it to us so that we can remanufacture it," AFP quoted the 24-year-old as saying.

As workers washed and stacked jars behind him, Hammoud said between 20 and 22 tons of glass had been brought to the factory, a hive of rhythmic activity centered around the furnace that burns at 900-1,200 degrees Celsius (1,650-2,190 Fahrenheit).

Nearby, three men produced jars stamped out of a mold in a carefully choreographed sequence, while another two handled the more delicate process of blowing and forming the traditional Lebanese pitchers.

"We work 24 hours a day," Hammoud said. "We can't stop because stopping costs too much money."

Ziad Abichaker, CEO of environmental engineering company Cedar Environmental, has spearheaded multiple glass recycling initiatives in Lebanon.

In the first days after the blast, he teamed up with civil-society organizations and a host of volunteers to come up with a plan to keep as much glass as possible out of landfills already overburdened by a decades-old solid waste crisis.

"We decided that at least part of the shattered glass... our local industries should benefit from as a raw material," Abichaker told AFP.

"We're diverting glass from ending up in the landfill, we're supplying our local industries with free raw material," he added.

According to him, more than 5,000 tons of glass was shattered by the explosion.

From mid-August to September 2, almost 58 tons were sent for reuse at Uniglass and Koub/Golden Glass in Tripoli.

Abichaker said he hoped, with funding, to bring the total to 250 tons.

At the volunteer hub dubbed the Base Camp in Beirut's hard-hit Mar Mikhael district, young men and women kitted out with sturdy shoes, masks and heavy gloves sort the glass, pulling bits of detritus out of the piled shards under a scorching sun.

Anthony Abdel Karim, who months before the blast had launched an upcycling glass project called Annine Fadye or "Empty Bottle" in Arabic, coordinates the operations.

We have "mountains of waste that are piling up in Beirut, they're mixed with everything. Glass and rubble and metal are mixed with organic waste... and this is not healthy," he said.

"We don't have proper recycling in Lebanon."

Abdel Karim was drawn to recycling glass after seeing huge numbers of bottles being thrown out while working in events management in Beirut's nightlife, one of the city's calling cards first quieted by the pandemic and economic crisis, and now battered by the blast.

Glass from the explosion poses different challenges from bottles, as much of it is dirty, so the initiative focuses on gathering glass from inside homes and other buildings, setting up a hotline where people can request pickup.

Abdel Karim said they aim to find other ways of recycling the glass that is not suitable to send to Tripoli, possibly by crushing it to be used in cement or other materials.

"This is the tip of the iceberg," he said, noting just a fraction of the glass so far had been collected and repurposed.

"It needs a lot of time, we know that."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”