Former James Bond Actor Sean Connery Dies Aged 90

Sean Connery. (AP)
Sean Connery. (AP)
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Former James Bond Actor Sean Connery Dies Aged 90

Sean Connery. (AP)
Sean Connery. (AP)

Scottish movie legend Sean Connery, who shot to international stardom as the suave, sexy and sophisticated British agent James Bond and went on to dominate the silver screen for four decades, has died aged 90, the BBC and Sky News reported on Saturday.

Connery was raised in near poverty in the slums of Edinburgh and worked as a coffin polisher, milkman and lifeguard before his bodybuilding hobby helped launch an acting career that made him one of the world's biggest stars.

He will be remembered first as British agent 007, the character created by novelist Ian Fleming and immortalized by Connery in films starting with "Dr. No" in 1962.

As Bond, his debonair manner and wry humor in foiling flamboyant villains and cavorting with beautiful women belied a darker, violent edge, and he crafted a depth of character that set the standard for those who followed him in the role.

He would introduce himself in the movies with the signature line, "Bond - James Bond." But Connery was unhappy being defined by the role and once said he "hated that damned James Bond".

Tall and handsome, with a throaty voice to match a sometimes crusty personality, Connery played a series of noteworthy roles besides Bond and won an Academy Award for his portrayal of a tough Chicago cop in "The Untouchables" (1987). He was 59 when People magazine declared him the "sexiest man alive" in 1989.

Connery was an ardent supporter of Scotland's independence and had the words "Scotland Forever" tattooed on his arm while serving in the Royal Navy. When he was knighted at the age of 69 by Britain's Queen Elizabeth in 2000 at Holyrood Palace in Edinburgh, he wore full Scottish dress including the green-and-black plaid kilt of his mother's MacLeod clan.

Became fed up with 'idiots'
Some noteworthy non-Bond films included director Alfred Hitchcock's "Marnie" (1964), "The Wind and the Lion" (1975) with Candice Bergen, director John Huston's "The Man Who Would be King" (1975) with Michael Caine, director Steven Spielberg's "Indiana Jones and the Last Crusade" (1989) and the Cold War tale "The Hunt for Red October" (1990).

Fans of alternative cinema will always remember him starring as the "Brutal Exterminator" Zed in John Boorman's mind-bending fantasy epic "Zardoz" (1974), where a heavily mustachioed Connery spent much of the movie running around in a skimpy red loin-cloth, thigh-high leather boots and a pony tail.

Connery retired from movies after disputes with the director of his final outing, the forgettable "The League of Extraordinary Gentlemen" in 2003.

"I get fed up dealing with idiots," he said.

The Bond franchise was still going strong more than five decades after Connery started it. The lavishly produced movies, packed with high-tech gadgetry and spectacular effects, broke box office records and grossed hundreds of millions of dollars.

After the smashing success of "Dr. No," more Bond movies followed for Connery in quick succession: "From Russia with Love" (1963), "Goldfinger" (1964), "Thunderball" (1965) and "You Only Live Twice" (1967).

Connery then grew concerned about being typecast and decided to break away. Australian actor George Lazenby succeeded him as Bond in "On Her Majesty's Secret Service" in 1969.

But without Connery it lacked what the public wanted and he was lured back in 1971 for "Diamonds Are Forever" with temptations that included a slice of the profits, which he said would go to a Scottish educational trust. He insisted it would be his last time as Bond.

Twelve years later, at age 53, Connery was back as 007 in "Never Say Never Again" (1983), an independent production that enraged his old mentor, producer Albert "Cubby" Broccoli.

In a 1983 interview, Connery summed up the ideal Bond film as having "marvelous locations, interesting ambiance, good stories, interesting characters - like a detective story with espionage and exotic settings and nice birds."

But Connery's influence helped shape the character in the books as well as the films. He never attempted to disguise his Scottish accent, leading Fleming to give Bond Scottish heritage in the books that were released after Connery's debut.

Born Thomas Connery on Aug. 25, 1930, he was the elder of two sons of a long-distance truck driver and a mother who worked as a cleaner. He dropped out of school at age 13 and worked in a variety of menial jobs. At 16, two years after World War Two ended, Connery was drafted into the Royal Navy, and served three years.

"I grew up with no notion of a career, much less acting," he once said. "I certainly never have plotted it out. It was all happenstance, really."

Connery played small parts with theater repertory companies before graduating to films and television.

It was his part in a 1959 Disney leprechaun movie, "Darby O'Gill and the Little People," that helped land the role of Bond. Broccoli, a producer of the Bond films, asked his wife to watch Connery in the Disney movie while he was searching for the right leading actor.

Dana Broccoli said her husband told her he was not sure Connery had sex appeal.

"I saw that face and the way he moved and talked and I said: 'Cubby, he's fabulous!'" she said. "He was just perfect, he had star material right there."

Connery married actress Diane Cilento in 1962. Before divorcing 11 years later, they had a son, Jason, who became an actor. He married French artist Micheline Roquebrune, whom he met playing golf, in 1975.



When Did Disney Villains Stop Being So Villainous? New Show Suggests They May Just Be Misunderstood

An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
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When Did Disney Villains Stop Being So Villainous? New Show Suggests They May Just Be Misunderstood

An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)
An actor portraying Captain Hook from Peter Pan performs on a float during the Festival of Fantasy Parade at Magic Kingdom Park at Walt Disney World Resort in Lake Buena Vista, Fla., Monday, April 18, 2022. (AP)

Cruella de Vil wanted to turn Dalmatian puppies into fur coats, Captain Hook tried to bomb Peter Pan and Maleficent issued a curse of early death for Aurora.

But wait, maybe these Disney villains were just misunderstood? That's the premise of a new musical show at Walt Disney World that has some people wondering: When did Disney's villains stop wanting to be so ... villainous?

The live show, "Disney Villains: Unfairly Ever After," debuts May 27 at Disney's Hollywood Studios park at the Orlando, Florida, resort. In the show, the three baddies of old-school Disney movies plead their cases before an audience that they are the most misunderstood villains of them all.

"We wanted to tell a story that's a little different than what's been told before: Which one of them has been treated the most unfairly ever after?" Mark Renfrow, a creative director of the show, said in a promotional video.

That hook - the narrative kind, not the captain - is scratching some Disney observers the wrong way.

"I think it's wonderful when you still have stories where villains are purely villainous," said Benjamin Murphy, a professor of philosophy and religious studies at Florida State University's campus in Panama. "When you have villains reveling in their evil, it can be amusing and satisfying."

Disney has some precedent for putting villains in a sympathetic light, or at least explaining how they got to be so evil. The 2021 film, "Cruella," for instance, presents a backstory for the dog-hater played by actor Emma Stone that blames her villainy on her birth mother never wanting her.

Other veins of pop culture have rethought villains too, perhaps none more famously than the book, theatrical musical and movie versions of "Wicked," the reinterpretation of the Wicked Witch of the West character from "The Wonderful Wizard of Oz."

The blockbuster success of "Wicked, " which was based on the 1995 novel "Wicked: The Life and Times of the Wicked Witch of the West," sparked the trend of rethinking villains in popular entertainment, Murphy said.

"With trends like that, the formula is repeated and repeated until it's very predictable: Take a villain and make them sympathetic," he said.

The centuries-old fairy tales upon which several Disney movies are based historically were meant to teach children a lesson, whether it was not to get close to wolves (Little Red Riding Hood, The Three Little Pigs) or trust strange, old women in the woods (Hansel and Gretel, Rapunzel).

But they often made marginalized people into villains - older women, people of color or those on the lower socioeconomic scale, said Rebecca Rowe, an assistant professor of children's literature at Texas A&M University-Commerce.

The trend toward making villains more sympathetic started in the late 1980s and 1990s as children's media took off. There was a desire to present villains in a manner that was more complicated and less black and white, as there was an overall cultural push toward emphasizing acceptance, she said.

"The problem is everyone has swung so hard into that message, that we have kind of lost the villainous villains," Rowe said. "There is value in the villainous villains. There are people who just do evil things. Sometimes there is a reason for it, but sometimes not. Just because there is a reason doesn't mean it negates the harm."

Whether it's good for children to identify with villains is complicated. There is a chance they adopt the villains' traits if it's what they identify with, but then some scholars believe it's not a bad thing for children to empathize with characters who often are part of marginalized communities, Rowe said.

The Disney villains also tend to appeal to adults more than children. They also appreciate the villains' campiness, with some "Disney princesses" gladly graduating into "evil queens."

Erik Paul, an Orlando resident who has had a year-round pass to Disney World for the past decade, isn't particularly fond of the villains, but understands why Disney would want to frame them in a more sympathetic light in a show dedicated just to them.

"I know friends who go to Hollywood Studios mainly to see the villain-related activities," Paul said. "Maybe that's why people like the villains because they feel misunderstood as well, and they feel a kinship to the villains."