Centuries-Old Saudi Mosques Undergo Historic Restoration ahead of Tourism Reopening

Workers repair the roof of Hamad Bin Yunus mosque. (Royal Commission for AlUla)
Workers repair the roof of Hamad Bin Yunus mosque. (Royal Commission for AlUla)
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Centuries-Old Saudi Mosques Undergo Historic Restoration ahead of Tourism Reopening

Workers repair the roof of Hamad Bin Yunus mosque. (Royal Commission for AlUla)
Workers repair the roof of Hamad Bin Yunus mosque. (Royal Commission for AlUla)

The Royal Commission for AlUla (RCU) announced on Tuesday that it is in the final stages of restoration work on the centuries-old Hamad Bin Yunus and AlZawiyah mosques in AlUla Old Town. For over 800 years a stopping point for pilgrims to Makkah and situated near the ancient earlier spice and incense trade routes, the town was only abandoned in the early 1980s.

Now, AlUla Old Town is undergoing restoration and conservation efforts by RCU as part of a wider effort to share and celebrate its over 200,000 years of human heritage with the world as it prepares to responsibly reopen for tourism next month. This heritage includes the Nabataean tombs of Hegra, Saudi Arabia’s first UNESCO World Heritage inscribed site.

Dr. Abdulrahman AlSuhaibani, Consultant for Archaeology and Heritage at RCU, said: “From pre-historic burial sites to the cutting edge Maraya venue, and from pre-Islamic Kingdoms of Dadan and Lihyan to the Islamic Old Town, we’re excited to celebrate and share the cultural oasis that is AlUla with the world.”

“As we explore and make new discoveries across over 22,000 km2 of heritage, we’re committed to protecting and preserving AlUla’s incredible human history for the benefit of residents and visitors alike. These two mosques were once vital to their community, and we look forward to them bringing people together once more.”

Return to traditional conservation methods
RCU is committed to working to international best-practice standards in restoration and conservation. It has worked closely with both international experts and AlUla’s community to not only restore the mosques and other sites, but also to understand better the traditional building techniques originally used. Based on archaeological research and conversations with the community, RCU and its partners have been able to carry out the restorations using traditional methods and materials.

In restoring the mosques’ roofs, the restoration team used locally-sourced tamarisk wood joists, which were then layered with palm-leaf branches (jarid) and palm-leaf matting (hassir). The final element of straw and mud bricks on top provides light-weight and historically accurate protection against the elements.

The use of similarly traditional techniques extended to the restoration of the mosques’ walls and floors, from which modern concrete and plaster was carefully removed, allowing the brickwork beneath to be carefully studied. Traditional mud-plaster was then hand applied in age-old fashion by first throwing balls of mud at the walls during shady times of the day to prevent drying, then smoothing down with a wooden flattener.

As Abdulrahman AlImam, an AlUla local and conservation consultant for the project, states, “Natural clay, wood and palm leaves were - and now are again - used in the roofs of buildings in the Old Town. The building materials used are characterized by the unique nature and heritage of AlUla.”

Embracing global standards
This traditionally minded approach is in-line with UNESCO’s conservation principles of authenticity, integrity, reversibility, minimum intervention and maximum respect for the sites’ historical, symbolic and aesthetic characters. In addition, the conservation team adhered closely to international conservation charters, in particular the International Council on Monuments and Sites’ (ICOMOS) Mexico Charter on the Built Vernacular Heritage and the ICOMOS Charter of 2003, as well as to standards set by the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM).

Community consultation
In keeping with UNESCO’s principles of community engagement around heritage sites, RCU is also working closely with the community on understanding and conserving the Old Town and its mosques. The community had been responsible for maintaining the mosques and other buildings for generations. Members of the community, some of them children and grandchildren of former residents, such as Abdulrahman AlImam, joined the international experts to lend their own knowledge and deep interest in revitalizing the Old Town. Indeed, recording oral histories of the Old Town from AlUla’s community has been vital to building up a better understanding of its history and role in wider Saudi and Islamic society.

The Hamad Bin Yunus and AlZawiyah mosques are both located in the AlHalaf neighborhood south of the Mussa Bin Nussair citadel and reflect AlUla’s history as an important stopping point on pilgrimages to Mecca and Medina. The Hamad Bin Yunus mosque dates from the 8th century AH (14th century CE), while the dates of AlZawiyah mosque’s original construction are still being investigated.

RCU is actively collaborating with The Program for the Reconstruction of Historical Mosques, adopted by the Saudi Ministry of Tourism and with the partnership of the Ministry of Islamic Affairs, to ensure the mosques’ religious roles are fully respected. Both mosques have undergone a series of restorations in their history, the most recent occurring in 1373 AH (between 1953 and 1954 CE), during the reign of his late Majesty King Saud.

Mohsen AlQarni, Director of the Program for the Reconstruction of Historical Mosques, said: “The restoration of the Hamad Bin Yunus and AlZawiyah mosques in the Old Town comes within the framework of the Historic Mosques Restoration Program, which aims to preserve historical mosques all around the Kingdom.”

The living museum
RCU’s mosque conservation program is part of its commitment to protecting, preserving, sharing and celebrating AlUla’s heritage as it establishes AlUla as a living museum, at the forefront of Saudi Arabia’s cultural, historic and natural tourism sectors.

This program and others are running in parallel with efforts to develop new hotels and other tourism infrastructure that stands in harmony with AlUla’s cultural landscape. This coming together of history and modernity will create authentic experiences for visitors as they journey through time from the award winning 21st century architecture of Maraya to the architecture of centuries and millennia before it.

RCU’s vision to establish AlUla as a global destination for cultural, historic, and eco-tourism will also elevate the quality of life for the region’s communities through new economic opportunities, in-line with Saudi Arabia’s ambitious Vision 2030 program. This development is guided by 12 strategic principles drawn from RCU’s Framework Plan and Charter ensuring all development is sustainable and supports RCU’s Cultural Manifesto for AlUla.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”