Red Sea Film Festival Reveals Panel of Judges for Lodge Residency

The Red Sea International Film Festival unveiled the panel of judges that will preside over the 12 projects taking part in the inaugural Red Sea Lodge Residency. (Official website)
The Red Sea International Film Festival unveiled the panel of judges that will preside over the 12 projects taking part in the inaugural Red Sea Lodge Residency. (Official website)
TT

Red Sea Film Festival Reveals Panel of Judges for Lodge Residency

The Red Sea International Film Festival unveiled the panel of judges that will preside over the 12 projects taking part in the inaugural Red Sea Lodge Residency. (Official website)
The Red Sea International Film Festival unveiled the panel of judges that will preside over the 12 projects taking part in the inaugural Red Sea Lodge Residency. (Official website)

The Red Sea International Film Festival unveiled the panel of judges that will preside over the 12 projects taking part in the inaugural Red Sea Lodge Residency.

The panel includes Russian film producer Nadia Turincev, writer and producer Meinolf Zurhorst and the award-winning Egyptian film director Yousry Nasrallah.

The jury will announce the winners of two $500,000 production prizes at an online ceremony on September 25. Six of the participant film projects are from Saudi Arabia, while the remaining are from the Arab world.

The third workshop aims to train participants on how to propose and present their projects, in preparation for the digital meetings of November’s TorinoFilmLab. The event is a year-round, international laboratory that supports talents from all over the world, through training, development, production and distribution funding initiatives, including ScriptLab, FeatureLab and SeriesLab and the Red Sea Lodge.

While the TurinFilmLab, in collaboration with the Red Sea Film Lodge, selected 12 cinematic projects, each project’s team, from the director to the producer, and cinematographer, collaborated with a cinematic expert to develop their work and refine their skills as per the requirements of each stage of the creative process. This comprehensive program was designed to accommodate projects during whatever stage of development they had reached.

TorinoFilmLab Executive Director Savina Neirotti said: “The collaboration with the Red Sea Film Lodge has exceeded all expectations, even with the interruption caused by the unforeseeable global pandemic. The 12 projects have developed and evolved into fantastic projects and we are sure a large number of them will end up as films, whether they are awarded the production grant or not”.

Every stage of filmmaking is explored, from script consultations to work with experts in the fields of directing, cinematography and sound, through to post-production as well as a commercial focus on financing, sales, and audience engagement. Structured around diverse, stimulating exchanges with colleagues and mentors, the program is designed to enrich projects through multiple approaches and perspectives.

The final phase of the Lodge and the awarding of the grants was due to take place at the Red Sea International Film Festival in March, which was unable to take place due to coronavirus and the declaration of a global pandemic.



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.